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2 changes: 1 addition & 1 deletion _sources/ipynb/thesis.ipynb
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" \n",
" Without these tensions, constraints, insertions, and struggles the unfortunate likelihood of premature ii-V-I `home-coming` increases exponentially. It's on these grounds that one understands the beauty in Shakespeare's Hamlet, Chopin's Op. 28 Prelude No. 4 {cite}`wikipedia_prelude_op_28_no_4`, Joe's All The Things {cite}`joe_all_the_things_1996`, and MattAffleck's Good Will Hunting {cite}`GoodWillHuntingPainting2016` {cite}`GoodWillHuntingSceneReaction2024`\n",
"\n",
" The Good Will Hunting scene in which Matt Damon's character meets Robin William's character is prophetic in a very strange way: It is a fictional scene in a movie, with critical take on an office painting apparently by the movies director in real life, of a mentally unstable clinical psychologist (Robin William's), who Damon's character analyses and reaches the inference: \"I think you're about one step away from cuttin' your fuckin' ear off.\" Robin William's committed suicide by belt-strangulation in real life.\n",
" The Good Will Hunting scene in which Matt Damon's character meets Robin William's character is prophetic in a very strange way: It is a fictional scene in a movie, with critical take on an office painting apparently by the movies director in real life, of a clinical psychologist who's boat is about to capsize (Robin William's) {cite}`Nietzsche1881`, Damon's character accruately diagnoses as much by declaring: \"I think you're about one step away from cuttin' your fuckin' ear off.\" Robin William's committed suicide by belt-strangulation in real life.\n",
"\n",
"</Details>"
]
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6 changes: 3 additions & 3 deletions act1/chapter1.html
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Expand Up @@ -423,9 +423,9 @@ <h2>Backstory, <span class="math notranslate nohighlight">\(F(t)\)</span><a clas
</section>
<section id="encoding-h-t">
<h2>Encoding, <span class="math notranslate nohighlight">\(h(t)\)</span><a class="headerlink" href="#encoding-h-t" title="Permalink to this heading">#</a></h2>
<p>You’re right, calling it “playful” doesn’t quite capture the gravity of that moment. Ygritte’s actions were driven by a complex mix of love and betrayal, making it a scene rich with emotional conflict <span id="id2">[<a class="reference internal" href="../act3/part3/part3_3.html#id35" title="Friedrich Nietzsche. An Attempt at Self-Criticism. Wikisource, 2003. Originally published in 1872. URL: https://en.wikisource.org/wiki/An_Attempt_at_Self-Criticism.">10</a>]</span>.</p>
<p>The scene where Ygritte aims her bow and arrow at Jon Snow as he flees is indeed charged with tension and heartbreak. In Season 3, Episode 10 (“Mhysa”), when Jon decides to return to the Night’s Watch, Ygritte confronts him in the wilderness. She’s visibly torn between her love for Jon and her sense of betrayal, feeling deeply hurt by his perceived abandonment <span id="id3">[<a class="reference internal" href="../act3/part3/part3_3.html#id32" title="Abimereki D Muzaale, Allan B Massie, Mei-Cheng Wang, Robert A Montgomery, Maureen A McBride, Jennifer L Wainright, and Dorry L Segev. Risk of end-stage renal disease following live kidney donation. JAMA, 311(6):579-586, 2014. doi:10.1001/jama.2013.285141.">11</a>]</span>.</p>
<p>As Jon rides away, Ygritte’s decision to shoot him with arrows is a powerful expression of her inner turmoil. Each shot is fueled by a blend of anger, pain, and sorrow. Despite her fierce demeanor, the hesitation in her actions reveals the depth of her feelings for Jon. She wounds him but stops short of killing him, highlighting the tragic nature of their relationship. Ygritte’s final words, “You know nothing, Jon Snow,” echo the complexity of their bond, filled with love, misunderstanding, and irreconcilable differences. elements Nietzsche increasingly valued <span id="id4">[<a class="reference internal" href="../act3/part3/part3_3.html#id35" title="Friedrich Nietzsche. An Attempt at Self-Criticism. Wikisource, 2003. Originally published in 1872. URL: https://en.wikisource.org/wiki/An_Attempt_at_Self-Criticism.">10</a>]</span>.</p>
<p>You’re right, calling it “playful” doesn’t quite capture the gravity of that moment. Ygritte’s actions were driven by a complex mix of love and betrayal, making it a scene rich with emotional conflict <span id="id2">[<a class="reference internal" href="../act3/part3/part3_3.html#id36" title="Friedrich Nietzsche. An Attempt at Self-Criticism. Wikisource, 2003. Originally published in 1872. URL: https://en.wikisource.org/wiki/An_Attempt_at_Self-Criticism.">10</a>]</span>.</p>
<p>The scene where Ygritte aims her bow and arrow at Jon Snow as he flees is indeed charged with tension and heartbreak. In Season 3, Episode 10 (“Mhysa”), when Jon decides to return to the Night’s Watch, Ygritte confronts him in the wilderness. She’s visibly torn between her love for Jon and her sense of betrayal, feeling deeply hurt by his perceived abandonment <span id="id3">[<a class="reference internal" href="../act3/part3/part3_3.html#id33" title="Abimereki D Muzaale, Allan B Massie, Mei-Cheng Wang, Robert A Montgomery, Maureen A McBride, Jennifer L Wainright, and Dorry L Segev. Risk of end-stage renal disease following live kidney donation. JAMA, 311(6):579-586, 2014. doi:10.1001/jama.2013.285141.">11</a>]</span>.</p>
<p>As Jon rides away, Ygritte’s decision to shoot him with arrows is a powerful expression of her inner turmoil. Each shot is fueled by a blend of anger, pain, and sorrow. Despite her fierce demeanor, the hesitation in her actions reveals the depth of her feelings for Jon. She wounds him but stops short of killing him, highlighting the tragic nature of their relationship. Ygritte’s final words, “You know nothing, Jon Snow,” echo the complexity of their bond, filled with love, misunderstanding, and irreconcilable differences. elements Nietzsche increasingly valued <span id="id4">[<a class="reference internal" href="../act3/part3/part3_3.html#id36" title="Friedrich Nietzsche. An Attempt at Self-Criticism. Wikisource, 2003. Originally published in 1872. URL: https://en.wikisource.org/wiki/An_Attempt_at_Self-Criticism.">10</a>]</span>.</p>
<section id="case-study">
<h3>Case-study<a class="headerlink" href="#case-study" title="Permalink to this heading">#</a></h3>
<aside class="margin sidebar">
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Expand Up @@ -371,7 +371,7 @@ <h1>ESRD</h1>
<p class="sidebar-title"></p>
<div class="admonition note">
<p class="admonition-title">Note</p>
<p><em>In Bach, God threw us a bone to chew on, we lucky few! <span id="id1">[<a class="reference internal" href="../act3/part3/part3_3.html#id30" title="William Shakespeare. St crispin's day speech. 1599. Accessed: 2024-07-22. URL: https://en.wikipedia.org/wiki/St_Crispin%27s_Day_Speech.">12</a>]</span></em></p>
<p><em>In Bach, God threw us a bone to chew on, we lucky few! <span id="id1">[<a class="reference internal" href="../act3/part3/part3_3.html#id31" title="William Shakespeare. St crispin's day speech. 1599. Accessed: 2024-07-22. URL: https://en.wikipedia.org/wiki/St_Crispin%27s_Day_Speech.">12</a>]</span></em></p>
</div>
</aside>
<p>The phrase “throw a bone to chew on” typically means giving someone something to occupy their attention or to think about. It’s often used metaphorically, derived from the literal action of giving a dog a bone to keep it busy and satisfied. This phrase can be used in various contexts:</p>
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8 changes: 4 additions & 4 deletions act1/chapter3.html
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Expand Up @@ -391,22 +391,22 @@ <h2> Contents </h2>
<section id="never-same-river-twice-1-2-3">
<h2>Never Same River Twice 1, 2, 3<a class="headerlink" href="#never-same-river-twice-1-2-3" title="Permalink to this heading">#</a></h2>
<ul class="simple">
<li><p>Chaos: Time-to-event (grief, love) <span id="id1">[<a class="reference internal" href="../act3/part3/part3_3.html#id25" title="Heraclitus. Fragments. Hypothetical Classical Press, Athens, 2021. Original works circa 500 BCE. This edition includes the fragment: &quot;No man ever steps in the same river twice, for it's not the same river and he's not the same man.&quot;.">13</a>]</span></p></li>
<li><p>Chaos: Time-to-event (grief, love) <span id="id1">[<a class="reference internal" href="../act3/part3/part3_3.html#id26" title="Heraclitus. Fragments. Hypothetical Classical Press, Athens, 2021. Original works circa 500 BCE. This edition includes the fragment: &quot;No man ever steps in the same river twice, for it's not the same river and he's not the same man.&quot;.">13</a>]</span></p></li>
<li><p>Frenzy: No broken vow to duty or calling</p></li>
<li><p>Emotion: Instantaneous likelihood of breaking oath</p></li>
</ul>
</section>
<section id="categorical-imperative-4">
<h2>Categorical Imperative 4<a class="headerlink" href="#categorical-imperative-4" title="Permalink to this heading">#</a></h2>
<ul class="simple">
<li><p>Dionysian: stories: arcs (n) x values: honor-duty <span class="math notranslate nohighlight">\((p)\)</span> design matrix <span id="id2">[<a class="reference internal" href="../act3/part3/part3_3.html#id26" title="Robert Johnson and Adam Cureton. Kant's moral philosophy. 2022. Accessed: 2024-07-24. URL: https://plato.stanford.edu/entries/kant-moral/.">14</a>]</span> <span id="id3">[<a class="reference internal" href="../act3/part3/part3_3.html#id22" title="Times of Israel. Israeli officials said to slam kamala harris for skipping netanyahu's congress speech. Times of Israel, 2024. Accessed: 2024-07-24. URL: https://www.timesofisrael.com/israeli-officials-said-to-slam-kamala-harris-for-skipping-netanyahus-congress-speech/.">15</a>]</span></p></li>
<li><p>Dionysian: stories: arcs (n) x values: honor-duty <span class="math notranslate nohighlight">\((p)\)</span> design matrix <span id="id2">[<a class="reference internal" href="../act3/part3/part3_3.html#id27" title="Robert Johnson and Adam Cureton. Kant's moral philosophy. 2022. Accessed: 2024-07-24. URL: https://plato.stanford.edu/entries/kant-moral/.">14</a>]</span> <span id="id3">[<a class="reference internal" href="../act3/part3/part3_3.html#id23" title="Times of Israel. Israeli officials said to slam kamala harris for skipping netanyahu's congress speech. Times of Israel, 2024. Accessed: 2024-07-24. URL: https://www.timesofisrael.com/israeli-officials-said-to-slam-kamala-harris-for-skipping-netanyahus-congress-speech/.">15</a>]</span></p></li>
</ul>
</section>
<section id="beyond-good-evil-5-6">
<h2>Beyond Good &amp; Evil 5, 6<a class="headerlink" href="#beyond-good-evil-5-6" title="Permalink to this heading">#</a></h2>
<ul>
<li><p>Algorithm defining <code class="docutils literal notranslate"><span class="pre">weights</span></code>, values &amp; priorities in relation to our fate and <code class="docutils literal notranslate"><span class="pre">destiny</span></code> <span id="id4">[<a class="reference internal" href="../act3/part3/part3_3.html#id23" title="The Economist. How to decode kamala harris's foreign policy. The Economist, 2024. Accessed: 2024-07-24. URL: https://www.economist.com/united-states/2024/07/24/how-to-decode-kamala-harriss-foreign-policy.">16</a>]</span> <span id="id5">[<a class="reference internal" href="../act3/part3/part3_3.html#id10" title="The Economist. Why is mark zuckerberg giving away meta's crown jewels? The Economist, July 2024. Accessed: 2024-07-27. URL: https://www.economist.com/business/2024/07/24/why-is-mark-zuckerberg-giving-away-metas-crown-jewels.">17</a>]</span> <span id="id6">[<a class="reference internal" href="../act3/part3/part3_3.html#id11" title="YouTube. Mark zuckerberg - llama 3, $10b models, caesar augustus, &amp; 1 gw datacenters. 2024. Accessed: 2024-07-27. URL: https://www.youtube.com/watch?v=bc6uFV9CJGg.">18</a>]</span> <span id="id7">[<a class="reference internal" href="../act3/part3/part3_3.html#id9" title="Lambda Labs. Gpu cloud - 1-click clusters. 2024. Accessed: 2024-07-27. URL: https://lambdalabs.com.">19</a>]</span></p></li>
<li><p>Binary: if an archetype is theme, you are one of the unique variations; no two people are identical <span id="id8">[<a class="reference internal" href="../act3/part3/part3_3.html#id27" title="Friedrich Nietzsche. Beyond Good and Evil. Project Gutenberg, 2003. Translated by Helen Zimmern. eBook release date: August 1, 2003. Accessed: 2024-07-24. URL: https://www.gutenberg.org/files/4363/4363-h/4363-h.htm.">20</a>]</span></p>
<li><p>Algorithm defining <code class="docutils literal notranslate"><span class="pre">weights</span></code>, values &amp; priorities in relation to our fate and <code class="docutils literal notranslate"><span class="pre">destiny</span></code> <span id="id4">[<a class="reference internal" href="../act3/part3/part3_3.html#id24" title="The Economist. How to decode kamala harris's foreign policy. The Economist, 2024. Accessed: 2024-07-24. URL: https://www.economist.com/united-states/2024/07/24/how-to-decode-kamala-harriss-foreign-policy.">16</a>]</span> <span id="id5">[<a class="reference internal" href="../act3/part3/part3_3.html#id11" title="The Economist. Why is mark zuckerberg giving away meta's crown jewels? The Economist, July 2024. Accessed: 2024-07-27. URL: https://www.economist.com/business/2024/07/24/why-is-mark-zuckerberg-giving-away-metas-crown-jewels.">17</a>]</span> <span id="id6">[<a class="reference internal" href="../act3/part3/part3_3.html#id12" title="YouTube. Mark zuckerberg - llama 3, $10b models, caesar augustus, &amp; 1 gw datacenters. 2024. Accessed: 2024-07-27. URL: https://www.youtube.com/watch?v=bc6uFV9CJGg.">18</a>]</span> <span id="id7">[<a class="reference internal" href="../act3/part3/part3_3.html#id10" title="Lambda Labs. Gpu cloud - 1-click clusters. 2024. Accessed: 2024-07-27. URL: https://lambdalabs.com.">19</a>]</span></p></li>
<li><p>Binary: if an archetype is theme, you are one of the unique variations; no two people are identical <span id="id8">[<a class="reference internal" href="../act3/part3/part3_3.html#id28" title="Friedrich Nietzsche. Beyond Good and Evil. Project Gutenberg, 2003. Translated by Helen Zimmern. eBook release date: August 1, 2003. Accessed: 2024-07-24. URL: https://www.gutenberg.org/files/4363/4363-h/4363-h.htm.">20</a>]</span></p>
<div class="highlight-none notranslate"><div class="highlight"><pre><span></span> 1. Failure
\
2. Duty -&gt; 4. Outcome:Turning-Points;Collective -&gt; 5. Weights -&gt; 6. Precision-Relevance
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Expand Up @@ -415,7 +415,7 @@ <h2>Absurdity and Meaning in The Big Lebowski: Llama3<a class="headerlink" href=
<p>Yes, the Coen brothers’ aesthetics in The Big Lebowski can be seen as embracing meaninglessness, but in a way that contradicts nihilism. Here’s how:</p>
<ul class="simple">
<li><p>Absurdity as acceptance: The film’s absurd events and characters acknowledge the chaos and uncertainty of life, but instead of descending into nihilism, they encourage acceptance and a carefree attitude, embodied by The Dude’s laid-back persona.</p></li>
<li><p>Finding <code class="docutils literal notranslate"><span class="pre">meaning</span> <span class="pre">in</span> <span class="pre">the</span> <span class="pre">mundane</span></code>: The movie highlights the significance of everyday moments, friendships, and rituals (like bowling and White Russians), showing that meaning can be found in the simplest things, even in a seemingly meaningless world <span id="id1">[<a class="reference internal" href="../act3/part3/part3_3.html#id28" title="Elizabeth Carlton. Finding meaning in the mundane can improve our mental health. 2024. Accessed: 2024-07-23. URL: https://elizabethcarlton.medium.com/finding-meaning-in-the-mundane-can-improve-our-mental-health-6359bfa4a4fe.">21</a>]</span> <span id="id2">[<a class="reference internal" href="../act3/part3/part3_3.html#id29" title="Alliance Church. Three ways to find meaning in the mundane. n.d. Accessed: 2024-07-23. URL: https://www.alliancechurch.org/womens-blog/three-ways-to-find-meaning-in-the-mundane/.">22</a>]</span>.</p></li>
<li><p>Finding <code class="docutils literal notranslate"><span class="pre">meaning</span> <span class="pre">in</span> <span class="pre">the</span> <span class="pre">mundane</span></code>: The movie highlights the significance of everyday moments, friendships, and rituals (like bowling and White Russians), showing that meaning can be found in the simplest things, even in a seemingly meaningless world <span id="id1">[<a class="reference internal" href="../act3/part3/part3_3.html#id29" title="Elizabeth Carlton. Finding meaning in the mundane can improve our mental health. 2024. Accessed: 2024-07-23. URL: https://elizabethcarlton.medium.com/finding-meaning-in-the-mundane-can-improve-our-mental-health-6359bfa4a4fe.">21</a>]</span> <span id="id2">[<a class="reference internal" href="../act3/part3/part3_3.html#id30" title="Alliance Church. Three ways to find meaning in the mundane. n.d. Accessed: 2024-07-23. URL: https://www.alliancechurch.org/womens-blog/three-ways-to-find-meaning-in-the-mundane/.">22</a>]</span>.</p></li>
<li><p>Playful subversion of expectations: The Big Lebowski pokes fun at genre conventions, character archetypes, and societal norms, creating a sense of playful irreverence that undermines nihilistic despair.</p></li>
<li><p>Embracing the inconsequential: The film’s focus on minor, inconsequential events and characters’ quirky obsessions celebrates the beauty of the inconsequential, suggesting that meaning can be found in the margins, not just in grand, purpose-driven narratives.</p></li>
<li><p>Aestheticizing the ordinary: The movie’s visual and narrative style, often described as “quirky” or “offbeat,” transforms the mundane into something visually striking and engaging, further emphasizing the idea that meaning can be derived from the everyday.
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<h2>Donation-Attributable Risk<a class="headerlink" href="#donation-attributable-risk" title="Permalink to this heading">#</a></h2>
<iframe src="../pdfs/locke.pdf" width="200%" height="600px" style="borders:none"></iframe>
<ul class="simple">
<li><p>Jamie Locke makes a call to action on a topic that is the focus of my doctoral thesis <span id="id1">[<a class="reference internal" href="part3/part3_3.html#id20" title="Jayme E Locke. Donation-attributable risk-a call to action. JAMA Surgery, Jul 2024. Online ahead of print. doi:10.1001/jamasurg.2024.2417.">24</a>]</span>.</p></li>
<li><p>Jamie Locke makes a call to action on a topic that is the focus of my doctoral thesis <span id="id1">[<a class="reference internal" href="part3/part3_3.html#id21" title="Jayme E Locke. Donation-attributable risk-a call to action. JAMA Surgery, Jul 2024. Online ahead of print. doi:10.1001/jamasurg.2024.2417.">24</a>]</span>.</p></li>
</ul>
</section>
<div class="toctree-wrapper compound">
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