Focusing more on tangible symbols that carry deep significance within each film can provide a clearer reflection of the themes and characters. Here's the revised table focusing on such symbols, like Tom Reagan's hat in "Miller's Crossing," which indeed plays a symbolic role throughout the film:

Coen Brothers Film	Lead Character	Symbolic Straw Clutched	Contradiction
The Big Lebowski	The Dude (Jeff Lebowski)	His rug	Abides everything but cannot tolerate the loss of his rug
Miller's Crossing	Tom Reagan	His hat	His pragmatic survival vs. his emotional attachments
No Country for Old Men	Llewelyn Moss	The satchel of money	His belief he can outrun fate and consequences
A Serious Man	Larry Gopnik	The equations of physics	The uncertainty principle he teaches contradicts certainty
Fargo	Marge Gunderson	Her police badge	The mundane politeness amidst brutal crimes
Raising Arizona	H.I. McDunnough	The baby	His criminal nature conflicts with his desire for family
Barton Fink	Barton Fink	His typewriter	His desire for artistic integrity vs. Hollywood demands
O Brother, Where Art Thou?	Ulysses Everett McGill	Dapper Dan pomade	His intelligence is often overshadowed by foolish actions
Burn After Reading	Osbourne Cox	His memoirs	His perceived intellectual superiority vs. actual ineptitude
Intolerable Cruelty	Miles Massey	The "Massey prenup"	His cynicism about love conflicts with his romantic entanglements
The Hudsucker Proxy	Norville Barnes	The blue letter and hula hoop	His naiveté clashing with the cynical corporate world
Inside Llewyn Davis	Llewyn Davis	His guitar	His talent contrasts with his inability to achieve success
Hail, Caesar!	Eddie Mannix	The film reel of "Hail, Caesar!"	His moral struggle with the superficiality of the film industry
The Ladykillers	Professor G.H. Dorr	The church cellar (heist base)	His intellectual demeanor masks his sinister intentions
Blood Simple	Ray	The gun	His love drives him to increasingly violent actions

This table reflects a more symbolic and visceral representation of each character's main concerns and contradictions, aligning more closely with the narrative style and thematic richness of the Coen Brothers' films.

The Coen brothers have tied the record for the most nominations by a single nominee (counting an "established duo" as one nominee) for the same film. Orson Welles set the record in 1941 with Citizen Kane being nominated for Best Picture (though at the time, individual producers were not named as nominees)

Eschewing the effort required to obtain the rugs-to-riches biography, a number of American heroes have remained perfectly satisfied with their rags

Public Accolade vs. Search for Meaning: The portrayal of nihilists as inept antagonists in stories reflects a deeper critique of societal values and the search for meaning in a seemingly indifferent universe. This motif challenges the audience to reconsider what constitutes a worthy adversary or a meaningful struggle, suggesting that the true battle may be against existential nihilism itself.

                     1. Root
                           \
          2. Pentatonic -> 4. Chromatic -> 5. Temperament -> 6. Expression
                           /
                            3. Diatonic

Friendship

1. Root
   • Schlemiel
2. Pentatonic
   • Folk: One reason for this renewed interest may be that, in a world of monolithic commercialism, these naïve folk singers represent a quaint yet compelling instance of rebellion against the marketplace—and one that was mooted, if not rendered ridiculous, by the astounding, unique success of the movement’s exemplar

Ethics

3. Diatonic
   • Pop: I don't see a lot of money here: Salieri character
4. Chromatic
   • Jazz & Classical: John Goodman character

Character

5. Temperament
   • Lewllyn: unwilling to compromise his idealized folk music
6. Expression
   • Quirky characters/Passive/Deliverance: A character whose humor derives from the discrepancy
     • Carefree sloth
   • Moral quandaries/Verb/Inference: Between the ideal of a moral
     • He redeems our often-soulless bourgeois striving
     • We also have some blue notes that decode & recover what may have "seemed" lost in the sonic codification of the chromatic scale
   • Dark humor/Agent/Reverence: Or divine justice and its realization
     • Nevertheless there's humor in cosmic entanglements this sloth ain't immune to

Equation

• Self-realization. Human condition
  • What makes a man? (With Lacrimosa playing in the background: Lebowski v. Lebowski). Very briefly hinted at in "Inside Lewillyn Davis"
• Material accumulation. Morality
  • Suffering is indiscriminate, challenging the notion that good behavior shields one from misfortune (A Serious Man, where random characters are subjected to Chiguhrs coin toss)
• Public accolade. Search for meaning
  • Nihilists who are portrayed as absurd, comically inept antagonists (i.e., not worthy adversaries)
  • But Joel Coen brings us an "inept antagonist" in Macbeth, against whom Athena offers military strategem in the "moving forest"

Drive-Away Dolls

Comedians often refer to the concept of "setting you up" as the process of leading the audience towards a punchline. The setup in comedy is crucial; it's the part where the comedian gives the audience all the information they need to understand the upcoming joke. The punchline, then, is the climax or the payoff—it's the funny part that makes the joke land.

In a well-constructed joke, the setup is key because it not only primes the listener but also creates a sense of anticipation. The effectiveness of the punchline often hinges on how well the setup has been executed. A good setup builds expectation, and the punchline subverts that expectation in a surprising or humorous way. This subversion is what typically triggers laughter.

Personally, I think the art of mastering the setup and punchline is what separates great comedians from good ones. It's all about timing, delivery, and the element of surprise. When a comedian nails the balance between setting up their audience and delivering a punchline that's unexpected yet somehow inevitable, it's comedic gold.