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NickLaiacona committed Sep 4, 2023
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17 changes: 8 additions & 9 deletions fr640_3r-3v-example/html/index.html
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<tei-body data-origname="body">
<tei-pb facs="#f010" data-origname="pb" data-empty=""></tei-pb>
<tei-div ana="#cat-stones" decls="#cat-stones" data-origname="div">
<tei-head data-origname="head">
<tei-rs ref="#rs-m" data-origname="rs">Counterfeit coral</tei-rs>
<tei-note n="c_003r_02" data-origname="note">In this period, counterfeit does not necessarily connote a deceptive practice of imitation. See <tei-ref target="https://edition640.makingandknowing.org/#/essays/ann_045_fa_16" data-origname="ref">Lores-Chavez, “Imitating Raw Nature.”</tei-ref></tei-note>
</tei-head>
<tei-head data-origname="head"><tei-rs ref="#rs-m" data-origname="rs">Counterfeit coral</tei-rs> <tei-note n="c_003r_02" data-origname="note">In this period, counterfeit does not necessarily connote a deceptive practice of imitation. See <tei-ref target="https://edition640.makingandknowing.org/#/essays/ann_045_fa_16" data-origname="ref">Lores-Chavez, “Imitating Raw Nature.”</tei-ref></tei-note></tei-head>
<tei-p data-origname="p">
<tei-metamark data-origname="metamark">+</tei-metamark>
</tei-p>
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<tei-p data-origname="p">Take a <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs> of <tei-rs ref="#rs-pl" data-origname="rs">Venice</tei-rs> turpentine &amp; heat it in a <tei-rs ref="#rs-tl" data-origname="rs">pot</tei-rs> until it simmers, and put in half a <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs> of the <tei-rs ref="#rs-m" data-origname="rs">turpentine oil</tei-rs> of the whitest you can find, and stir it together well on a <tei-rs ref="#rs-m" data-origname="rs">charcoal</tei-rs> fire and take it off immediately. And <tei-del data-origname="del"><tei-rs ref="#rs-fr" data-origname="rs">elle</tei-rs></tei-del> it is done. But if it seems too thick to you, add in a little more <tei-rs ref="#rs-m" data-origname="rs">oil</tei-rs>. Similarly if it is too clear, you can thicken it by putting in a little <tei-rs ref="#rs-m" data-origname="rs">turpentine</tei-rs>. Thus you will give it whatever body you want. It could be made well without fire, but, when heated, it is more desiccative. It is appropriate for panel paintings and other painted things without corrupting the colors or yellowing. And it dries both <tei-rs ref="#rs-env" data-origname="rs">in the shade</tei-rs> and <tei-rs ref="#rs-env" data-origname="rs">in the sun</tei-rs>, and <tei-rs ref="#rs-tmp" data-origname="rs">overnight</tei-rs>, and <tei-rs ref="#rs-tmp" data-origname="rs">during the winter</tei-rs> as well as <tei-rs ref="#rs-tmp" data-origname="rs">in the summer</tei-rs>. It is commonly sold 15 <tei-rs ref="#rs-cn" data-origname="rs">sous</tei-rs> a <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs>.</tei-p>
<tei-p rend="left-bottom" style="tall" data-origname="p">A little more <tei-rs ref="#rs-m" data-origname="rs">turpentine</tei-rs> than <tei-rs ref="#rs-m" data-origname="rs">turpentine oil</tei-rs> is needed in order to give body to the <tei-rs ref="#rs-m" data-origname="rs">varnish</tei-rs>, which needs to be applied with the <tei-rs ref="#rs-bp" data-origname="rs">finger</tei-rs> in order to spread it thinner and less thick, for when it is thick, it turns yellow and sticks. One does not <tei-rs ref="#rs-m" data-origname="rs">varnish</tei-rs> to make paintings shine, for it just takes the light out of them.</tei-p>
</tei-div>
<tei-div ana="#cat-varnish" decls="#cat-varnish" data-origname="div">
<tei-p rend="left-middle" style="wide" data-origname="p">But it is used to heighten colors which have soaked in and to keep them from dust. <tei-rs ref="#rs-m" data-origname="rs">Mastic varnish</tei-rs> does not resist <tei-rs ref="#rs-env" data-origname="rs">rain</tei-rs>, whereas that of <tei-rs ref="#rs-m" data-origname="rs">oil</tei-rs> and <tei-rs ref="#rs-m" data-origname="rs">rosin</tei-rs> does.</tei-p>
</tei-div>
<tei-div ana="#cat-varnish" decls="#cat-varnish" data-origname="div">
<tei-head data-origname="head"><tei-rs ref="#rs-m" data-origname="rs">Thick varnish</tei-rs> for planks</tei-head>
<tei-p data-origname="p">There is a <tei-rs ref="#rs-m" data-origname="rs">varnish</tei-rs> that takes a long time to dry &amp; drips more than two <tei-rs ref="#rs-tmp" data-origname="rs">months</tei-rs> after it has been applied to the planks. But this one does not drip like that of <tei-rs ref="#rs-tmp" data-origname="rs">times past</tei-rs>, which was made of <tei-rs ref="#rs-m" data-origname="rs">linseed oil</tei-rs>, <tei-rs ref="#rs-m" data-origname="rs">garlic</tei-rs> boiled in it to extinguish it &amp; rid it of grease, &amp; with <tei-rs ref="#rs-m" data-origname="rs">wheat</tei-rs>. And this one yellowed &amp; rendered greenish the blue color of paintings. This one is made like the other one except that one puts <tei-rs ref="#rs-m" data-origname="rs">coarse common turpentine</tei-rs></tei-p>
<tei-pb facs="#f011" data-origname="pb" data-empty=""></tei-pb>
</tei-div>
<tei-div ana="#cat-varnish" decls="#cat-varnish" data-origname="div">
<tei-p rend="left-bottom" style="wide" data-origname="p">But it is used to heighten colors which have soaked in and to keep them from dust. <tei-rs ref="#rs-m" data-origname="rs">Mastic varnish</tei-rs> does not resist <tei-rs ref="#rs-env" data-origname="rs">rain</tei-rs>, whereas that of <tei-rs ref="#rs-m" data-origname="rs">oil</tei-rs> and <tei-rs ref="#rs-m" data-origname="rs">rosin</tei-rs> does.</tei-p>
</tei-div>
<tei-pb facs="#f011" data-origname="pb" data-empty=""></tei-pb>
<tei-div data-origname="div">
<tei-p data-origname="p">instead of <tei-rs ref="#rs-m" data-origname="rs">fine turpentine</tei-rs>. And you can put into two <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs> of <tei-del data-origname="del"><tei-rs ref="#rs-fr" data-origname="rs">tou</tei-rs></tei-del> <tei-rs ref="#rs-m" data-origname="rs">common turpentine</tei-rs> one <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs> of <tei-rs ref="#rs-m" data-origname="rs">fine turpentine oil</tei-rs> &amp; do everything as with the other one. This one will cost you no more than five or six <tei-rs ref="#rs-cn" data-origname="rs">sous</tei-rs> per <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs> &amp; is sold for 40 <tei-rs ref="#rs-cn" data-origname="rs">sous</tei-rs> per <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs>.</tei-p>
<tei-figure data-origname="figure">
<tei-graphic url="https://edition640.makingandknowing.org/bnf-ms-fr-640/prod050222-0/figures/p003v_1.png" data-origname="graphic">
<tei-graphic url="https://cu-mkp.github.io/editioncrafter-data/fr640_3r-3v-example/figures/p003v_1.png" data-origname="graphic">
<tei-desc data-origname="desc" data-empty=""></tei-desc>
</tei-graphic>
</tei-figure>
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3 changes: 3 additions & 0 deletions fr640_3r-3v-example/html/other_text/f010.html
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@@ -0,0 +1,3 @@
<tei-text data-xmlns="http://www.tei-c.org/ns/1.0" xml:id="other_text" id="other_text" data-origname="text"><tei-body data-origname="body"><tei-pb facs="#f010" data-origname="pb" data-empty=""></tei-pb>
<tei-p data-origname="p"> Page 3r </tei-p>
</tei-body></tei-text>
4 changes: 4 additions & 0 deletions fr640_3r-3v-example/html/other_text/f011.html
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@@ -0,0 +1,4 @@
<tei-text data-xmlns="http://www.tei-c.org/ns/1.0" xml:id="other_text" id="other_text" data-origname="text"><tei-body data-origname="body"><tei-pb facs="#f011" data-origname="pb" data-empty=""></tei-pb>
<tei-p data-origname="p"> Page 3v </tei-p>
</tei-body>
</tei-text>
8 changes: 8 additions & 0 deletions fr640_3r-3v-example/html/other_text/index.html
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@@ -0,0 +1,8 @@
<tei-text xml:id="other_text" id="other_text" data-origname="text">
<tei-body data-origname="body">
<tei-pb facs="#f010" data-origname="pb" data-empty=""></tei-pb>
<tei-p data-origname="p"> Page 3r </tei-p>
<tei-pb facs="#f011" data-origname="pb" data-empty=""></tei-pb>
<tei-p data-origname="p"> Page 3v </tei-p>
</tei-body>
</tei-text>
14 changes: 6 additions & 8 deletions fr640_3r-3v-example/html/tl/f010.html
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@@ -1,9 +1,6 @@
<tei-text data-xmlns="http://www.tei-c.org/ns/1.0" xml:id="tl" id="tl" data-origname="text"><tei-body data-origname="body"><tei-pb facs="#f010" data-origname="pb" data-empty=""></tei-pb>
<tei-div ana="#cat-stones" decls="#cat-stones" data-origname="div">
<tei-head data-origname="head">
<tei-rs ref="#rs-m" data-origname="rs">Counterfeit coral</tei-rs>
<tei-note n="c_003r_02" data-origname="note">In this period, counterfeit does not necessarily connote a deceptive practice of imitation. See <tei-ref target="https://edition640.makingandknowing.org/#/essays/ann_045_fa_16" data-origname="ref">Lores-Chavez, “Imitating Raw Nature.”</tei-ref></tei-note>
</tei-head>
<tei-head data-origname="head"><tei-rs ref="#rs-m" data-origname="rs">Counterfeit coral</tei-rs> <tei-note n="c_003r_02" data-origname="note">In this period, counterfeit does not necessarily connote a deceptive practice of imitation. See <tei-ref target="https://edition640.makingandknowing.org/#/essays/ann_045_fa_16" data-origname="ref">Lores-Chavez, “Imitating Raw Nature.”</tei-ref></tei-note></tei-head>
<tei-p data-origname="p">
<tei-metamark data-origname="metamark">+</tei-metamark>
</tei-p>
Expand All @@ -18,10 +15,11 @@
<tei-p data-origname="p">Take a <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs> of <tei-rs ref="#rs-pl" data-origname="rs">Venice</tei-rs> turpentine &amp; heat it in a <tei-rs ref="#rs-tl" data-origname="rs">pot</tei-rs> until it simmers, and put in half a <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs> of the <tei-rs ref="#rs-m" data-origname="rs">turpentine oil</tei-rs> of the whitest you can find, and stir it together well on a <tei-rs ref="#rs-m" data-origname="rs">charcoal</tei-rs> fire and take it off immediately. And <tei-del data-origname="del"><tei-rs ref="#rs-fr" data-origname="rs">elle</tei-rs></tei-del> it is done. But if it seems too thick to you, add in a little more <tei-rs ref="#rs-m" data-origname="rs">oil</tei-rs>. Similarly if it is too clear, you can thicken it by putting in a little <tei-rs ref="#rs-m" data-origname="rs">turpentine</tei-rs>. Thus you will give it whatever body you want. It could be made well without fire, but, when heated, it is more desiccative. It is appropriate for panel paintings and other painted things without corrupting the colors or yellowing. And it dries both <tei-rs ref="#rs-env" data-origname="rs">in the shade</tei-rs> and <tei-rs ref="#rs-env" data-origname="rs">in the sun</tei-rs>, and <tei-rs ref="#rs-tmp" data-origname="rs">overnight</tei-rs>, and <tei-rs ref="#rs-tmp" data-origname="rs">during the winter</tei-rs> as well as <tei-rs ref="#rs-tmp" data-origname="rs">in the summer</tei-rs>. It is commonly sold 15 <tei-rs ref="#rs-cn" data-origname="rs">sous</tei-rs> a <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs>.</tei-p>
<tei-p rend="left-bottom" style="tall" data-origname="p">A little more <tei-rs ref="#rs-m" data-origname="rs">turpentine</tei-rs> than <tei-rs ref="#rs-m" data-origname="rs">turpentine oil</tei-rs> is needed in order to give body to the <tei-rs ref="#rs-m" data-origname="rs">varnish</tei-rs>, which needs to be applied with the <tei-rs ref="#rs-bp" data-origname="rs">finger</tei-rs> in order to spread it thinner and less thick, for when it is thick, it turns yellow and sticks. One does not <tei-rs ref="#rs-m" data-origname="rs">varnish</tei-rs> to make paintings shine, for it just takes the light out of them.</tei-p>
</tei-div>
<tei-div ana="#cat-varnish" decls="#cat-varnish" data-origname="div">
<tei-p rend="left-middle" style="wide" data-origname="p">But it is used to heighten colors which have soaked in and to keep them from dust. <tei-rs ref="#rs-m" data-origname="rs">Mastic varnish</tei-rs> does not resist <tei-rs ref="#rs-env" data-origname="rs">rain</tei-rs>, whereas that of <tei-rs ref="#rs-m" data-origname="rs">oil</tei-rs> and <tei-rs ref="#rs-m" data-origname="rs">rosin</tei-rs> does.</tei-p>
</tei-div>
<tei-div ana="#cat-varnish" decls="#cat-varnish" data-origname="div">
<tei-head data-origname="head"><tei-rs ref="#rs-m" data-origname="rs">Thick varnish</tei-rs> for planks</tei-head>
<tei-p data-origname="p">There is a <tei-rs ref="#rs-m" data-origname="rs">varnish</tei-rs> that takes a long time to dry &amp; drips more than two <tei-rs ref="#rs-tmp" data-origname="rs">months</tei-rs> after it has been applied to the planks. But this one does not drip like that of <tei-rs ref="#rs-tmp" data-origname="rs">times past</tei-rs>, which was made of <tei-rs ref="#rs-m" data-origname="rs">linseed oil</tei-rs>, <tei-rs ref="#rs-m" data-origname="rs">garlic</tei-rs> boiled in it to extinguish it &amp; rid it of grease, &amp; with <tei-rs ref="#rs-m" data-origname="rs">wheat</tei-rs>. And this one yellowed &amp; rendered greenish the blue color of paintings. This one is made like the other one except that one puts <tei-rs ref="#rs-m" data-origname="rs">coarse common turpentine</tei-rs></tei-p>
</tei-div></tei-body></tei-text>
</tei-div>
<tei-div ana="#cat-varnish" decls="#cat-varnish" data-origname="div">
<tei-p rend="left-bottom" style="wide" data-origname="p">But it is used to heighten colors which have soaked in and to keep them from dust. <tei-rs ref="#rs-m" data-origname="rs">Mastic varnish</tei-rs> does not resist <tei-rs ref="#rs-env" data-origname="rs">rain</tei-rs>, whereas that of <tei-rs ref="#rs-m" data-origname="rs">oil</tei-rs> and <tei-rs ref="#rs-m" data-origname="rs">rosin</tei-rs> does.</tei-p>
</tei-div>
</tei-body></tei-text>
5 changes: 3 additions & 2 deletions fr640_3r-3v-example/html/tl/f011.html
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@@ -1,7 +1,8 @@
<tei-text data-xmlns="http://www.tei-c.org/ns/1.0" xml:id="tl" id="tl" data-origname="text"><tei-body data-origname="body"><tei-div ana="#cat-varnish" decls="#cat-varnish" data-origname="div"><tei-pb facs="#f011" data-origname="pb" data-empty=""></tei-pb>
<tei-text data-xmlns="http://www.tei-c.org/ns/1.0" xml:id="tl" id="tl" data-origname="text"><tei-body data-origname="body"><tei-pb facs="#f011" data-origname="pb" data-empty=""></tei-pb>
<tei-div data-origname="div">
<tei-p data-origname="p">instead of <tei-rs ref="#rs-m" data-origname="rs">fine turpentine</tei-rs>. And you can put into two <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs> of <tei-del data-origname="del"><tei-rs ref="#rs-fr" data-origname="rs">tou</tei-rs></tei-del> <tei-rs ref="#rs-m" data-origname="rs">common turpentine</tei-rs> one <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs> of <tei-rs ref="#rs-m" data-origname="rs">fine turpentine oil</tei-rs> &amp; do everything as with the other one. This one will cost you no more than five or six <tei-rs ref="#rs-cn" data-origname="rs">sous</tei-rs> per <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs> &amp; is sold for 40 <tei-rs ref="#rs-cn" data-origname="rs">sous</tei-rs> per <tei-rs ref="#rs-ms" data-origname="rs">lb</tei-rs>.</tei-p>
<tei-figure data-origname="figure">
<tei-graphic url="https://edition640.makingandknowing.org/bnf-ms-fr-640/prod050222-0/figures/p003v_1.png" data-origname="graphic">
<tei-graphic url="https://cu-mkp.github.io/editioncrafter-data/fr640_3r-3v-example/figures/p003v_1.png" data-origname="graphic">
<tei-desc data-origname="desc" data-empty=""></tei-desc>
</tei-graphic>
</tei-figure>
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