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Summaries05March2014.xml
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<TEI>
<teiHeader>
<fileDesc>
<titleStmt>
<title>Summaries</title>
<author>
<hi>Multiple authors</hi>
</author>
<editor>
<hi>NJM</hi>
</editor>
</titleStmt>
<publicationStmt>
<p>Corpus Christi College Cambridge</p>
</publicationStmt>
<sourceDesc>
<p>From typescript (MS-Word document)</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<p/>
</encodingDesc>
<revisionDesc>
<change when="2009-06-01" who="CF and SP">converted from wordfile document</change>
<change when="2009-06-01" who="CF and SP">basic TEI-P5 markup added (teiLite schema)</change>
<change when="2008-07-01" who="GDB">display/print support added (cccAbs.xsl)</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div xml:id="CCC001" n="MS 1">
<p>This manuscript is an English manuscript dating from c. 1425-50 containing tables on, and excerpts
from, the works of Gregory the Great. The manuscript also contains a copy of the <title>Liber
Gregorianus</title> of Garnerius of Saint-Victor OSA (d. 1170), and other works pertaining to
Gregory's writings. CCCC MS 1 is finely decorated with a large number of initials and borders in a
typical English style. James noted a similarity in appearance between this manuscript and <ref
type="ms" target="CCC073">CCCC MS 73</ref>.</p>
</div>
<div xml:id="CCC002I" n="MS 2I">
<p>This great Bible, CCCC MS 2, one of the most famous of the books in the Parker Library, is now bound
in three volumes (2I, 2II, 2III), although once was a single volume. 2I contains ff. 1r-121v with
Jerome’s Prologue and the books from Genesis to Joshua; 2II contains ff. 122r-241v with the books
from Judges to Isaiah; 2III contains ff. 242r-357v with the books from Jeremiah to Job. The single
volume thus contained the books of the Old Testament from Genesis to Job, and the second volume with
the remainder of the Bible has not survived. It can be identified with a Bible commissioned by
Hervey, the sacrist, for his brother, Talbot, prior of Bury St Edmunds Abbey, c. 1135-8, which was
illuminated by Master Hugo. The miniatures and some of the illuminated initials are painted on
separate pieces of vellum stuck to the page, and the description of the Bible in the <title>Gesta
Sacristarum</title> attests that master Hugo 'was unable to find any suitable calf-hide in these
parts' and had to purchase parchment from Ireland. Six large full-page or half-page miniatures
preface some of the books, whereas the others have historiated or ornamental initials. Six of the
large pictures have been removed from the book and are lost. It is a prime example of the very large
luxury Bibles made in the twelfth century for monastic houses. The artist, Master Hugo, was
influenced by Byzantine painting, and may have seen either illuminated manuscripts opr
wall-paintings, such as those of Asinou in Cyprus which most closely resemble his style. The faces
are modelled with shading in green and grey, and the folds are divided into sections reflecting the
position of the limbs. This has been called the 'damp-fold' style and influenced many other artists
working in England in the period c. 1140-70 at Canterbury, Winchester and elsewhere. After the
dissolution of the abbey of Bury St Edmunds at the Reformation the Bible eventually came into the
hands of Matthew Parker.</p>
</div>
<div xml:id="CCC002II" n="MS 2II">
<p>This great Bible, CCCC MS 2, one of the most famous of the books in the Parker Library, is now bound
in three volumes (2I, 2II, 2III), although once was a single volume. 2I contains ff. 1r-121v with
Jerome’s Prologue and the books from Genesis to Joshua; 2II contains ff. 122r-241v with the books
from Judges to Isaiah; 2III contains ff. 242r-357v with the books from Jeremiah to Job. The single
volume thus contained the books of the Old Testament from Genesis to Job, and the second volume with
the remainder of the Bible has not survived. It can be identified with a Bible commissioned by
Hervey, the sacrist, for his brother, Talbot, prior of Bury St Edmunds Abbey, c. 1135-8, which was
illuminated by Master Hugo. The miniatures and some of the illuminated initials are painted on
separate pieces of vellum stuck to the page, and the description of the Bible in the <title>Gesta
Sacristarum</title> attests that master Hugo 'was unable to find any suitable calf-hide in these
parts' and had to purchase parchment from Ireland. Six large full-page or half-page miniatures
preface some of the books, whereas the others have historiated or ornamental initials. Six of the
large pictures have been removed from the book and are lost. It is a prime example of the very large
luxury Bibles made in the twelfth century for monastic houses. The artist, Master Hugo, was
influenced by Byzantine painting, and may have seen either illuminated manuscripts opr
wall-paintings, such as those of Asinou in Cyprus which most closely resemble his style. The faces
are modelled with shading in green and grey, and the folds are divided into sections reflecting the
position of the limbs. This has been called the 'damp-fold' style and influenced many other artists
working in England in the period c. 1140-70 at Canterbury, Winchester and elsewhere. After the
dissolution of the abbey of Bury St Edmunds at the Reformation the Bible eventually came into the
hands of Matthew Parker.</p>
</div>
<div xml:id="CCC002III" n="MS 2III">
<p>This great Bible, CCCC MS 2, one of the most famous of the books in the Parker Library, is now bound
in three volumes (2I, 2II, 2III), although once was a single volume. 2I contains ff. 1r-121v with
Jerome’s Prologue and the books from Genesis to Joshua; 2II contains ff. 122r-241v with the books
from Judges to Isaiah; 2III contains ff. 242r-357v with the books from Jeremiah to Job. The single
volume thus contained the books of the Old Testament from Genesis to Job, and the second volume with
the remainder of the Bible has not survived. It can be identified with a Bible commissioned by
Hervey, the sacrist, for his brother, Talbot, prior of Bury St Edmunds Abbey, c. 1135-8, which was
illuminated by Master Hugo. The miniatures and some of the illuminated initials are painted on
separate pieces of vellum stuck to the page, and the description of the Bible in the <title>Gesta
Sacristarum</title> attests that master Hugo 'was unable to find any suitable calf-hide in these
parts' and had to purchase parchment from Ireland. Six large full-page or half-page miniatures
preface some of the books, whereas the others have historiated or ornamental initials. Six of the
large pictures have been removed from the book and are lost. It is a prime example of the very large
luxury Bibles made in the twelfth century for monastic houses. The artist, Master Hugo, was
influenced by Byzantine painting, and may have seen either illuminated manuscripts opr
wall-paintings, such as those of Asinou in Cyprus which most closely resemble his style. The faces
are modelled with shading in green and grey, and the folds are divided into sections reflecting the
position of the limbs. This has been called the 'damp-fold' style and influenced many other artists
working in England in the period c. 1140-70 at Canterbury, Winchester and elsewhere. After the
dissolution of the abbey of Bury St Edmunds at the Reformation the Bible eventually came into the
hands of Matthew Parker.</p>
</div>
<div xml:id="CCC003" n="MS 3">
<p>CCCC MSS 3-4 are a two-volume Bible made for Dover Priory, a dependency of Christ Church cathedral
priory, Canterbury. Like the Bury Bible, <ref type="ms" target="CCC002I">CCCC MS 2</ref>, it is of
very large size and typical of twelfth-century luxury monastic Bibles. This first volume contains
the Old Testament from Genesis to the Minor Prophets. There is no firm evidence for dating, although
a date c. 1150 is generally accepted. The script is close to the Eadwine Psalter (Cambridge, Trinity
College MS R.17.1) and dated charters produced at Canterbury in the 1150s. It seems fairly certain
that the mother house provided its dependency, Dover Priory, with the book, although at what date it
came to Dover is not known. It appears first in the 1389 catalogue of their books. There are
historiated or decorated initials at the beginning of the biblical books, illuminated by several
artists working in different styles. The artists of this first volume work in a Byzantinising style,
but different from that of Master Hugo in the Bury Bible, <ref type="ms" target="CCC002I">CCCC MS
2</ref>. Although it is also a version of the 'damp-fold' style, the folds are patterned in a
way closer to that of Byzantine artists. This artist of the Dover Bible may have travelled to Sicily
and was influenced by the style of mosaics such as those of the Cappella Palatina, Palermo.</p>
</div>
<div xml:id="CCC004" n="MS 4">
<p>This second volume of the Dover Bible contains the latter part of the Old Testament from the Book of
Psalms, and the whole of the New Testament, and these books have historiated or ornamental initials.
The artists of this volume are different from the first volume, and their work is best parallelled
in North French or Flemish manuscripts of the second quarter of the twelfth century - it is possible
that they may indeed have come from the border region of France and Flanders, and this is suggested
by characteristic iconography from those parts. Some of their work shows Italo-Byzantine influence,
but quite different in appearance to that of the first volume, and characterised by patterned linear
folds in the form of 'nested V's'. Figures have large faces with staring eyes and heavy dark
eyebrows. The two volumes of the Bible found their way into Matthew Parker's collection after the
dissolution of the priory at the Reformation.</p>
</div>
<div xml:id="CCC005" n="MS 5">
<p>CCCC MS 5 is the first of a two-volume copy of the <title>Historia aurea</title> of John of Tynemouth
(fl. c. 1350), dating from c. 1420-40, the second volume being in <ref type="ms" target="CCC006"
>CCCC MS 6</ref>. This manuscript of the <title>Historia</title> contains a history of the world
from creation to the death of Vespasian, but also includes a description of the world based on the
writings of Marco Polo and the versified <title>Itinerarium Cambriae</title>. CCCC MS 5 was one of
several manuscripts (others include CCCC MSS <ref type="ms" target="CCC006">6</ref> and <ref
type="ms" target="CCC007">7</ref>, BL MS Lansdowne 375 and Cambridge UL MS Ee.4.20) owned and,
in some cases, commissioned by William Wintershill (d. c. 1435) the almoner of the Benedictine Abbey
of St Albans in Hertfordshire. An inscription in this manuscript relates how Wintershill donated
CCCC MS 5 and its companion, now <ref type="ms" target="CCC006">CCCC MS 6</ref>, to the Abbey at his
death.</p>
</div>
<div xml:id="CCC006" n="MS 6">
<p>CCCC MS 6, dating from c. 1420-40, contains the second part of John of Tynemouth's <title>Historia
Aurea</title> from the rule of Diocletian to the reign of Edward III, together with an anonymous
continuation for the years 1343-77. CCCC MS 6 was one of several manuscripts (others include CCCC
MSS <ref type="ms" target="CCC005">5</ref> and <ref type="ms" target="CCC007">7</ref>, BL MS
Lansdowne 375 and Cambridge UL MS Ee.4.20) owned and, in some cases, commissioned by William
Wintershill (d. c. 1435) the almoner of the Benedictine Abbey of St Albans in Hertfordshire. An
erased inscription in this manuscript is probably a copy of the material in <ref type="ms"
target="CCC005">CCCC MS 5</ref> that relates how Wintershill donated the two volumes to the
Abbey at his death.</p>
</div>
<div xml:id="CCC007" n="MS 7">
<p>CCCC MS 7, dating from c. 1400-25, contains the <title>Chronica maiora</title> and its continuations
by the St Albans chronicler Thomas Walsingham (c. 1370-c. 1422), together with an incomplete copy of
his <title>Gesta abbatum Sancti Albani</title> copied from London, BL MS Cotton Claudius E. IV. In
addition, the manuscript contains a finely illustrated copy of Walsingham's <title>Liber
benefactorum Sancti Albani</title> in an abridged version derived from London, BL MS Cotton Nero
D. VII, and the <title>Annales Ricardi II et Henrici IV</title> attributed to William Wintershill.
Numerous illustrations represent the benefactors, a few as full figures but mostly as busts or
heads. The gatherings of the manuscript are in a confused condition, the volume having been found in
William Wintershill's cell in St Albans Abbey after his death (c. 1435) 'in quaternis derelictum'
and rebound at that time or shortly afterwards.</p>
</div>
<div xml:id="CCC008" n="MS 8">
<p>The main text in CCCC MS 8, dating to the first half of the fourteenth century, is the encyclopaedia
of history, <title>Speculum historiale</title>, of the Dominican, Vincent of Beauvais
(1189/94-1264), which is also in CCCC MSS <ref type="ms" target="CCC013">13</ref>, <ref type="ms"
target="CCC014">14</ref>. The version in this MS is close to that in Dijon, Bibliothèque
Municipale MS 568, dating to 1244, but omits the dedicatory letter and prologue. The back flyleaf of
the book, bound in at a later date, contains polyphonic music on a five-line stave, dating to the
middle years of the thirteenth century. The earliest English motet, 'Worldes blisce have god day,'
is on the recto, and an Anglo-Norman love song, 'Volez oyer le castoy', on the verso.</p>
</div>
<div xml:id="CCC009" n="MS 9">
<p>MS 9 is one of two volumes which together constitute 'The Cotton–Corpus Legendary'; the other is
London, BL MS Cotton Nero E. I. CCCC MS 9 contains saints' lives pertaining to the months of
October, November and December, as well as a calendar which may once have been part of a separate
volume. The book is important because it is part of the earliest surviving multi-volume legendary
from England. An earlier version of the same legendary, compiled on the Continent, was in England by
the late tenth century, where it was extensively used by Ælfric in writing his Old English
<title>Lives of Saints</title>. It is therefore a very important witness to the knowledge of the
saints' lives in late Anglo-Saxon England, and has implications for our understanding of the
interactions between vernacular and Latin literature. The manuscript contains work by known
Worcester scribes, including one who wrote a charter for 1058. The calendar and computistical
material found at the start of MS 9 include a Easter tables for the years 1032-62 and 1063-94, and
the manuscript was probably therefore written before 1062. It contains later additions of a
hagiographical nature also made at Worcester.</p>
</div>
<div xml:id="CCC010" n="MS 10">
<p>CCCC MS 10 contains a luxury copy of the <title>Decretum</title> (<title>Concordia discordantium
canonum</title>), a canon law collection attributed to the twelfth century jurist Gratian (fl.
c. 1150). It is one of a group of finely illustrated manuscripts of the text produced in northern
France or southern England in the last quarter of the twelfth century. The various 'causae', the
legal cases, have historiated and ornamental initials. There is also a full-page miniature of a man
standing holding a consanguinity table. Its exact provenance and how it came to be in Parker's
possession are unknown.</p>
</div>
<div xml:id="CCC011" n="MS 11">
<p>CCCC MS 11 is a twelfth-century copy of Hrabanus Maurus's ninth-century encyclopaedic text <title>De
rerum naturis</title>, also known as <title>De uniuerso</title>. Neil Ker rejected M. R. James's
suggestion that the manuscript was a product of the cathedral priory of Christ Church, Canterbury,
and more recent work by Schipper has stated that the manuscript is of uncertain provenance, but
certainly English. The manuscript has been studied very little, considered as a late copy of the
text and thus of lesser interest; however, it is perhaps a useful witness to a renewed interest in
Carolingian scholarship in twelfth-century England.</p>
</div>
<div xml:id="CCC012" n="MS 12">
<p>This manuscript contains the Old English translation of Gregory the Great's <title>Pastoral
Care</title>, with the famous preface setting out Alfred the Great's educational policy. Alfred
arranged for translations to be made of the texts "most necessary for men to know", and this work by
Gregory was probably one of the earliest to be produced. The translation claims to be the work of
Alfred himself, although this has sometimes been challenged. MS 12 is one of only five manuscripts
(and a fragment) of this work surviving from Anglo-Saxon England, and probably dates from the tenth
century. It is not used in the standard edition by Sweet, who based his text on the two earliest
manuscripts. The manuscript was certainly at Worcester in the thirteenth century, when it was
annotated by the 'Worcester Tremulous Hand', whose glosses and marginal notes are found in several
other Corpus manuscripts.</p>
</div>
<div xml:id="CCC013" n="MS 13">
<p>A luxury copy, dating from c. 1300, perhaps made in Paris, of the <title>Speculum historiale</title>,
Books IX-XVI, by the Dominican, Vincent of Beauvais (1189/94-c. 1264), having fine illuminated
initials and decorative borders. CCCC MSS 13 and <ref type="ms" target="CCC014">14</ref> are vols.
II and III of a three-volume set, of which volume I is Cambridge, St John's College MS B.21. It
belonged to St Augustine's Abbey, Canterbury. This is an encyclopaedia of history which was
extremely popular in the Middle Ages, and exists in printed copies as late as the seventeenth
century. </p>
</div>
<div xml:id="CCC014" n="MS 14">
<p>A luxury copy, dating from c. 1300, perhaps made in Paris, of the <title>Speculum historiale</title>,
Books XVII-XXIV, by the Dominican, Vincent of Beauvais (1189/94-c. 1264), having fine illuminated
initials and decorative borders. CCCC MSS <ref type="ms" target="CCC013">13</ref>, 14 are vols. II
and III of a three-volume set, of which volume I is Cambridge, St John's College MS B.21. It
belonged to St Augustine's Abbey, Canterbury, and this volume has on the flyleaf the name of Abbot
Thomas as owner. This must be Thomas of Findon (1283-1310) who may himself have commissioned these
three volumes. This is an encyclopaedia of history which was extremely popular in the Middle Ages,
and exists in printed copies as late as the seventeenth century.</p>
</div>
<div xml:id="CCC016I" n="MS 16I">
<p>Matthew Paris OSB (c. 1200-59), a Benedictine monk of St Albans Abbey, was their official chronicler
who wrote chronicles covering both world history and British history. These two volumes are of his
most important work, the <title>Chronica maiora</title>, covering world history, but with a
particular emphasis on that of Britain - vol I is CCCC MS 26 and vol II is CCCC MS 16, their
production dating to the period c. 1240-55. Matthew was also a talented artist who was both scribe
and illustrator of his own chronicles. These volumes have coloured marginal drawings, and also signs
and heraldic shields in the borders signifying the persons and incidents in their lives, and also
signifying their deaths, set beside the text passages mentioning these events. Recently, in 2003,
the prefatory section to MS 16 (ff. i recto - v verso), containing lists and genealogies of kings, a
diagram of the winds, itineraries, maps, and the picture of the elephant given by Louis IX to Henry
III, has been bound separately as MS 16I. The part containing the chronicle text itself, ff.
1v-282r, has been rebound as MS 16II.</p>
</div>
<div xml:id="CCC016II" n="MS 16II">
<p>Matthew Paris OSB (c. 1200-59), a Benedictine monk of St Albans Abbey, was their official chronicler
who wrote chronicles covering both world history and British history. These two volumes are of his
most important work, the <title>Chronica maiora</title>, covering world history, but with a
particular emphasis on that of Britain - vol I is CCCC MS 26 and vol II is CCCC MS 16, their
production dating to the period c. 1240-55. Matthew was also a talented artist who was both scribe
and illustrator of his own chronicles. These volumes have coloured marginal drawings, and also signs
and heraldic shields in the borders signifying the persons and incidents in their lives, and also
signifying their deaths, set beside the text passages mentioning these events. Recently, in 2003,
the prefatory section to MS 16 (ff. i recto - v verso), containing lists and genealogies of kings, a
diagram of the winds, itineraries, maps, and the picture of the elephant given by Louis IX to Henry
III, has been bound separately as MS 16I. The part containing the chronicle text itself, ff.
1v-282r, has been rebound as MS 16II.</p>
</div>
<div xml:id="CCC017" n="MS 17">
<p>CCCC MS 17 is a twelfth-century volume of texts by Augustine of Hippo, and one sermon which is
attributed to John Chrysostom in this manuscript, but which was sometimes claimed for Augustine in
the Middle Ages. This sermon was included in Alain of Farfa's eighth-century Homiliary (Winter, item
92), and therefore circulated widely in the Middle Ages. MS 17 is not used for published editions of
any of the texts it contains. M. R. James suggested it might be from Norwich cathedral priory,
presumably because of the classmark it contains, but Neil Ker found no reason to sustain this
attribution.</p>
</div>
<div xml:id="CCC019" n="MS 19">
<p>CCCC MS 19 contains a copy of Ivo of Chartres' (c. 1040-1115) <title>Decretum (in 17 parts)</title>,
an influential canon law collection. The version of the text in this manuscript was copied at Christ
Church, Canterbury in around 1130 by a scribe whose hand has also been identified in Cambridge,
Trinity College, MS B. 3. 4 (83), Cambridge, UL MS Ff. 3. 29, and Oxford, Bodleian MSS Lat. misc. d.
13 and Lat misc. d. 30. It has recently been suggested that the absence of any later canonical
material in this codex may indicate that it was a library copy of the <title>Decretum</title> rather
than a working volume. It is also one of only two manuscripts (the other being Durham Cathedral
Library MS B.IV.18) to preserve the 'Canterbury version' of the canons of the First Lateran Council
of 1123.</p>
</div>
<div xml:id="CCC020" n="MS 20">
<p>This richly illustrated Apocalypse, CCCC MS 20, was made for Sir Henry de Cobham in the decade before
his death in 1339. He kneels in the historiated initial at the beginning of the book. It
subsequently passed to Juliana de Leybourne, Countess of Huntingdon (d. 1367) who bequeathed it to
St Augustine's Abbey, Canterbury. With no less than 106 pictures, it is one of the finest
fourteenth-century illustrated copies of the Apocalypse in Anglo-Norman verse, although the
commentary text is in Anglo-Norman prose. It is closely related in both iconography and text to
another Anglo-Norman Apocalypse, Toulouse, Bibliothèque municipale MS 815, which is by a different
artist. Both manuscripts also contain the Vision of St Paul (the Journey of St Paul to Hell), in
Anglo-Norman verse, accompanied by illustrations. In addition, the Corpus manuscript contains the
English Coronation Ordo in Anglo-Norman, preceded by a frontispiece showing the crowned king in his
coronation vestments, flanked by the bishops. The text mentions a Prince Edward, and may be a
version of that used for the coronation of Edward III in 1327. The style of the illustrations
suggests the 1330s.</p>
</div>
<div xml:id="CCC021" n="MS 21">
<p>CCCC MS 21 contains a high quality copy of <title>Polychronicon</title> by Ranulf Higden (d. 1364)
with a continuation to 1377, and was copied shortly after that date. A note in a fifteenth-century
hand records that the manuscript was given by 'Henry Somer' to the Hospital of St John the
Evangelist in Cambridge. It is sometimes assumed that this is the same man who is described as a
Fellow of King's Hall in the early fifteenth century. However, a case can be made for the donor to
have been another Henry Somer, a senior royal official who rose to be Chancellor of the Exchequer
(1410-39) before his death in 1450, and who expressed a desire to be buried at St John's Hospital.
The book passed into the possession of the newly founded St John's College in 1511, since another
scribble records the name of 'Shorton', presumably Robert Shorton, the first Master of St John's but
later Parker's predecessor as Dean of Stoke by Clare College (1529-35). A sixteenth-century note
adds that Somer was involved in a dispute with Corpus Christi over tithes due in Grantchester. It is
to be wondered how this '<title>Inimicus Collegio Corporis Christi Cantabrigiae</title>' might view
the acquisition of one of his books by the college.</p>
</div>
<div xml:id="CCC022" n="MS 22">
<p>The main text in CCCC MS 22 is an encyclopaedia, the <title>Etymologiae</title> of Isidore of Seville
(c. 560-636), which is preceded by an index of its subject matter. The <title>Etymologiae</title> is
a compilation of universal knowledge in twenty books covering topics such as grammar, medicine,
theology and geography. Natural history is also extensively covered, and this is the subject of
another text in the book, a <title>Bestiary</title>, illustrated with coloured drawings of the
animals, birds, fish and reptiles. It is one of the oldest extant copies of an illustrated bestiary
made in England. The book also contains one text of a very different character, the
<title>Synonyma</title>, a devotional dialogue by Isidore of Seville between the sinful soul and
a personification of reason. Recent scholarship dates the book to c. 1150-70, but its place of
origin is uncertain, although possibly the North of England, perhaps Durham. There is no evidence of
its medieval ownership.</p>
</div>
<div xml:id="CCC023" n="MS 23">
<p>CCCC MS 23 consists of two volumes bound together. The first is a famous illustrated manuscript of
works by Prudentius (fl. 384-410), most significantly his <title>Psychomachia</title>, a poem about
spiritual warfare between personifications of the vices and virtues. Many line drawings in coloured
ink illustrate events in the text. It was made in England probably in the late tenth century, and it
shares an artist with Bodleian Library MS Junius 11, the Junius manuscript of Old English poetry.
Art-historical evidence has tended to link the production of part one of CCCC MS 23 with Canterbury,
but a presentation inscription gives the manuscript provenance at Malmesbury, and it has also been
suggested that it could have been made there. In the eleventh century Old English captions were
added to the pictures. The second volume is a copy of Orosius, <title>Historia adversus
paganos</title> of 417-18, written by six scribes working at Dover in the second quarter of the
twelfth century. One of these scribes is also found in <ref type="ms" target="CCC462">CCCC MS
462</ref>. The two manuscripts were probably bound together by Parker.</p>
</div>
<div xml:id="CCC024" n="MS 24">
<p> CCCC MS 24 contains the text of <title>De causa Dei contra Pelagium</title> of Thomas Bradwardine
(c. 1300-49). The provenance of this volume is very well attested. An inscription states that the
book was given to the Benedictine cathedral priory of the Blessed Virgin Mary at Worcester by John
de Prestone of Somerset, a monk of the same institution, in 1348. The same notice also records
threats of divine punishment for anyone who erased the inscription or caused the book to be
alienated from the church ('quem titulum quicumque fraudulenter deleuerit librumque ab ecclesia
eadem alienauerit Deleat eum deus de libro uite et anathemate feriatur'). A second note states that
the volume was given to Parker by 'D. A.' in December 1567.</p>
</div>
<div xml:id="CCC025" n="MS 25">
<p>This manuscript comprises a collection of letters and tracts attributed to Cyprian (d. 258). However,
the attribution of some of these texts is spurious; for example, the <title>De aleatoribus</title>,
though undoubtedly an early text, has also been attributed to a number of other authors, including
Popes Victor I and Callixtus I. CCCC MS 25 is a fourteenth-century copy of the twelfth-century
Buildwas manuscript, Cambridge, Pembroke College, MS 154, and the marginalia of the latter
manuscript has been incorporated into the former.</p>
</div>
<div xml:id="CCC026" n="MS 26">
<p>Matthew Paris OSB (c. 1200-59), a Benedictine monk of St Albans Abbey, was their official chronicler
who wrote chronicles covering both world history and British history. These two volumes are of his
most important work, the <title>Chronica maiora</title>, covering world history, but with a
particular emphasis on that of Britain - vol I is CCCC MS 26 and vol II is <ref type="ms"
target="CCC016">CCCC MS 16</ref>, their production dating to the period c. 1240-55. Matthew was
also a talented artist who was both scribe and illustrator of his own chronicles. These volumes have
coloured marginal drawings, and also signs and heraldic shields in the borders signifying the
persons and incidents in their lives, and also signifying their deaths, set beside the text passages
mentioning these events. Recently, in 2003, the prefatory section to MS 16 (ff. i recto - v verso),
containing lists and genealogies of kings, a diagram of the winds, itineraries, maps, and the
picture of the elephant given by Louis IX to Henry III, has been bound separately as MS 16I. The
part containing the chronicle text itself, ff. 1v-282r, has been rebound as MS 16II.</p>
</div>
<div xml:id="CCC027" n="MS 27">
<p>CCCC MS 27, dating from the late twelfth or early thirteenth century, contains a copy of Zacharias of
Besançon's <title>De concordia evangelistarum</title>, also known as the <title>Vnum ex
quatuor</title>, a Gospel-harmony which also gives etymologies for Greek, Hebrew and some Latin
words. Zacharias, who died in 1156, was a member of the Premonstratensian abbey at Laon, and an <hi
rend="italic">ex libris</hi> inscription, now lost, identified CCCC MS 27 as belonging to the
Premonstratensian abbey of St Mary's, Leiston, Suffolk.</p>
</div>
<div xml:id="CCC028" n="MS 28">
<p>CCCC MS 28 is a twelfth-century manuscript containing a copy of Rufinus of Aquileia's
late-fourth-century Latin translation of Origen's homilies on the Book of Numbers. A twelfth- or
possibly thirteenth-century inscription identifies the manuscript as having belonged to the
Benedictine abbey of St Mary's, Abingdon.</p>
</div>
<div xml:id="CCC029" n="MS 29">
<p>CCCC MS 29 is an early thirteenth-century manuscript containing Peter of Poitiers (d. 1205),
<title>Genealogia historiarum(Compendium historiae in genealogia Christi)</title> (also in CCCC MSS <ref type="ms"
target="CCC083">83</ref> and <ref type="ms" target="CCC437">437</ref>), and Petrus Comestor (d.
c. 1187), <title>Historia scholastica</title>. The manuscript contains a number of illustrations,
including a seven-branched candlestick and a seraph, with accompanying allegorical interpretations.
It also features decorative initials containing grotesques.</p>
</div>
<div xml:id="CCC030" n="MS 30">
<p>The main contents of CCCC MS 30 are commentaries on books of the Old Testament by the Augustinian
canon, Andrew of Saint-Victor (c. 1110-75). Although English, he entered the Parisian abbey of
Saint-Victor, but returned to England as abbot of Wigmore 1147-55 and again 1161-3, returning to
Paris for the period 1155-61. This manuscript is one of the very few which contain these
commentaries. In addition to Andrew's works, the book contains Bede's commentary on Proverbs and
Jerome's on Ecclesiastes.</p>
</div>
<div xml:id="CCC031" n="MS 31">
<p>CCCC MS 31 is a thirteenth-century manuscript containing a copy of the Commentary on the Twelve Minor
Prophets by Stephen Langton (c. 1150-1228), which originally belonged to the Savigniac and
Cistercian abbey of St Mary's, Coggeshall, along with <ref type="ms" target="CCC089">CCCC MS
89</ref>. Stephen's work on the minor prophets has received little scholarly attention in
comparison to his sermons. The manuscript also contains a late twelfth-century fragment of the
pseudo-Clementine Recognitions.</p>
</div>
<div xml:id="CCC032" n="MS 32">
<p>CCCC MS 32 contains the Gospels of Mark and Luke, and the Pauline Epistles in Latin and English with
some commentary. The translation and commentary are a unique Middle English version, dating to the
late fourteenth century from the North East Midlands. The volume, dating to c. 1400, was probably
composed as a Latin teaching aid and does not appear to be of Lollard derivation. The translation is
literal and the original author has added glosses to clarify the resultant awkward English. There
are marginal drawings of scenes from the Gospels by an unskilled artist.</p>
</div>
<div xml:id="CCC033" n="MS 33">
<p>CCCC MS 33, dating to the late twelfth or early thirteenth century, is a manuscript containing the
Gospels of Mark and John, with extensive marginal commentary and glossing. At the end of the
manuscript is a copy, with commentary, of William de Montibus' (d.1213) poem beginning
<title>Poeniteas cito</title>. M. R. James suggested that the manuscript may originate from St
Albans, but Neil Ker rejected this provenance. The hand is very fine, and the manuscript contains
some attractive illuminated historiated and ornamental initials.</p>
</div>
<div xml:id="CCC034" n="MS 34">
<p>CCCC MS 34 is a thirteenth-century miscellany containing works by John of Damascus, Augustine of
Hippo, Julian of Toledo, Anselm of Canterbury OSB, Hugh of Saint-Victor OSA, and others. The
manuscript is likely to come from the Benedictine cathedral priory of the Holy Trinity at Norwich,
and is prefaced by a list of contents in the hand of Robert Talbot, prebendary of Norwich Cathedral
(1547-58). There are further sixteenth-century annotations, in the hands of Parker and possibly
Bale.</p>
</div>
<div xml:id="CCC035" n="MS 35">
<p>CCCC MS 35 is one of the most important among the early manuscripts of the '<title>Opuscula</title>'
of Thomas Aquinas OP, and has been used for collation with other manuscripts in editions of these
texts in the <title>Opera omnia</title> of St Thomas. The '<title>Opuscula</title>' are relatively
short theological tracts which were separate from his large-scale works. The dating of the MS is
late thirteenth or early fourteenth century, but the provenance is uncertain. M. R. James considered
the scribe to be English, but the decoration may be either English or French, perhaps most likely
English in a very French-influenced manner.</p>
</div>
<div xml:id="CCC036" n="MS 36">
<p>This manuscript is an early fifteenth-century copy of the Lives of the Fathers (<title>Vitae
Patrum</title> or <title>Vitas Patrum</title>). This is a compilation of lives of hermit and
monk saints of Egypt, Palestine and Syria in the early centuries of the Church. The Latin version of
the text dates from the sixth century. Its pressmark indicates a provenance at the cathedral priory
of the Holy Trinity at Norwich. The manuscript is written in a characteristically English hand, and
there are catchwords enclosed in attractive scrolls.</p>
</div>
<div xml:id="CCC037" n="MS 37">
<p>CCCC MS 37 is an interesting portmanteau manuscript of texts copied by various hands in the first
half of the fourteenth century. The overwhelming sense of the these texts is of a collection put
together by or for a secular figure with connections to London and Westminster. They include a
gazetteer of England, astrological and medical tracts, statutes and calendars of the term days of
the Exchequer and illustrated guides to the movement of the moon and tides. The London connection is
further evinced by the presence in the manuscript of unique accounts of some of the cases that came
before the eyre of 1321 that examined the liberties of the City. It may have been the property of
the Londoner John Reynham and passed from him, via a relative, to the Cistercian abbey at Boxley,
Kent.</p>
</div>
<div xml:id="CCC038" n="MS 38">
<p>CCCC MS 38 is a collection of canonical <title>Tabulae</title> and Gregory IX's
<title>Decretals</title>, dating to the early years of the fourteenth century. It was item 1723
in the fifteenth-century catalogue of St Augustine's abbey, Canterbury, to which it was donated by
Dr Thomas Mankael after his death in c. 1329-31. Mankael was the first monk-student from St
Augustine's to graduate as a doctor of theology at Oxford. His personal collection of books,
presumably acquired during his time at Oxford in the 1320s, made up 39 entries in the St Augustine's
catalogue. CCCC MS 38 bears a donation inscription in which Mankael is named. A similar inscription
is found in London, BL MS Lansdowne 359.</p>
</div>
<div xml:id="CCC039" n="MS 39">
<p>CCCC MS 39 is an early fourteenth-century copy of the <title>Speculum naturale</title>, the
encyclopaedia of natural history by Vincent of Beauvais OP (1189/94-c. 1264). M. R. James suggested
that the book might be from Norwich cathedral priory, but that has been rejected by subsequent
research.</p>
</div>
<div xml:id="CCC040" n="MS 40">
<p>CCCC MS 40 is the earliest known text by Francesco Petrarca (Petrarch) (1304-74) to be copied in
England in the last quarter of the fourteenth century, his <title>De remediis utriusque
fortunae</title>. The text is concerned with the limitations of worldly success and pleasure,
and the problems of misfortune and adversity. A large part of this is in the form of a dialogue
between joy (<title>Gaudium</title>) and adversity (<title>Dolor</title>) with reason
(<title>Ratio</title>). It is given a Humanist emphasis by its supposed use of a classical model
- the <title>De remediis fortuitorum</title>, attributed in the Middle Ages to Seneca. There is no
evidence for the place of production or ownership of the manuscript.</p>
</div>
<div xml:id="CCC041" n="MS 41">
<p>MS 41 contains the Old English translation of Bede's <title>Ecclesiastical History</title>. This text
is one of those made as part of Alfred the Great's campaign to translate into English "those books
most necessary for men to know". MS 41 was written in the first half of the eleventh century
probably somewhere in the south of England. It has a colophon asking for readers' blessings on the
unnamed scribe. The manuscript is large in format, written in grand round script, and was obviously
intended to be a high-grade book. Already in the eleventh century advantage was taken of its wide
margins to add a variety of marginalia, ranging from the Old English poem <title>Solomon and
Saturn</title> to liturgical texts and Old English charms. Probably at least some of these
additions were made at Exeter: MS 41 was one of the manuscripts given to Exeter Cathedral by Bishop
Leofric (1050-72), and still contains the bilingual donation inscription cursing anyone who removed
it thence. The decoration of the book consists of numerous ornated initials in brown outline and a
drawing of Christ crucified.</p>
</div>
<div xml:id="CCC042" n="MS 42">
<p>MS 42 is a compilation of saints' lives made at the Benedictine priory of Dover dating to the second
quarter of the twelfth century. Its provenance is given by the typical Dover arrangement of two
classmark- and contents-inscriptions, one on the opening page and one further on in the book; the
classmark matches these up to an entry in the Dover catalogue of 1389 which gives the opening words
of the page on which the second inscription occurs. We can be fairly certain that it was originally
written at Dover because the same hand also occurs in another Dover manuscript, <ref type="ms"
target="CCC462">CCCC MS 462</ref>. The manuscript contains hagiographical texts, starting with
the standard life of Martin of Tours, the epitome of a bishop saint. Two of the lives included are
of very important English saints, Edmund king and martyr and Dunstan, archbishop of Canterbury. It
also contains an unusual collection of miracles of the Virgin Mary, and an incomplete legendary with
some musical notation.</p>
</div>
<div xml:id="CCC043" n="MS 43">
<p>CCCC MS 43 contains a copy of William of Malmesbury OSB (c. 1080-1143), <title>Gesta pontificum
Anglorum</title>, together with a complete version of Adam of Eynsham OSB (d. after 1233)
<title>Visio Eadmundi monachi de Egnesham</title>. The greater part of the text is in a late
fourteenth-century hand, but the fifth book of the <title>Gesta pontificum</title>, together with
extracts from William of Malmesbury's <title>Gesta regum</title>, have been added in
sixteenth-century hands. Parker and his secretaries have added a number of aides mémoires to the
margins of the text, revealing their interest in the history of the English episcopacy. Some
fourteenth-century notes at the end of the manuscript, together with the script and ornament, led M.
R. James to believe that the manuscript had an East Anglian provenance, possibly from Norwich, but
its exact provenance remains unknown.</p>
</div>
<div xml:id="CCC044" n="MS 44">
<p>This handsome manuscript contains a <title>Pontifical</title>. On script grounds it has been
attributed to Canterbury, probably St Augustine's rather than Christ Church; however its text has
been held to show that it was made for use at Christ Church, Canterbury. The script of CCCC MS 44
shows it to have been written at some point during the middle two quarters of the eleventh century,
but a more precise dating is arguably possible given the association of the coronation ordo it
contains (the third recension of the second ordo) with William the Conqueror. This association is by
no means generally accepted. The distinctive mark on f. 3 shows that the manuscript was at Ely in
the later Middle Ages. It has been suggested that it might have been part of the treasure of
Archbishop Stigand (1052-72), with which he fled to Ely shortly before his death in 1072; clearly
this again depends on how one interprets the dating evidence of the manuscript's text.</p>
</div>
<div xml:id="CCC045" n="MS 45">
<p>CCCC MS 45 contains two distinct volumes. The first volume was very probably copied in France in the
mid-fourteenth century and features a number of pastoral and historical works by the Dominican
inquisitor and scholar Bernard Gui OP (1261/2-1331) together with a handsomely illustrated
genealogical table of the Frankish kings. The second volume is a copy of the prose version of the
<title>Roman de Lancelot</title> that has been dated to c. 1250 and may have been produced in
England. How this manuscript came into Parker's possession is unknown, but it seems likely that he
was more interested in the illustrated historical material than in the Arthurian Lancelot story.</p>
</div>
<div xml:id="CCC046" n="MS 46">
<p>CCCC MS 46 contains copies of two works by John of Salisbury (c. 1120-1180), the
<title>Policraticus</title> and the <title>Metalogicon</title>. The Corpus manuscript is
sometimes described as the author's own copy that was presented by Salisbury to Archbishop Thomas
Becket. Whether this was the case or not, it was certainly at the Benedictine cathedral priory of
the Holy Trinity, Christ Church, Canterbury in the later twelfth century and remained there until it
came into Parker's possession. Nineteenth- and early twentieth-century editors and commentators
stressed the importance of the texts in this manuscript as early versions of John of Salisbury's
work. A more recent editor, however, has described the texts preserved in CCCC MS 46 as
'corrupt'.</p>
</div>
<div xml:id="CCC047" n="MS 47">
<p>This thirteenth-century manuscript contains a copy of the <title>Distinctiones Abel</title> of Peter
the Chanter (d. 1197), although in some instances scholars have misidentified it as the text of the
same name by Andrew of Saint-Victor OSA (c. 1110-75). The manuscript contains some later additions,
including fifteenth-century verses.</p>
</div>
<div xml:id="CCC048" n="MS 48">
<p>This Bible from St Albans, CCCC MS 48, dating to c. 1170, is part of a group of manuscripts produced
at the abbey during the abbacies of Abbot Simon (1167-83) and Abbot Warin (1183-95). Related in text
and decoration are two other St Albans Bibles of this period, Eton College MS 26 and Dublin, Trinity
College MS 51 (A.2.2). The main artist of the Corpus Bible also worked for the Abbey of St Bertin
and may be French in origin; he seems to have been a travelling illuminator. The book has thirteen
historiated initials some of them on separate pieces of vellum stuck onto the page. The version of
the Vulgate in this Bible has been classified by Glunz as 'Lanfranc's Scholastic Text'. The book is
much smaller than most twelfth-century Bibles, but is considerably larger than the small 'pocket'
versions which become popular in the middle years of the thirteenth century. An unusual feature of
the page format is a three (and occasionally four) column text.</p>
</div>
<div xml:id="CCC049" n="MS 49">
<p>CCCC MS 49 is an English Bible which has been dated to c. 1270-80. Most English thirteenth-century
Bibles are somewhat larger than contemporary Parisian Bibles, as in the case of this manuscript, and
relatively few were made in comparison with the very large numbers from Paris. Each book of the
Bible has an historiated initial. The manuscript belonged to St Augustine's abbey, and its
illumination is related to a Psalter (Oxford, Corpus Christi College MS 285) connected with Christ
Church, Canterbury. Another Bible (Oxford, Merton College MS 235) is also related in the style of
its illumination and was probably painted by the same artists. In view of the connections with St
Augustine's and Christ Church it is possible that the book was written and decorated in
Canterbury.</p>
</div>
<div xml:id="CCC050" n="MS 50">
<p>CCCC MS 50 contains a number of works in French and Anglo-Norman copied in the late thirteenth
century. Among the most significant texts within it are the <title>Roman de Brut</title> of Wace
(after 1100-after 1174), the <title>Roman de Guy de Warewic</title>, <title>The Four Daughters of
God</title>, <title>Amis et Amiloun</title> and the short prose chronicle <title>Le livere des
reis de Britannie</title>. It also contains the unique text of the fabliau, <title>Romanz di un
chivaler et sa dame e un clerk</title>. The manuscript was at one time in the Benedictine abbey
of St Augustine, Canterbury as indicated by two library inscriptions. It has been identified as item
number 1516 in the Catalogue of the abbey's library drawn up in the late fifteenth century.</p>
</div>
<div xml:id="CCC051" n="MS 51">
<p>CCCC MS 51 contains a series of chronicles including Jerome's Latin translation of Eusebius of
Caesarea's <title>Chronici canones</title>, the <title>Chronica</title> of Sigebert of Gembloux (c.
1030-1112) and the <title>Abbreuiationes Chronicorum</title> of Ralph de Diceto (d. c. 1202). In the
early fourteenth-century catalogue of the cathedral priory of Christ Church, Canterbury manuscripts
drawn up under Henry of Eastry this book is called <title>Cronica Eusebii Salomonis</title>, a
reference to Salomon, a monk and sub-Prior of Christ Church in 1207. Salomon has also been
identified as the possible compiler of a late twelfth-century collection of mnemonic verses and
notes on the compotus now found in London, BL MS Egerton 3314.</p>
</div>
<div xml:id="CCC052" n="MS 52">
<p>CCCC MS 52 is a twelfth-century manuscript containing the <title>Magna glosatura</title>, or
<title>Glossa continua</title>, on the Pauline Epistles by Peter Lombard (c. 1095-1160). The
text is written in a fine hand, with attractive ornamental initials. The manuscript also contains
some passages from Augustine, <title>De trinitate</title> and Hilary, <title>De trinitate</title> in
a twelfth-century hand. The flyleaves contain fifteenth- or sixteenth-century recipes in Latin and
English. The provenance is unknown.</p>
</div>
<div xml:id="CCC053" n="MS 53">
<p>CCCC MS 53 contains three separate sections, a psalter, a chronicle of England and Peterborough
Abbey, and finally a bestiary. It is called the Peterborough Psalter and Bestiary because the
Psalter was adapted for the use of of that abbey, at which time the chronicle was added. The
Bestiary, which has been cut down to match the page size of the Psalter, was probably added to the
book at some later date. The dating of the Bestiary to c. 1300-10 is earlier by a decade or so than
that of the Psalter which is considered to be of c. 1310-20. Both are elaborately illuminated but by
quite different artists. The Psalter was originally intended for a patron in the diocese of Norwich
as evidenced by the original calendar to which Peterborough entries were added. The original patron,
perhaps Oliver de Wisset, was evidently connected with John de Warenne, Earl of Surrey (d. 1304),
whose obit is added in the original hand of the calendar. Perhaps during the production of the book
the patronage was taken over by Peterborough Abbey because the calendar was adapted to their use and
their Litany and Office of the Dead were added to the text, as was a chronicle of the abbey. It was
owned by the prior, Hugh de Stukeley, whose name is at the beginning of the book. The Psalter is
lavishly illustrated with twenty full page pictures of the Life of Christ, saints, prophets and
apostles preceding the Psalter text, some fully painted with gold grounds and others in coloured
drawing. The Psalter itself has historiated initials at the liturgical divisions, and many
decorative ornamental initials and borders. The artist of the fully painted pictures belongs to a
group of artists called the Queen Mary Psalter group after their main work, the Psalter, London, BL
MS Royal 2. B. VII. The Bestiary, by a different artist, who also worked on a psalter, Oxford, Jesus
College MS D.40, has 101 framed illustrations set in its text.</p>
</div>
<div xml:id="CCC054" n="MS 54">
<p>CCCC MS 54 is a late twelfth-century copy of Odo of Canterbury OSB (d. c. 1200), Commentary on
Genesis, Exodus, Leviticus and Numbers. The manuscript belonged to, and perhaps was made at, the
Savigniac and Cistercian abbey of St Mary's, Coggeshall (Essex). The author, originally a monk of
Christ Church, Canterbury, became Abbot of Battle in 1175.</p>
</div>
<div xml:id="CCC055" n="MS 55">
<p>This manuscript, dating from the thirteenth century, contains biblical commentaries by Stephen
Langton (c. 1150-1228) on parts of the Old Testament. Included are commentaries on the Pentateuch,
and the books from Joshua through to Maccabees. It has been noted that CCCC MS 55 contains
substantial textual differences to other copies of the same works. The marginal notes in this
manuscript are of particular interest in determining the relationship between Langton's commentaries
and his sermons, as they seems to show the excerpting of material from the commentaries for use in
preaching texts. CCCC MS 55 has been identified as the manuscript mentioned in a letter to Matthew
Parker from Aylmer, Archdeacon of Lincoln, thus suggesting that the manuscript was in Lincoln by the
mid-sixteenth century.</p>
</div>
<div xml:id="CCC056" n="MS 56">
<p>CCCC MS 56 is a sixteenth-century copy, made for Parker c. 1567, of Matthew Paris' <title>Historia
Anglorum</title> (1067-1253) and the third part of the <title>Chronica maiora</title> (1254-9)
with a continuation to 1273-4 which is attributed to William Rishanger. It is a direct copy of the
same text in Matthew's autograph copy, London, BL MS Royal 14. C. VII, a crude attempt even being
made to reproduce the heraldic shields found in the margins of this exemplar. The text of this
manuscript for the years 1253-74 was used as the basis for Parker's printed volume of the
<title>Historia maiora</title> published in 1570-71.</p>
</div>
<div xml:id="CCC057" n="MS 57">
<p>CCCC MS 57 is a witness to the intellectual interests of the Benedictine Reform movement in
tenth-century England. It contains a collection of Benedictine texts, including the Rule, and a
version of Usuard's <title>Martyrologium</title> with Abingdon additions. It was written in Square
minuscule at the end of the tenth century or the start of the eleventh either at Canterbury, since
its texts are related to Canterbury manuscripts of similar material, or at Abingdon, where it has
certain early provenance. The additions to the Martyrology provide a large number of obits of people
connected with the monastery of Abingdon; unfortunately they have been badly damaged by a later
binder's trimming. In the eleventh century some damage to the manuscript was repaired by a scribe
writing an imitiation of the original Square minuscule script.</p>
</div>
<div xml:id="CCC058" n="MS 58">
<p>CCCC MS 58 is a copy of the commentary on Ecclesiastes by Stephen Langton (c. 1150-1228), teacher,
theologian and archbishop of Canterbury (1207-1228). The manuscript is currently dated to the early
thirteenth century, and was therefore made during the lifetime of its author; the provenance is
unknown, but a scribal colophon locates the book to a certain 'Vallis Dei', a name common to
numerous religious houses in the Middle Ages. Langton's biblical commentaries have received little
scholarly attention compared to his sermon collections; hence CCCC MS 58 has been studied rather
less than other Parker Library manuscripts which contain sermons by Langton, such as <ref type="ms"
target="CCC450">CCCC MS 450</ref> and <ref type="ms" target="CCC459">CCCC MS 459</ref>.</p>
</div>
<div xml:id="CCC059" n="MS 59">
<p>CCCC MS 59, dating from the early fourteenth century, is a collection of texts probably designed to
appeal to a monastic audience's hunger for knowledge of the world beyond its walls. Among the
manuscript's profusion of texts and documents are the spurious <title>Letters</title> of Prester
John and of Alexander the Great to Aristotle, statutes, charters and papal bulls. There is a much
interest in chronological material, with short chronicles being accompanied by lists of popes,
emperors, kings and archbishops of Canterbury. The precise provenance of this manuscript is unknown,
though a continuation of one of the most substantial texts in the codex, <title>Chronica pontificum
et imperatorum</title> by Martin of Troppau OP (d. 1278), records the martyrdom of Thomas de la
Hale of Dover, suggesting a link to the south coast of England, possibly the Premonstratensian abbey
of the Virgin and St Thomas the Martyr at West Langdon, Kent.</p>
</div>
<div xml:id="CCC060" n="MS 60">
<p>CCCC MS 60 contains a copy of the <title>Memoriale historiarum</title>, a chronicle with particular
emphasis on France, attributed to John of Paris (d. 1306) (or sometimes John of Saint-Victor), who
is also called Jean Boyvin in the description of a late fifteenth- or early sixteenth-century copy
of the same text now in the Bibliothèque Sainte-Geneviève in Paris (MS 516). The Corpus manuscript
is copied in a late fourteenth-century hand and is accompanied by a genealogy tracing the descent of
Edward III from the French royal family, presumably part of the English propaganda campaign of the
Hundred Years' War. Parker gave a version of the <title>Memoriale</title> to Cambridge University
Library (now CUL MS Ii. 2. 18) and a copy was reportedly in the library of Sir Walter Cope (c.
1553-1614), gentleman usher to Parker's colleague in government, William Cecil, Lord Burghley.</p>
</div>
<div xml:id="CCC061" n="MS 61">
<p>The copy of Chaucer's <title>Troilus and Criseyde</title> in CCCC MS 61 was made c. 1415-25, long
after the poet's death in 1400. The poem was written at some time before 1385. This copy was planned
as a luxury edition to contain over ninety illustrations, but only the full-page frontispiece was
painted, with blank spaces left at the positions intended for the other pictures. In that
frontispiece Chaucer is shown reading his poem to the English court. The patron of this manuscript
is unknown, but it is likely to have been the prominent male figure dressed in a gold-embroidered
costume in the centre of the courtly group. The book belonged in 1570 to the author, Stephen Batman,
a chaplain of Matthew Parker, and shortly after became incorporated in the archbishop's
collection.</p>
</div>
<div xml:id="CCC062" n="MS 62">
<p>CCCC MS 62 comprises three volumes, the first dated to the late twelfth century, or the beginning of
the thirteenth, the latter two dated to the twelfth century. All three volumes have a provenance at
the cathedral priory of St Andrew at Rochester, Kent, and appear in a list of manuscripts copied or
acquired by the precentor, Alexander, in or soon after 1202. The first volume contains a glossed
copy of the Books of Proverbs, Ecclesiastes and the Song of Songs. The second volume consists of a
selection of writings by William of Saint-Thierry, Bernard of Clairvaux, Serlo of Wilton and John of
Cornwall. The final volume contains Bede's Commentary on the Catholic Epistles and a letter by
Walter Phillips, dean of Rochester (1560).</p>
</div>
<div xml:id="CCC063" n="MS 63">
<p>CCCC MS 63 is complicated textual compilation, comprising five separate sections. The first, which
includes meditative and spiritual works by Anselm of Canterbury (d. 1109), Ralph of London OSB (fl.
thirteenth century), and Richard of Saint-Victor OSA (d. 1173), was given to Christ Church,
Canterbury, by Thomas Stoyl, who was a monk there, 1299-1333. The second volume includes an
anonymous tract on the virtues and vices, and works by Bonaventure OFM (1217/21-74); the third
volume contains important documents and letters pertaining to Christ Church, Canterbury; the fourth
volume is a copy of the letters of Bernard of Clairvaux OCist (1090-1153); and the final volume
contains a number of religious texts, including the <title>Formula vitae honestae</title> of Martin
of Braga (c. 515-80). These volumes are dated to the thirteenth and fourteenth centuries. On f. 3 is
a copy of the poem <title>Les neuf joies nostre dame</title>, attributed to Rutebeuf (c.
1245-1285).</p>
</div>
<div xml:id="CCC064" n="MS 64">
<p>The author of this manual of theology, <title>Compendium ueritatis theologicae</title>, contained in
CCCC MS 64, dating to the early fifteenth century, is now known to be the Dominican, Hugo Ripelinus
of Strasbourg (c. 1200-68). It was part of the medieval library of the college, given by Thomas
Markaunt in 1439. The book was very popular in the late Middle Ages and was translated into
vernacular languages such as German, but never into Middle English, although many Latin copies
survive in English libraries. It is divided into seven books dealing with central issues of theology
such as the natures of God and Christ, sin and virtue, the sacraments and the last things.</p>
</div>
<div xml:id="CCC065" n="MS 65">
<p>CCCC MS 65, dating to the twelfth century, contains a collection of homilies by a variety of
patristic authors such as Gregory the Great, Jerome, Bede, etc. Paul the Deacon (c. 720/30-99), a
scholar at the court of Charlemagne, compiled such a collection, ordered by appropriate date of the
Church year, which travelled widely in the Middle Ages as a useful resource for preachers. This
manuscript contains a version of the summer half of Paul the Deacon's collection, and was presumably
once accompanied by a winter volume, now lost. The manuscript contains flyleaves with musical
notation at the end, a rare survival of English fourteenth-century polyphony, including a four-part
Alleluia.</p>
</div>
<div xml:id="CCC066" n="MS 66">
<p>MS 66, as described by M. R. James, included half of a manuscript belonging to the Cistercian abbey
of Sawley (Yorks.) and half of a manuscript belonging to the Benedictine abbey of Bury St Edmunds.
The other two halves of the Bury and Sawley manuscripts are bound together as Cambridge, UL MS Ff.
1. 27. However, MS 66 has since been separated into MS 66 (Sawley MS) and <ref type="ms"
target="CCC066A">MS 66A</ref> (Bury MS). The volume now known as MS 66 contains copies of the
<title>Imago mundi</title> of Honorius Augustodunensis (fl. first half of twelfth century);
Extracts from Pliny the Elder and Solinus; the <title>Historia Anglorum</title>; <title>De statu
ecclesiae</title> by Gilbert of Limerick (d. 1145); Theobald of Étampes's Letter to
Robert Bloet, Bishop of Lincoln; <title>De sex alis cherubim</title> and <title>De tribus in
penitentia considerandis</title> both by Clement of Llanthony OSA (d. after 1169), and a
treatise on confession. The <title>Imago mundi</title> and <title>De sex alis cherubim</title>
contain four large framed coloured drawings and a map of the world.</p>
</div>
<div xml:id="CCC066A" n="MS 66A">
<p>MS 66, as described by M. R. James, included half of a manuscript belonging to the Cistercian abbey
of Sawley (Yorks.) and half of a manuscript belonging to the Benedictine abbey of Bury St Edmunds.
The other two halves of the Bury and Sawley manuscripts are bound together as Cambridge, UL MS Ff.
1. 27. However, MS 66 has since been separated into <ref type="ms" target="CCC066">MS 66</ref>
(Sawley MS) and MS 66A (Bury MS). MS 66A contains copies of Jacques de Vitry's <title>Historia
orientalis</title>; Willelmus de Rubruk's <title>Itinerarium ad partes orientales</title>;
<title>Itinerarium usque ad paradisum terrestrem</title>; <title>Imago mundi</title>; the letter
of Prester John; Johannes de Sacro Bosco, <title>Tractatus de sphaera</title>; <title>Barlaam et
Iosaphat</title> by pseudo-John of Damascus; the Legend of the Cross Before Christ; Seth or The
Holy Rood in Verse; the Childhood of Jesus; excerpts from Bede's <title>Historia
ecclesiastica</title> and the <title>Legenda Aurea</title>; <title>Visio Rodulfi</title>;
<title>De Stephano monacho cartusiensi</title> and pseudo-Methodius's Revelations. There are
illuminated historiated initials at the beginning of most of these texts.</p>
</div>
<div xml:id="CCC067" n="MS 67">
<p>This manuscript contains a commentary on the Psalms which was mistakenly attributed to Remigius of
Auxerre (d. 908), now correctly identified as the work of Gilbert de la Porrée - also known as
Gilbert of Poitiers (c. 1080-1154). It is a twelfth-century manuscript, with marginalia dating from
the thirteenth century to the fifteenth. James suggested a Norwich provenance, although there is no
firm evidence for this.</p>
</div>
<div xml:id="CCC068" n="MS 68">
<p>CCCC MS 68 is a compilation of texts, several relating to liturgical matters, written by a certain
Tielmann, son of Clerward, cleric of Utrecht, for Walter Crome, fellow of Gonville Hall, in 1432. In
the same year Tielmann also wrote for Crome MS 114/183 in Gonville and Caius College. This Tielmann
is not the same as the one who wrote some manuscripts now in Balliol College, Oxford. The manuscript
was given to Cambridge University Library by Crome in 1444 and was there in 1473. In 1567 Andrew
Perne, Master of Peterhouse and several times Vice-Chancellor of the University, gave it to Matthew
Parker, and it came to Corpus with his collection in 1575. Another part of the same manuscript, now
Cambridge, King's College, MS 9, was detached before Parker acquired MS 68. Among the texts included
are Isidore of Seville (c. 560-636), <title>De ecclesiasticis officiis</title>, and William of
Malmesbury OSB (c. 1080-1143), <title>Abbreviatio Amalarii</title>, an abbreviation of the work of
Amalarius of Metz (c. 775/80-c. 850), <title>De ecclesiasticis officiis</title>.</p>
</div>
<div xml:id="CCC069" n="MS 69">
<p>CCCC MS 69, containing Gregory the Great's Forty Homilies on the Gospels, was written in Insular
Hybrid minuscule and decorated in typical Insular fashion with red dots, interlace, and occasional
animal heads. It was probably made in England south of the Humber, dating to the early part of the
early ninth century, and is as such a relatively late product of the Insular book-producing
tradition in England, which was to be greatly disrupted by Viking attacks of the middle of the ninth
century. The text was used by Étaix in his edition of the work, although he denigrated it as
containing terrible readings and fantastic spellings; but its place of origin and early date seemed
to him too significant for the manuscript to be ignored.</p>
</div>
<div xml:id="CCC070" n="MS 70">
<p>CCCC MS 70 contains a number of Anglo-Saxon, Norman and Plantagenet legal tracts, including the text
of the <title>Quadripartitus</title> and the <title>Leges Henrici Primi</title>. It was written by
or for Andrew Horn (c. 1275-1328) in the first quarter of the fourteenth century, probably to serve
as a private compilation of precedents able to inform any discussions of the customs of the City of
London. It is one of the manuscripts that Horn, a prominent City fishmonger and Chamberlain of
London (1320-28), bequeathed to the London Guildhall and was at one time almost certainly bound up
with the material that is now contained in <ref type="ms" target="CCC258">CCCC MS 258</ref>. This
provenance is neatly established by the presence within the manuscript of a drawing of a fish
accompanied by the words '<title>Horn mihi cognomen Andreas est mihi nomen</title>'.</p>
</div>
<div xml:id="CCC071" n="MS 71">
<p>As an important witness to the twelfth-century interest in texts of classical Roman and late antique
authors, CCCC MS 71 contains Macrobius, Saturnalia, Macrobius's commentary on Cicero's Somnium
Scipionis, and Apuleius, Opera philosophica. The Apuleius texts belong to the third group of
manuscripts of these works as classified by Beaujeu. The added thirteenth-century list of contents
on the flyleaf is in a special form characteristic of the Abbey of St Albans. It is likely that the
book was made at the abbey, although there is no firm evidence it was there until the thirteenth
century when the contents were listed. Thomson, in his study of St Albans manuscripts, dates the
book to c. 1150. On the flyleaf a fifteenth-century note values the book at xx s.</p>
</div>
<div xml:id="CCC072" n="MS 72">
<p>Although arranged according to the texts of the four Gospels, rather than arranging the specific
readings according to the Sundays and feast days of the year, CCCC MS 72, was intended to serve as a
Gospel Lectionary for the readings at Mass. It begins with a table of the Gospel readings for the
church year, and in the margins are the names of the days on which the appropriate passages of text
are to be read. The Gospel text has been compared with Bibles produced at Canterbury and Glunz
classifies it as 'Lanfranc's Scholastic Text'. Although M. R. James thought that it might have been
made at St Albans, it is now thought more likely that it was made at Christ Church cathedral priory,
Canterbury. It has three very large and fine illuminated ornamental initials, and many smaller ones.
A dating of the book to the closing years of the twelfth century, perhaps c. 1180, seems likely.</p>
</div>
<div xml:id="CCC073" n="MS 73">
<p>CCCC MS 73, of the second quarter of the fifteenth century, is a copy of the commentaries of Nicholas
de Gorran OP (1232-c.1295) on Matthew, Mark, the Catholic Epistles and the Apocalypse. The opening
flyleaf of this manuscript is from an antiphoner and includes some music on a four-line stave. James
noted a similarity in appearance between this manuscript and <ref type="ms" target="CCC001">CCCC MS
1</ref>.</p>
</div>
<div xml:id="CCC074" n="MS 74">
<p>CCCC MS 74 contains a fourteenth-century copy of the <title>Inuentarium iuris canonici</title> of
Berengarius Fredoli (d. 1323), an index of subjects written as a guide to canon law. Parker acquired
this manuscript from Norwich Cathedral Priory and it was one of three that the priory had been
bequeathed by their former owner, Cardinal Adam Easton (c. 1330-97), that Parker secured (see also
CCCC MSS <ref type="ms" target="CCC180">180</ref> and <ref type="ms" target="CCC347">347</ref>). It
was almost certainly once part of the Cardinal's reputedly extensive personal library. If so, it was
probably among the 228 books from that source which arrived in Norwich, packed in six barrels, in
1407, ten years after his death in Rome.</p>
</div>
<div xml:id="CCC075" n="MS 75">
<p>This large glossed Psalter, CCCC MS 75, dating to c. 1220, contains the commentary of Peter Lombard
(c. 1095-1160) completed towards the end of his life in 1158/9. This was the most read of all
commentaries on the psalms in the later centuries of the Middle Ages. This is a luxury copy with
historiated initials placed at the liturgical divisions of the psalms, even though this book was
intended for scholarly rather than liturgical use. The iconography of these initials is
characteristic of the specifically English system used in the thirteenth century, although some of
them, like Noah's drunkenness for psalm 51, are rarely found. M. R. James suggested that the script
was characteristic of the abbey of St Albans, but the study by Thomson of St Albans books of this
period rejects it. It might have been made in East Anglia because it is illuminated by the same
artists as the Psalter, London, BL MS Lansdowne 431, which was made for an Augustinian house in that
region, perhaps Barnwell near Cambridge.</p>
</div>
<div xml:id="CCC076" n="MS 76">
<p>CCCC MS 76 contains an incomplete copy of <title>De institutis coenobiorum</title> of John Cassian
(c. 360-435) and extracts from the <title>Abbreuiationes chronicorum</title> of Ralph de Diceto (d.
c. 1199/1200) under the title <title>Annales de Dorobernensibus Archiepiscopis</title>. The
<title>Annales</title> were copied in a late twelfth-century hand which, it has been argued, may
be that of Diceto himself. An inscription hints that this manuscript may have been intended for
presentation to Hubert Walter, archbishop of Canterbury (d. 1205). If so, this may explain how it
came to be in the possession of a later archbishop, Stephen Langton (c. 1165-1228) from whom it
passed to the priory of the Holy Trinity, Christ Church, Canterbury where it is recorded in the
early fourteenth-century library catalogue of Henry of Eastry.</p>
</div>
<div xml:id="CCC077" n="MS 77">
<p>CCCC MS 77 contains a copy of the <title>Speculum iudiciale</title> of Willelmus Durandus the Elder
(c. 1237-1296). Completed in 1271 and revised twice before the author's death, the
<title>Speculum</title> is a manual for the proper administration and exercise of ecclesiastical
authority in a synthesis of the concepts underpinning Roman and canon law. The <title>Speculum
iudiciale</title> remained an important text for the Catholic church long after the Middle Ages,
with several printed editions appearing between the late-fifteenth and mid-seventeenth centuries. MS
77 was written in the fourteenth century and an inscription establishes that it was once at the
Benedictine abbey of St Albans, Hertfordshire.</p>
</div>
<div xml:id="CCC078" n="MS 78">
<p>CCCC MS 78 contains a fifteenth century copy of <title>De uiris claris</title>, the fifth book of
Domenico di Bandino's (d. 1413) <title>Fons memorabilium uniuersi</title>. The <title>Fons
memorabilium</title> is an encyclopaedia derived from a large number of classical and medieval
sources and <title>De uiris claris</title> is dedicated to the study of man both as a biological
entity and more generally, featuring a number of biographies of medieval and early renaissance
figures. A letter written in Florence survives as part of the binding, suggesting that the book is
of Italian origin, but how and when it came to Parker is uncertain.</p>
</div>
<div xml:id="CCC079" n="MS 79">
<p>CCCC MS 79, dating from c. 1400 and c. 1410, is the most elaborate decorated Pontifical to survive
from medieval England. The text contains the church services particular to bishops, and is a
specifically English version rather than the Durandus edition of the Pontifical widely used
throughout Europe at this time. Its ownership can be determined from the heraldry on some of its
pages, and it seems to have passed through the hands of three bishops who made additions to the text
and illumination. The original patron of the book seems to have been Guy de Mohun, bishop of St
Davids (1397-1407), and it then passes first to Richard Clifford, bishop of Worcester (1401-1407)
and bishop of London (1407-1421) who had further illumination done, and finally to Philip Morgan,
bishop of Worcester (1419-1426) and bishop of Ely (1426-1435) who added a section of text. By 1489
the Pontifical was at St Paul's Cathedral because on ff. 1v-2 are added the texts for the ceremony
held there in that year of the presentation of the papal sword and cap to Henry VII by Pope Innocent
VIII's nuncio. Small framed miniatures and historiated initials illustrate the various pontifical
offices, and many pages have elaborate gilded borders and ornamental initials. The book was probably
made in London because its artists in their ornament and figure style derive from the illuminators
who made the Litlyngton Missal (Westminster Abbey MS 37) in 1383-1384.</p>
</div>
<div xml:id="CCC080" n="MS 80">
<p>CCCC MS 80 contains Henry Lovelich's English versions of <title>The History of the Holy Grail</title>
and <title>Merlin</title> written c. 1450-75. The Corpus manuscript is the unique copy of these
texts, translated and versified from the French prose version. Lovelich was a member of the
Skinners' Company of London, and it seems likely that, until it came into Parker's possession, this
manuscript had remained in or around London. Certainly it contains a number of notes added in the
later fifteenth century in the hand of John Cok, a priest at the Augustinian hospital of St
Bartholomew at Smithfield.</p>
</div>
<div xml:id="CCC081" n="MS 81">
<p>CCCC MS 81 is a large and handsomely decorated paper manuscript of the mid-fifteenth century, copied
by Demetrios Xanthopoulos, who worked in the circle of Cardinal Bessarion (1403-72). It contains
Homer, <title>Iliad</title>, Quintus of Smyrna, <title>Posthomerica</title> and Homer,
<title>Odyssey</title>. There are intermittent Homeric scholia in the hand of Demetrios
Chalkondyles, the scholar who supervised the production of the editio princeps of Homer in 1488;
some of the scholia on <title>Odyssey</title> yield new textual evidence. A circular cartouche on
p.1 with the name 'Theodoros' in gold letters is probably a sign of Theodore Gaza's (c.1400-1475)
ownership, but may have led to the belief that the book (along with CCCC MSS <ref type="ms"
target="CCC224">224</ref> and <ref type="ms" target="CCC248">248</ref> and six other Cambridge
MSS) came from Theodore of Tarsus (602-690). Notes by Parker and others suggest that the book was
found at Canterbury, possibly as part of the library of St Augustine's Abbey.</p>
</div>
<div xml:id="CCC082" n="MS 82">
<p>CCCC MS 82 is a copy of c. 1425-50 of the Latin sermons on the Gospels for the Sundays of the Church
year by Philip Repingdon OSA (c. 1345-1424). He was initially a follower of John Wyclif, but on
being excommunicated for upholding Wycliffite teachings in 1382, he recanted. Subsequently in 1393
he became abbot of Leicester, chancellor of the University of Oxford (1400-3) and Bishop of Lincoln
(1405-20).</p>
</div>
<div xml:id="CCC083" n="MS 83">
<p>The first and last two folios of CCCC MS 83 contain part of a fine, fourteenth-century, glossed copy
of Boethius, <title>De consolatione philosophiae</title>. The rest of the manuscript dates from the
early thirteenth century, probably datable to 1208-16, and contains Peter of Poitiers (d. 1205),
<title>Genealogia historiarum</title> (<title>Compendium ueteris testamenti</title>) (also in
CCCC MSS <ref type="ms" target="CCC029">29</ref> and <ref type="ms" target="CCC437">437</ref>), an
anonymous tract on the virtues and vices, <title>De duodecim gradibus humilitatis</title>, Alexander
of Ashby OSA (d. by 1213), <title>Comprehensio historiarum ueteris et noui testamenti</title>, and
Petrus Riga (d. 1209), <title>Aurora</title>, a late-twelfth-century verse commentary on, and
summary of, the Bible. The book is notable for its illustrations in tinted drawing, as in the
medallions containing Creation scenes and portraits of biblical figures and historical figures in
the first text.</p>
</div>
<div xml:id="CCC084" n="MS 84">
<p>CCCC MS 84, dating from c. 1450, contains fifteenth-century copies of William of Mont Lauzun's (d.
1343), <title>Sacramentale</title> and <title>Gloss on the Constitutiones Clementinae</title>
(<title>Lectura super Clementinas</title>) together with a number of ecclesiastical
constitutions from the province of Canterbury and other material of interest to churchmen such as
the <title>Articuli cleri</title> of 1316 and a copy of the writ <title>Circumspecte agatis</title>.
Clearly it was this material relating to the history of the governance of the Church in England that
interested Parker about the manuscript. The provenance of the codex is unknown.</p>
</div>
<div xml:id="CCC085" n="MS 85">