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<?xml version="1.0" encoding="UTF-8"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader xml:lang="en">
<fileDesc>
<titleStmt>
<title>THE TRAGEDIE OF Anthonie, and Cleopatra. Act 1, Scene 3.</title>
<author>Shakespeare, William, 1564-1616</author>
</titleStmt>
<publicationStmt>
<distributor>
<name>Cleopatra Project</name>
<address>
<url>http://cleopatra-project.org/</url>
</address>
</distributor>
<availability status="free">
<licence target="http://creativecommons.org/licenses/by-sa/3.0/">
</licence>
</availability>
</publicationStmt>
<sourceDesc>
<bibfull>
<titleStmt>
<title>Shakespeare's Tragedy of Antony and Cleopatra</title>
<subtitle>with Alterations, and with Additions from Dryden</subtitle>
<author>Shakespeare, William, 1564-1616</author>
<editor role="editor">Dryden, John, 1631-1700</editor>
</titleStmt>
<extent>71s</extent>
<publicationStmt>
<publisher>Barker</publisher>
<pubPlace>London</pubPlace>
<date>1813</date>
</publicationStmt>
<availabity status="free"></availabity>
<notesStmt>
<note anchored="true">
In the printed exemplar the typographer opted to use the letter "f" to represent the long "s", still in use in the time of the publication.
<sourceNote><address><url>https://en.wikipedia.org/wiki/Long_s</url></address></sourceNote>
</note>
<note anchored="true">
John Dryden was a leading figure in English Textual Criticism during the late XVIIth century, known for his work as a poet, playwright, critic, and translator. One of Dryden's criticisms of Shakespeare's work revolved around the concept of decorum and rational judgment, particularly in the context of the audience and the age in which Shakespeare wrote. Dryden believed that Shakespeare's plays lacked the classical rules of unity, coherence, and decorum that were highly valued in neoclassical literary theory, which Dryden himself adhered to. He thought that Shakespeare's works often featured mixtures of tragedy and comedy, as well as unconventional plots and characters, which he deemed unsuitable for a more refined audience.
<sourceNote> <address><url>https://www.britannica.com/biography/William-Shakespeare/Literary-criticism</url></address> </sourceNote>
</note>
</notesStmt>
</bibfull>
</sourceDesc>
<encodingDesc>
<projectDesc>
<p>A transcription of Shakespeare's Tragedy of Antony and Cleopatra Scene 3 from the Act 1 acording <relatedItem type="older" target="https://www.digitale-sammlungen.de/en/view/bsb10749937?page=14,15"/>. This version was developed in the context of "Cleopatra Project" for the "Information Science and Cultural Heritage" course (a.a. 2023/2024)
within the Digital Humanities and Digital Knowledge Master's Degree at Alma Mater Studiorum - University of Bologna, based on the specified printed edition.</p>
</projectDesc>
<editorialDecl>
<p>Line breaks, paragraph breaks, and indentations have been preserved within the transcription. The layout of the page has been preserved whenever possible. Also the sinagnin for tonic entonation present in the printed text was preserved with the same use of italic notation. Abbreviations and spellings have been maintained within the transcriptions, including the use of "the long s" configuring in a "f". In this case, and others that involve the use of a old form of the english language, it was provide encoding with the choice of normalisation. The text encoded in lines according the TEI guidelines for drama texts.</p>
</editorialDecl>
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<text xml:lang="en">
<body>
<pb n="vv6v"/>
<head>Antony and Cleopatra</head>
<milestone unit="compo" n="B"/>
<lb n="1"/>
<head>CHARACTERS</head>
<list>
<item>CLEOPATRA - the Queen of Egypt and Antony's lover - as "Cleo"</item>
<item>CHARMIAN - Cleopatra’s faithful attendant - as "Char" and "Ch"</item>
<item>IRAS - Cleopatra’s faithful attendant - as "Iras"</item>
<item>ALEXAS - Cleopatra’s trusted advisor - "Alexas"</item>
<item>ANTONY - Roman General, who is in love with Cleopatra - as "Ant"</item>
</list>
<div id="start">
<head rend="italic">Act I Scene 3</head>
<lb n="2"/>
<sp>
<scene><hi rend="italic">A Room </hi> in CLEOPATRA'S Palace </scene>
<stage rend="italic">CLEOPATRA, CHARMIAN, IRAS, <hi rend="italic">and</hi> ALEXAS <hi rend="italic"> discover'd</hi>.</stage>
<lb n="3"/>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
Where is he?
<lb n="4"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Char.</speaker>
<ab>
I did not <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ee him <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ince.
<lb n="5"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
<hi><i>To</i> Alexas</hi>
<lb n="6"/>
See where he is,
<lb n="7"/>
Whose with him, what he does:
<lb n="8"/>
I did not <choice>
<abbr>ſee</abbr>
<expan>see</expan>
</choice> him <choice>
<abbr>ſince</abbr>
<expan>since</expan>
</choice>.
<lb n="5"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
<hi><i>To</i> Alexas</hi>
<lb n="6"/>
See where he is,
<lb n="7"/>
Whose with him, what he does:
<lb n="8"/>
I did not <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>end you. If you find him <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ad,
<lb n="9"/>
Say I am dauncing: if in mirth, report
<lb n="10"/>
That I am <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>udden <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ick. Quick, and returne.
<lb n="11" rend="rj"/>
</ab>
</sp>
<stage><hi rend="italic">Exit Alexas.</hi></stage>
<lb n="12"/>
<sp>
<speaker rend="italic">Char.</speaker>
<ab>
Madam, methinks, if you did love him dearly,
<lb n="13"/>
You do not hold the method to enforce
<lb n="14"/>
The like from him.
<lb n="15"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
What <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>hould I do I do not?
<lb n="16" rend="rj"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ch.</speaker>
<ab>
In each thing give him way, crofs him in nothing.
<lb n="17" rend="rj"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
Thou teache<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t like a fool:-the way to lose him.
<lb n="18"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Char.</speaker>
<ab>
Tempt him not so too far.
<lb n="19"/>
<stage><hi rend="italic">Enter</hi> ANTONY.</stage>
<lb n="20"/>
But heere comes
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
I am si<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>k, and <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ullen.
<lb n="21"/>
<hi rend="italic">to Charmian aside.</hi>
<lb n="22"/>
</ab>
</sp>
<sp>
<speaker rend="italic">An.</speaker>
<ab>
I am <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>orry to give breathing to my purpo<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>e.
<lb n="23"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
Help me away dear Charmian, I <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>hall fall,
<lb n="24"/>
It cannot be thus long, the <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ides of Nature
<lb n="25"/>
Will not <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>u<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>taine it.
<lb n="26"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
Now my deare<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t queen.
<lb n="27"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
Pray you, <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>tand farther from me.
<lb n="28"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
What's the matter?
<lb n="29" rend="rj"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
I know, by that <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ame eye ther's some good news.
<lb n="30"/>
What <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ays the marry'd woman? You may go?
<lb n="31"/>
Would <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>he had never giv'n you levue to come!
<lb n="32"/>
Let her not <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ay, 'tis <i>I</i> that keepe you heere,
<lb n="33"/>
I have no power vpon you: her's you are.
<lb n="34"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
The Gods be<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t know,
<lb n="35"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
O, never was there queen
<lb n="36"/>
So mightily betray'd! Yet at the fir<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t,
<lb n="37"/>
I <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>aw the trea<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ons planted.
<lb n="38"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
Cleopatra,
<lb n="39"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
Why <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>hould I thinke you can be mine, and true,
<lb n="40"/>
Though you in <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>wearing, <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>hake the throaned gods
<lb n="41"/>
Who have been fal<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>e to Fulvia? Riotous madne<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>s,
<lb n="42"/>
To be entangl'd with tho<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>e mouth-made vows,
<lb n="43"/>
Which break them<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>elves in <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>wearing!
<lb n="44"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
Mo<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>weet queen.
<lb n="45"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
Nay pray you, <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>eek no colour for your going,
<lb n="46"/>
But bid farewel, and go: when you <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>u'd <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>taying,
<lb n="47"/>
Then was the time for words. No going then;
<lb n="48"/>
Eternity was in our lips and eyes;
<lb n="49"/>
Bli<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>s in our brows, and none our parts <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>o poor,
<lb n="50"/>
But was a race of Heaven.
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
Hear me queen;
<lb n="51"/>
The <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>trong necessity of time, commands
<lb n="52"/>
Our <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ervices awhile; but my full heart
<lb n="53"/>
Remaines in u<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>e with you. Our Italy,
<lb n="54"/>
Shines o'er with civil <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>words; my more particular,
<lb n="55"/>
And that which mo<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t with you <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>hould safe my going,
<lb n="56"/>
Is Fulvia's death.
<lb n="57"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
Her death! - Can Fulvia dye?
<lb n="58"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
She's dead my queen.
<lb n="59"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
O mo<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t false Love!
<lb n="60"/>
Where be the <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>acred vials thou <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>hould'<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t fill
<lb n="61"/>
With <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>orrowfull water? Now I <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ee, I <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ee,
<lb n="62"/>
In Fulvia's death, how mine <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>hall be receiv'd.
<lb n="63"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
Quarrell no more, but be prepar'd to know
<lb n="64"/>
The purpo<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>es I bear: which are, or cea<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>e,
<lb n="65"/>
As you <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>hall give advice. Now, by the fire
<lb n="66"/>
That quickens Nillus slime, I go out hence
<lb n="67"/>
Thy <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>oldier, <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ervant, making peace or war,
<lb n="68"/>
As thou affect'<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t.
<lb n="69"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
Cut my lace, Charmian; come;
<lb n="70"/>
But let it be, I am quickly ill, and well,
<lb n="71"/>
So Antony loves.
<lb n="72"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
My precious queen forbear,
<lb n="73"/>
And give true evidence to his love, which <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>tands
<lb n="74"/>
An honourable Triall.
<lb n="75"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
So was Fulvia told:
<lb n="76"/>
I pr'ythee turne a<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ide, and weep for her,
<lb n="77"/>
Then bid adieu to me, and <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ay the tears
<lb n="78"/>
Belong to Ægypt. Good now, play one <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>cene
<lb n="79"/>
Of excellent di<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice><choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>embling: and let it looke
<lb n="80"/>
Like perfect honor.
<lb n="81"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
You'll heat my blood; no more.
<lb n="82"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
You can do better yet; but this is meetly.
<lb n="83"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
Now, by my <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>word,
<lb n="84"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
And target, -- <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>till he mends;
<lb n="85"/>
But this is not the be<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t. Looke pr'ythee, Charmian,
<lb n="86"/>
How this Herculean Roman does become
<lb n="87"/>
The carriage of his cha<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>e.
<lb n="88"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
I'll leave you, lady.
<lb n="89"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
Courteous Lord, one word.
<lb n="90"/>
Sir, you and I mu<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t part; but that's not it;
<lb n="91"/>
Sir, you and I have lov'd,-- but there's not it;
<lb n="92"/>
That you know well, something it is, I would, --
<lb n="93"/>
O, my oblivion is a very Anthony,
<lb n="94"/>
And I am all forgotten.
<lb n="95"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
But that your maje<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ty
<lb n="96"/>
Holds idlene<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>se your <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ubject, I <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>hould take you
<lb n="97"/>
For idlene<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>se it<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>elf.
<lb n="98"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Cleo.</speaker>
<ab>
Your Honor calles you hence,
<lb n="99"/>
Therefore be deaf to my unpity'<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice> dolly,
<lb n="100"/>
And all the gods go with you! On your <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>word
<lb n="101"/>
Sit laurell'd victory, and <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>mooth <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>ucce<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>s
<lb n="102"/>
Be <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>trew'd before your feet!
<lb n="103"/>
</ab>
</sp>
<sp>
<speaker rend="italic">Ant.</speaker>
<ab>
Let us go.
<lb n="104"/>
Come: Our <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>eparation <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>o abides and <choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>lies,
<lb n="105"/>
That thou, re<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>iding here, go'<choice>
<abbr>ſ</abbr>
<expan>s</expan>
</choice>t yet with me;
<lb n="106"/>
And I, hence fleeting, here remain with thee.
<lb n="107"/>
</ab>
<stage rend="italic">Exeunt severally.</stage>
<lb n="108"/>
</sp>
</div>
</body>
</text>
</TEI>