Categories
Modified
-
@@ -540,7 +546,7 @@ November 8, 2024
+November 18, 2024
Paper
-Paper
Gerben ZaagsmaPaper
Eliane SchmidPaper
Rémi Petitpierre, Isabella di Lenardo, Lucas RappoPaper
Gabi WuethrichPaper
Laura Bitterli, Lorenz DändlikerPaper
Kaspar GublerPaper
Hanna-Leena Paloposki, Ilona PikkanenPaper
Catrina Langenegger, Johanna SchüpbachPaper
Giovanni Profeta, Fabio Rinaldi, Joseph Cornelius, Regina WangerPaper
Jérôme Baudry, Nicolas ChachereauPaper
Nadezhda PovroznikPaper
Maud Ehrmann, Raphaëlle Ruppen Coutaz, Simon Clematide, Marten DüringPaper
Stephen Hart, Vincent Alamercery, Francesco Beretta, Djamel Ferhod, Sebastian Flick, Tobias Hodel, David Knecht, Gaétan Muck, Alexandre Perraud, Morgane Pica, Pierre VernusPaper
Monika ReppoPaper
Christian Forney, Martin StuberPaper
Adrian DemleitnerPaper
Peter Moser, Andreas WiggerPaper
Moritz Greiner-Petter, Sarine WaltenspülPaper
Michael PiotrowskiPaper
Dominic WeberPaper
Cyril Lacheze, Marina GasnierPaper
Francesco BerettaPaper
Ina SerifPaper
Christian Sonder, Bastian PolityckiPaper
Isabella di Lenardo, Rémi Petitpierre, Lucas Rappo, Paul Guhennec, Carlo Musso, Nicolas Mermoud-GhraichyPaper
Victoria Gioia Désirée LandauPaper
Laurent Heyberger, Gabriel Frossard, Wissam Al-KendiPaper
Moritz FeichtingerPaper
Anne S. Chao, Yi Zhong, Qiwei Li, Zhandong LiuPaper
Benjamin Hitz, Ismail Prada Ziegler, Aline VonwillerPaper
Tarun Chadha, Gentiana Rashiti, Christiane Sibille, Agnieszka IlnickaPaper
Ludovic Tournès, Yi-Tang LinPoster
Poster
Torsten Kahlert, Daniel KurzawePoster
Lucas Burkart, Tobias Hodel, Benjamin Hitz, Aline Vonwiller, Ismail Prada Ziegler, Jonas Aeby, Katrin FuchsPoster
Axel MattheyPoster
Audray Sauvage, Julien Antoine RaemyPoster
Martin Reisacher, Eric Dubey, Matteo LorenziniCall for Contributions
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research + +
diff --git a/call-for-contributions/key-dates.html b/call-for-contributions/key-dates.html
index 59f42f6..7880da1 100644
--- a/call-for-contributions/key-dates.html
+++ b/call-for-contributions/key-dates.html
@@ -340,6 +340,12 @@
+Key Dates
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/call-for-contributions/review-process.html b/call-for-contributions/review-process.html
index fd17e32..6f2c4b9 100644
--- a/call-for-contributions/review-process.html
+++ b/call-for-contributions/review-process.html
@@ -342,6 +342,12 @@
+Evaluation Criteria
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/call-for-contributions/submission-guidelines.html b/call-for-contributions/submission-guidelines.html
index d52cd69..b888cb9 100644
--- a/call-for-contributions/submission-guidelines.html
+++ b/call-for-contributions/submission-guidelines.html
@@ -342,6 +342,12 @@
+Submission Guidelines
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/conference-program.html b/conference-program.html
index 2bb7c44..52c305f 100644
--- a/conference-program.html
+++ b/conference-program.html
@@ -342,6 +342,12 @@
+DigiHistCH24 Program
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/conference-program/info-event-digital-history-network-switzerland.html b/conference-program/info-event-digital-history-network-switzerland.html
index de742fe..299c8a0 100644
--- a/conference-program/info-event-digital-history-network-switzerland.html
+++ b/conference-program/info-event-digital-history-network-switzerland.html
@@ -342,6 +342,12 @@
+Information Event: Digital History Networ Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/conference-program/info-event-ssh-ord.html b/conference-program/info-event-ssh-ord.html
index 9ac41bd..6970b21 100644
--- a/conference-program/info-event-ssh-ord.html
+++ b/conference-program/info-event-ssh-ord.html
@@ -342,6 +342,12 @@
+Information Event: Open Research Data Tas Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/conference-program/practical-information.html b/conference-program/practical-information.html
index 2a59127..6caea56 100644
--- a/conference-program/practical-information.html
+++ b/conference-program/practical-information.html
@@ -344,6 +344,12 @@
+Practical Information
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/conference-program/schedule.html b/conference-program/schedule.html
index ac79e92..70ed848 100644
--- a/conference-program/schedule.html
+++ b/conference-program/schedule.html
@@ -340,6 +340,12 @@
+Schedule
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
@@ -563,7 +569,7 @@ Friday, 13 Septem
Friday, 13 Septem
09:00 am
Session 5A
-Session 5B (Workshop)
+Session 5B (Workshop)
Friday, 13 Septem
| Time | Lecture Hall 001 | Lecture Hall 115 |
|----------|---------------------------------------------|-------------------------------------------------|
-| 09:00 am | **[Session 5A](/book-of-abstracts.html#category=Session%205A)** | **Session 5B (Workshop)** |
+| 09:00 am | **[Session 5A](/book-of-abstracts.html#category=Session%205A)** | **[Session 5B (Workshop)](/submissions/873)** |
| | Chair: Dr. Enrico Natale (infoclio.ch) | Chair: Daniel Jaquet (EPFL) |
| 11:00 am | **[Session 6A](/book-of-abstracts.html#category=Session%206A)** | **[Session 6B](/book-of-abstracts.html#category=Session%206B)** |
| | Chair: Moritz Twente (Universität Basel) | Chair: Dr. Moritz Mähr (Universität Basel) |
diff --git a/fonts/LICENSE-OFL.html b/fonts/LICENSE-OFL.html
index 6ad6332..c591ffe 100644
--- a/fonts/LICENSE-OFL.html
+++ b/fonts/LICENSE-OFL.html
@@ -340,6 +340,12 @@
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
+
+
+
diff --git a/index.html b/index.html
index e84c9a9..f198585 100644
--- a/index.html
+++ b/index.html
@@ -343,6 +343,12 @@ Historical Research, Digital Literacy and
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
+
+
+
@@ -477,7 +483,7 @@ On this page
Modified
- November 8, 2024
+ November 18, 2024
diff --git a/listings.json b/listings.json
index 0fd0d63..55f46ac 100644
--- a/listings.json
+++ b/listings.json
@@ -25,6 +25,7 @@
"/submissions/429/index.html",
"/submissions/453/index.html",
"/submissions/687/index.html",
+ "/submissions/873/index.html",
"/submissions/427/index.html",
"/submissions/456/index.html",
"/submissions/464/index.html",
diff --git a/search.json b/search.json
index 767180a..031431d 100644
--- a/search.json
+++ b/search.json
@@ -1394,331 +1394,472 @@
]
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+ "title": "A Digital History of Internationalization. Operationalizing Concepts and Exploring Millions of Patent Documents",
"section": "",
- "text": "Cultural digital archives are a goldmine of information for historians, offering access to digitized sources online. However, research highlights that these archives often struggle with usability issues (Vora, Komura, and Stanton Usability Team 2010; Dani et al. 2015) including difficulties in accessing certain items and information. Moreover, several emerging challenges are affecting the work of historians. Among these are the limited ways to explore archives, because cultural digital archives typically rely heavily on keyword-based search methods, the lack of transparency about how search results are generated, and the absence of advanced search and filtering options to reduce the volume of search results. In recent years, several researches from both the computer science and information visualization domains have been conducted to investigate more advanced and easy-to-use methods to access digitized publications. In the computer science domain, studies on the recognition and classification of named entities are relevant for historians and scholars in general because they allow the search, retrieval and comparison of information (Meroño-Peñuela et al. 2014). However, it is necessary to overcome the current technical issues, including the reduction of the noisy OCR outputs, the lack of resources for the training of the algorithms and the dynamics of language (spelling variations and name irregularities) (Ehrmann et al. 2023).\nIn the information visualization domain, the concept of “generous interfaces” was introduced (Whitelaw 2015) to identify a design approach for cultural digital collections that focuses on providing broader, more engaging and multi-faceted views on the content through the use of the visualization of the metadata of the collection. More recently, studies defined the requirements for more “transparent” digital archives, meant as tools facilitating content exploration even under imperfect conditions posed by digitized historical publications (Düring, Bunout, and Guido 2024), and started to investigate the use of graph-based narratives to analyze the interplay between the linearity of historical discourses and the non-linearity of the cultural heritage data (Günther et al. 2023). Through the development of the Mini-Muse research project, we merged current research coming from both the computer science and information design domains to identify novel and effective ways to access and analyse digitized publications for historical purposes. In particular, we implemented a user-centred design methodology to acquire preliminary knowledge on the integration of Natural Language Processing (NLP) algorithms and data visualization methods to enable researchers and students of history to investigate historical figures and their actions within their historical context.",
+ "text": "Our presentation reflects on the experience gained in the ongoing SNSF-funded research project The Internationalization of Patent Systems: From Patent Cultures to Global Intellectual Property. As recent debates on price of, and access to, patented COVID-19 vaccines have recalled, intellectual property rights are of great importance on a global scale. Our research investigates how patents have become, albeit incompletely, such globally relevant rights. While this internationalization is often seen as the consequence of agreements between macro-actors such as states, this project argues that this internationalization stems equally, if not more, from the networks of actors, economic strategies, texts and images involved in patent practices. To explore these, our project relies on the digital analysis of a large corpus of digitized patent documents, using text mining and computer vision techniques.",
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- "text": "Cultural digital archives are a goldmine of information for historians, offering access to digitized sources online. However, research highlights that these archives often struggle with usability issues (Vora, Komura, and Stanton Usability Team 2010; Dani et al. 2015) including difficulties in accessing certain items and information. Moreover, several emerging challenges are affecting the work of historians. Among these are the limited ways to explore archives, because cultural digital archives typically rely heavily on keyword-based search methods, the lack of transparency about how search results are generated, and the absence of advanced search and filtering options to reduce the volume of search results. In recent years, several researches from both the computer science and information visualization domains have been conducted to investigate more advanced and easy-to-use methods to access digitized publications. In the computer science domain, studies on the recognition and classification of named entities are relevant for historians and scholars in general because they allow the search, retrieval and comparison of information (Meroño-Peñuela et al. 2014). However, it is necessary to overcome the current technical issues, including the reduction of the noisy OCR outputs, the lack of resources for the training of the algorithms and the dynamics of language (spelling variations and name irregularities) (Ehrmann et al. 2023).\nIn the information visualization domain, the concept of “generous interfaces” was introduced (Whitelaw 2015) to identify a design approach for cultural digital collections that focuses on providing broader, more engaging and multi-faceted views on the content through the use of the visualization of the metadata of the collection. More recently, studies defined the requirements for more “transparent” digital archives, meant as tools facilitating content exploration even under imperfect conditions posed by digitized historical publications (Düring, Bunout, and Guido 2024), and started to investigate the use of graph-based narratives to analyze the interplay between the linearity of historical discourses and the non-linearity of the cultural heritage data (Günther et al. 2023). Through the development of the Mini-Muse research project, we merged current research coming from both the computer science and information design domains to identify novel and effective ways to access and analyse digitized publications for historical purposes. In particular, we implemented a user-centred design methodology to acquire preliminary knowledge on the integration of Natural Language Processing (NLP) algorithms and data visualization methods to enable researchers and students of history to investigate historical figures and their actions within their historical context.",
+ "text": "Our presentation reflects on the experience gained in the ongoing SNSF-funded research project The Internationalization of Patent Systems: From Patent Cultures to Global Intellectual Property. As recent debates on price of, and access to, patented COVID-19 vaccines have recalled, intellectual property rights are of great importance on a global scale. Our research investigates how patents have become, albeit incompletely, such globally relevant rights. While this internationalization is often seen as the consequence of agreements between macro-actors such as states, this project argues that this internationalization stems equally, if not more, from the networks of actors, economic strategies, texts and images involved in patent practices. To explore these, our project relies on the digital analysis of a large corpus of digitized patent documents, using text mining and computer vision techniques.",
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- "text": "Research methodology\nOur research adopts a user-centred design approach, involving a pool of historians, to ensure that user interface features meet their needs. It consists of three main phases: user research, design and implementation of a basic working prototype and user test. The user research aims to gather the needs of users of cultural digital archives regarding the information and its visual representation. During this phase, we conducted semi-structured interviews with a group of 14 heavy users of cultural digital archives. The design and implementation of a basic working prototype aim to test the feasibility of users’ desiderata. During this phase, we implemented a set of NLP algorithms to automatically extract information from a corpus of issues of a digitized publication about history. More specifically, we focused on a set of articles from the Swiss Historical Journal. The journal has been published quarterly by the Swiss History Society since 1951 and made available online by E-Periodica, a service by ETH Library. Finally, the evaluation of the working prototype aims to gather feedback regarding ease of use, clarity and usability of the interface features we implemented. During this phase, we presented the prototype to the pool of historians involved in the user research and we gathered their feedback about the user interface through a set of online interviews and an anonymous survey.",
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+ "section": "Opportunities of Digital Analysis for a History of Patent Internationalization",
+ "text": "Opportunities of Digital Analysis for a History of Patent Internationalization\nOur research project combines traditional historical methods with digital analysis. These various methods are more or less relevant depending on how the “internationalization” of patents is understood. The adoption of a legal agreement (the Paris Convention of 1883) by various states made patents internationally more relevant: because of the emergence of diplomatic discussions in matters of intellectual property, and because it made it easier for corporations to obtain rights for the same technology in different countries simultaneously. Similarly and relatedly, from the late 19th century on, patent specialists gathered in international private networks and advocacy groups. Both of these aspects can be studied through close-reading of archival materials and printed sources.\nDigital methods enable us to go further and examine a third meaning or aspect of internationalization: border-crossing patent practice and related business strategies. Indeed, patenting abroad was not exclusively the activity of multinational companies, nor of their founders and chief engineers, but also of craftsmen and low-level employees. Unlike, say, Thomas Edison or Alexander Graham Bell (see e.g. Beauchamp 2015), these patentees have left few traces outside of the patent record and even fewer, if any, that could shed light on their motivations and strategies. The large-scale digitization of patent documents thus creates the opportunity to study the activity of a wider variety of patentees.\nFurthermore, digital methods allow us to quantitatively study broad changes in patenting practices. For instance, over the period under consideration, a growing proportion of patents were granted or assigned to corporations, rather than individual inventors (Lamoreaux, Sokoloff, and Sutthiphisal 2009; Veyrassat 2001; Fisk 2009, chap. 6). How did this reflect on international patenting? More generally, what proportion of patents was granted, in different countries and at different times, to (foreign) companies and individuals holding similar patents in other countries? How did the situation vary from industry to industry?",
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- "text": "User research: interviews with a pool of experts\nThe user research started with the selection of a group of 14 heavy users of cultural digital archives, including 8 historians and 6 other experts (librarians, archivists and developers of cultural digital archives). They are affiliated with universities and cultural institutions based in the three main language regions of Switzerland (German, Italian and French). The experts’ interests include politics, economics, technology, diplomacy, and science history. The experts were interviewed in one-to-one sessions to gather information on their research routines, their pain points in accessing and analysing historical content through cultural digital archives and their needs in terms of user interface features.",
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+ "text": "Available Digitized Sources\nBecause patents constitute a legal claim of exclusivity, a detailed description of the invention is required by the law, inter alia to allow courts to assess whether competing technical devices or processes constitute illegal imitations. From the second half of the nineteenth century onward, most countries systematically published these descriptions, so-called patent specifications. We rely on a large corpus of these documents that have been digitized by patent offices for their own current activity (especially for assessing the novelty of patent applications).\nOur dataset currently includes around 4 million patent specifications from four large industrial countries: France, Germany, the United Kingdom and the United States. These countries represent major players in the discussions around the Paris Convention. Their residents also account for a large proportion of patents taken abroad. Furthermore, it has been proposed that they constitute distinct “patent cultures” that have constituted models for other countries (Gooday and Wilf 2020). This corpus however reproduces the historiographical tendency to neglect smaller and less-studied countries. To account for this, we plan to include patent specifications from additional states at a later point.\nThe main source of our data is the European Patent Office (EPO). Digitized specifications were downloaded by using Open Patent Services, an API offered by the EPO. We have also downloaded metadata through the same channel, including information such as a title for the patent; the date the patent was applied for; the date it was published; the name and country of the inventor and/or applicant; so-called “family data”, linking this specification to other ones. However, coverage is very uneven. For instance, we have no metadata for most German specifications before 1914.",
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- "text": "Design and implementation of a basic working prototype\nThe basic working prototype is an online user interface displaying content from the Swiss Historical Journal in a novel way. Its information system consists of a backend that stores data extracted from the publication and a frontend that displays it through a set of two views. The backend and frontend share data through the use of custom APIs we built (see Figure 1).\n\n\n\n\n\n\nFigure 1: Mini-Muse Information System\n\n\n\nThe working prototype is based on a selection of 25 recent articles. We selected the articles with the following attributes: focusing on politics (because several experts we interviewed were interested in this topic), in German and with historical figures shared among two or more articles. ETH Library provided us with the whole set of issues of the Swiss Historical Journal that are available via the E-Periodica digital archive both as text files, which were the output of OCR software applied to the digitized magazines and as an XML file containing the metadata of the whole issues of the journal. Then, we converted the content of the selected articles into a format suitable for the NLP algorithms, namely BioC JSON.\nAccording to the experts’ desiderata, we gather both intrinsic and extrinsic content. As extrinsic content, namely the information that contextualizes the article, we gathered the title, author, publication date, the issue and the page number. As intrinsic content, namely the information that is contained within the article text, we gathered the historical figures (persons, institutions, and locations), and the actions they performed, with related dates and locations. The extrinsic content was extracted from the XML file provided by ETH-Library. The intrinsic content was extracted automatically through the implementation of an assembly of NLP algorithms consisting of two main parts: rule-based algorithms and LLM-based algorithms. The rule-based algorithms, including text Parsing, NER, Dependency Parsing, and Rule-Based Systems, extracted the set of intrinsic elements for each sentence of each article: historical figure, action, object, details, time, and location. The LLM-based algorithms, leveraging models like GPT-4 (gpt-4-0125-preview), use structured prompting and large text inputs to understand and interpret complex contexts, identify actions, actors, and relationships, and infer details like time and location for accurate action flow detection.\nThe frontend of the tool consists of two different views on the same set of articles: the action flow view and the article inquiry view. The action flow view allows the user to see the action flows, namely all the actions a historical figure undertook, with related locations and years, through the use of an interactive timeline. In this view, the user can filter the action flows according to the type of historical figure and sort them according to a list of parameters, including the number of actions per figure and the completeness of the actions’ metadata. The article inquiry view allows the user to ask questions about an article through the use of a chatbot connected to a custom LLM-based algorithm. This view lists the whole set of analyzed articles with their related action flows, lists of historical figures and locations, and an automatically generated short summary.",
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+ "text": "Operationalizing and Exploring Internationalization\nTo quantitatively trace the internationalization of patent practice, we must define this concept more precisely, or rather stipulate how we are going to measure it: we must “operationalize” the concept, i.e. turn it into “a series of operations”, “building a bridge from concepts to measurement, and then to the world” (Moretti 2013, 104). Deciding on a series of operations happens in interaction with a process of close examination and exploration of the dataset.\nSpeaking of a network of text and images implies that we can link patents from one country to those granted in another. The available “family” metadata already does so, but using it as an entry point for exploration shows that we would severely underestimate the extent of international patenting by relying only on that indication. However, this exploration reveals how very similar patents can be, confirming our expectations. We can match specifications by comparing patentee names and titles. Because available metadata is incomplete, these elements also need to be extracted from the patent document itself through text mining.\nExploration leads to a further possible operation: matching the drawings printed in these documents. Unlike the text, which changes between countries because it is translated and sometimes adapted to local patent practices and regulations, the drawings have often been reused (almost) identically from one country to another (Figure 1).\n\n\n\n\n\n\nFigure 1: Example of two pages from different patents featuring the same drawing (left: French patent 325,985; right: German patent 142,688).",
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- "text": "Test of the prototype\nThe test of the working prototype consists of a set of online meetings with the experts that we involved in the user research, to show them the set of prototype features, and an anonymous survey. During the online meetings, we gather the very first impressions about the working prototype in terms of usability and usefulness in regards to the historians’ main research tasks. Through the anonymous survey, which remains available online for two weeks, we gather more in-depth feedback on the usefulness of the features we introduced and suggestions for further studies on how NLP algorithm and data visualization can improve historical research.",
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+ "text": "Implementing Image Matching\nIn recent years, computational exploration and analysis of images have attracted a growing interest in digital history (Arnold and Tilton 2019, 2023; Wevers and Smits 2020). Among other approaches, historians have used convolutional neural networks (CNNs) to generate numerical representations of images, so-called image embeddings, and then find similar pictures. Pre-trained CNNs have been shown to be useful on historical documents even though they were built for another purpose, typically classifying colored photographs in categories such as iPod and hair_spray, as in the ImageNet training data.\nHowever, in itself, this method proved insufficient for our needs. First, the available images are digitizations of whole pages in the specifications. These pages might not be found to be similar, because of changes in the arrangement of the drawings on the page or because of differences in overall layout (see again Figure 1). To address this first limitation, we segment the pages by identifying regions of contiguous black pixels. A second limitation of using image embeddings for our purpose is that we are not looking for general similarity, e.g. in the overall shape of the figures, but for (near) identity. This distinction could not be made based on similarity measures given by the embeddings, possibly because of how the models were trained.\nAnother family of computer vision algorithms, feature detection and matching, is more appropriate for our goal. Predating the breakthrough of CNNs by a decade, Scale-Invariant Feature Transform (SIFT) remains one of the best available methods (Lowe 2004). SIFT can for instance find a photographed object in another photograph, even if it is scaled or rotated. However, SIFT is computationally intensive, which presents us with a challenge because of the amount of data we process. While faster algorithms exist, they have so far given inferior results on our data, leading especially to many false positives.\nBest results were obtained by combining a CNN and SIFT. Image embeddings and an efficient indexing algorithm (“Hnswlib - Fast Approximate Nearest Neighbor Search” 2024; Malkov and Yashunin 2018) allow us to reduce the search space: instead of using SIFT to compare a segment from a French patent to all the segments of British, German and US patents, we only compare it to the segments with the most similar embeddings. Preliminary results of using this method on French and German patents issued around 1902 indicate a very high precision, with very few false positives (recall still needs to be evaluated).",
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- "text": "Results and future works\nThe Mini-Muse project allowed us to gather an overall understanding of which are the possible research directions regarding the implementation of AI-assisted search tools for digitized publication archives. Through this research, we have found evidence of the fact that the AI extraction of action flows, and related graphical visualization, can have a great impact on historical research activities in terms of both speeding up and enhancing the quality of the work. The action flow allows historians to easily find correlations among historical figures and relevant documents mentioning them, and so fostering the comparison of different authors’ perspectives on the same event/figure. We have also gathered evidence that the action flow, combined with a chatbot that allows users to ask questions about a selected article, can lead to a shift in the search results paradigm within cultural digital archives. Instead of displaying document-centered results, where each item returned by the system is a whole document, the search results become content-centered. In this new approach, each item returned is the specific information requested, presented in both textual and visual form, along with its contextual background. This shift focuses more on historical figures or content, rather than on entire documents. Throughout this preliminary project, we encountered some constraints, including the current size of the prompt of LLMs algorithms, which is not enough for passing very long documents, and the low quality of the summaries generated by the algorithms, which are requested to be as accurate as possible by historians. In future works, we plan to investigate how to scale our NLP algorithms and data visualization models for larger collections of digitized publications and how to integrate other historical entities, such as the thematic area (i.e.: resistance, counter-reform, colonialism) for more advanced historical research.",
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+ "text": "Back to Exploration and Future Work\nOur early results prompt further exploration, leading to new insights. For instance, some of the matches point to metadata errors, e.g. wrong country indications in French patents. It also leads us to question some of our assumptions. Assuming that a patent in one country would have one corresponding patent in another, we used embeddings to get, for each segment in country A, the two segments most similar to it in country B. However, in our early results, one French patents matched six different German patents. This suggests that we might need to apply SIFT to compare each segment A to a greater number of similar B segments. Further future work includes combining matching the drawings and matching other data points. All in all, our use of computer vision methods, while not yet robust enough to answer our research questions, yields promising results demonstrating that the concept of internationalization can be operationalized in this way.",
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+ "text": "References\n\n\nArnold, Taylor, and Lauren Tilton. 2019. “Distant Viewing: Analyzing Large Visual Corpora.” Digital Scholarship in the Humanities 34 (Supplement_1): i3–16. https://doi.org/10.1093/llc/fqz013.\n\n\n———. 2023. Distant Viewing: Computational Exploration of Digital Images. Cambridge (Massachusetts): The MIT Press. https://doi.org/10.7551/mitpress/14046.001.0001.\n\n\nBeauchamp, Christopher. 2015. Invented by Law: Alexander Graham Bell and the Patent That Changed America. Cambridge (Massachusetts): Harvard University Press.\n\n\nFisk, Catherine L. 2009. Working Knowledge. Employee Innovation and the Rise of Corporate Intellectual Property, 1800-1930. Studies in Legal History. Chapel Hill: University of North Carolina Press.\n\n\nGooday, Graeme, and Steven Wilf, eds. 2020. Patent Cultures: Diversity and Harmonization in Historical Perspective. Cambridge Intellectual Property and Information Law. Cambridge: Cambridge University Press. https://doi.org/10.1017/9781108654333.\n\n\n“Hnswlib - Fast Approximate Nearest Neighbor Search.” 2024. https://github.com/nmslib/hnswlib.\n\n\nLamoreaux, Naomi R., Kenneth L. Sokoloff, and Dhanoos Sutthiphisal. 2009. “The Reorganization of Inventive Activity in the United States During the Early Twentieth Century.” Working Paper 15440. National Bureau of Economic Research. https://doi.org/10.3386/w15440.\n\n\nLowe, David G. 2004. “Distinctive Image Features from Scale-Invariant Keypoints.” International Journal of Computer Vision 60 (2): 91–110. https://doi.org/10.1023/B:VISI.0000029664.99615.94.\n\n\nMalkov, Yu A, and Dmitry A Yashunin. 2018. “Efficient and Robust Approximate Nearest Neighbor Search Using Hierarchical Navigable Small World Graphs.” IEEE Transactions on Pattern Analysis and Machine Intelligence 42 (4): 824–36.\n\n\nMoretti, Franco. 2013. “‘Operationalizing’.” New Left Review, no. 84: 103–19. https://newleftreview.org/issues/ii84/articles/franco-moretti-operationalizing.\n\n\nVeyrassat, Béatrice. 2001. “De la protection de l’inventeur à l’industrialisation de l’invention.” In Innovations : incitations et résistances : des sources de l’innovation à ses effets, edited by Hans-Jörg Gilomen, Rudolf Jaun, Margrit Müller, and Béatrice Veyrassat, 367–83. Zürich: Chronos. https://doi.org/10.5169/seals-16825.\n\n\nWevers, Melvin, and Thomas Smits. 2020. “The Visual Digital Turn: Using Neural Networks to Study Historical Images.” Digital Scholarship in the Humanities 35 (1): 194–207. https://doi.org/10.1093/llc/fqy085.",
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+ "text": "The movement of Open Science has grown in importance in the Humanities, advocating for better accessibility of scientific research, especially in the form of the publication of research data (UNESCO 2023). This has led funding agencies like SNSF, ANR, and Horizon Europe to ask research projects to publish their research data and metadata along the FAIR principles in public repositories (see for instance (ANR 2023; EC 2023; SNSF 2024). Such requirements are putting pressure on researchers, who need to learn and understand the principles and standards of FAIR data and its impact on research data, but also require them to acquire new methodologies and know-how, such as in data management and data science.\nAt the same time, this accessibility of an increasing volume of interoperable quality data and the new semantic methodologies might bring a change of paradigm in the Humanities by the way knowledge is produced (Beretta 2023; Feugère 2015). The utilization of Linked Open Data (LOD) grants scholars access to large volumes of interoperable and high-quality datasets, at a scale analogue methods cannot reach, fundamentally altering their approach to information. This enables scholars to pose novel research questions, marking a departure from traditional modes of inquiry and facilitating a broader range of analytical perspectives within academic discourse. Moreover, drawing upon semantic methodologies rooted in ontology engineering, scholars can effectively document the intricate complexities inherent of social and historical phenomena, enabling a nuanced representation essential to the Social Sciences and Humanities domains within their databases. This meticulous documentation not only reflects a sophisticated understanding of multifaceted realities but also empowers researchers to deepen the digital analysis of rich corpora.\nThe transition from analogical to digital research methodologies does not come without challenges for researchers, thus necessitating the development of new tools and research infrastructures to support them in this evolution. The demand arises for user-friendly tools that abstract the technical complexity, as well as project accompaniment organisations that can provide support in digital methodologies and strategies to help scholars to better manage their data for computational analysis and information sharing.\nThis is the goal of Geovistory. It is conceived as a virtual research and data publication environment designed to strengthen Open Research Data practices. Geovistory is developed for research projects in the Humanities and Social Sciences, whether in history, geography, literature or other related fields, according to the participatory method of “user experience design”. It supports researchers with simple and easy-to-use interfaces and allows them to make their research accessible in an attractive way to people interested in history.",
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- "text": "Jérôme Baudry (Ecole polytechnique fédérale de Lausanne)\n\nLucas Burkart (Universität Basel)\n\nBéatrice Joyeux-Prunel (Université de Genève)\n\nEliane Kurmann (infoclio.ch)\n\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\n\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\n\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\n\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
+ "text": "The movement of Open Science has grown in importance in the Humanities, advocating for better accessibility of scientific research, especially in the form of the publication of research data (UNESCO 2023). This has led funding agencies like SNSF, ANR, and Horizon Europe to ask research projects to publish their research data and metadata along the FAIR principles in public repositories (see for instance (ANR 2023; EC 2023; SNSF 2024). Such requirements are putting pressure on researchers, who need to learn and understand the principles and standards of FAIR data and its impact on research data, but also require them to acquire new methodologies and know-how, such as in data management and data science.\nAt the same time, this accessibility of an increasing volume of interoperable quality data and the new semantic methodologies might bring a change of paradigm in the Humanities by the way knowledge is produced (Beretta 2023; Feugère 2015). The utilization of Linked Open Data (LOD) grants scholars access to large volumes of interoperable and high-quality datasets, at a scale analogue methods cannot reach, fundamentally altering their approach to information. This enables scholars to pose novel research questions, marking a departure from traditional modes of inquiry and facilitating a broader range of analytical perspectives within academic discourse. Moreover, drawing upon semantic methodologies rooted in ontology engineering, scholars can effectively document the intricate complexities inherent of social and historical phenomena, enabling a nuanced representation essential to the Social Sciences and Humanities domains within their databases. This meticulous documentation not only reflects a sophisticated understanding of multifaceted realities but also empowers researchers to deepen the digital analysis of rich corpora.\nThe transition from analogical to digital research methodologies does not come without challenges for researchers, thus necessitating the development of new tools and research infrastructures to support them in this evolution. The demand arises for user-friendly tools that abstract the technical complexity, as well as project accompaniment organisations that can provide support in digital methodologies and strategies to help scholars to better manage their data for computational analysis and information sharing.\nThis is the goal of Geovistory. It is conceived as a virtual research and data publication environment designed to strengthen Open Research Data practices. Geovistory is developed for research projects in the Humanities and Social Sciences, whether in history, geography, literature or other related fields, according to the participatory method of “user experience design”. It supports researchers with simple and easy-to-use interfaces and allows them to make their research accessible in an attractive way to people interested in history.",
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- "text": "Jérôme Baudry (Ecole polytechnique fédérale de Lausanne)\n\nLucas Burkart (Universität Basel)\n\nBéatrice Joyeux-Prunel (Université de Genève)\n\nEliane Kurmann (infoclio.ch)\n\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\n\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\n\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\n\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
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+ "text": "Geovistory as a Research Environment\nGeovistory aims to be a comprehensive research environment that accompanies scholars throughout the whole research cycle. Geovistory includes:\n\nThe Geovistory Toolbox, which allows to manage and curate projects’ research data. The Toolbox is freely accessible for all individual projects. Each research project works on its own data perspective but at the same time directly contributes to a joint knowledge graph.\nA joint Data repository that allows to connect and link the different research projects under a unique and modular ontology, thus creating a large Knowledge Graph.\nThe Geovistory Publication platform (http://geovistory.org), where data is published using the RDF framework and can be accessed via the community page or project-specific webpages and its graphical search tools or a SPARQL-endpoint.\nAn active Community to foster information and know-how exchange among the researchers, users and technological experts.\n\n\n\n\n\n\n\nFigure 1\n\n\n\nAs per current terms of service, all data produced in the information layer of Geovistory are licensed under creative commons BY-SA 4.0. Initiated by KleioLab GmbH, the different infrastructure components are currently being developed jointly by LARHRA and the University of Bern, while other actors are welcome to join the Geovistory vision.. All the web components and the publication platform have been made available as open source, as well as the toolbox. The LOD4HSS project (https://www.geovistory.org/lod4hss), co-funded by swissuniversities, structures these efforts and aims at creating a larger community of users and supporters of this vision.",
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- "text": "Sponsoring\nWe are grateful for the generous support by our sponsors:\n\nSwiss National Science Foundation\n\nFAG Basel\n\nMax-Geldner-Stiftung\n\nDepartment of History, University of Basel\n\nAssociation History and Computing\n\n\n\n\nSponsoring: Swiss National Foundation, FAG Basel, Max-Geldner-Stiftung, Universität Basel (Departement Geschichte), Verein Informatik und Geschichte",
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+ "text": "The aim of breaking information silos\nThe goal of producing and publishing FAIR research data is to break the information silos that hinder the sharing and reusing of scientific data. However, achieving interoperability hinges on two critical components (Beretta 2024a):\n\nFirstly, the unambiguous identification of real-world entities (e.g., persons, places, concepts) with unique identifiers (e.g., URIs in Linked Open Data) and the establishment of links between identical entities across different projects (e.g., ensuring that the entity “Paris” is identified by the same URI in all projects);\nSecondly, the utilization of explicit ontologies that can be aligned across projects. Nevertheless, mapping between ontologies may prove challenging, or even unfeasible, particularly when divergent structural frameworks are employed (e.g., an event-centric ontology may have limited compatibility with an object-centric one).\n\nIn Geovistory, those challenges are addressed by producing a unique Knowledge Graph that integrates the various projects. This necessitates from each project the adherence to the Semantic Data for History and Social Sciences (SDHSS) ontology ecosystem. It includes a methodology of ontological foundational analysis, based on the principles of OntoClean, from the domain of semantic engineering (Guarino and Welty 2004), and the high-level conceptual categories of the DOLCE ontology (Borgo et al. 2022). This has been applied to the CIDOC CRM ontology, the ICOM standard for the Heritage domain, while extending it to include the social and mental realities crucial for documenting essential aspects of human history, like ownership, membership, collective beliefs, etc. (Beretta 2024b). On this basis, a standardised semantic methodology for the development of domain-oriented ontologies in different fields of the Humanities, such as archaeology, prosopography, and geography has been created.. The SDHSS ontology ecosystem provides adaptability to the specificities of the various research projects while ensuring full interoperability among them. It is collaboratively managed in the ontome.net (http://ontome.net) application, so that scholars and domain experts can participate in its development if interested.\nThis shared Knowledge Graph streamlines the entity creation process by enabling users to navigate the graph, identify existing objects, and reuse them in their project using the same URIs for entity identification. By leveraging a common ontology ecosystem, users can not only easily identify and reuse information pertaining to specific entities but also ensure seamless integration and interoperability across projects within the Geovistory platform.",
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- "text": "Patronage\n\ninfoclio.ch\n\nVerein Geschichte und Informatik | Association Histoire et Informatique | Association History and Computing\n\nSchweizerische Gesellschaft für Geschichte\n\n\n\n\nLogos of DigiHistCH24 patronage organizations: infoclio.ch, Association History and Computing, and Swiss Society of History\n\n\n\nHost\nUniversity of Basel, Department of History\n\n\nCode of Conduct\nThe organising committee of DigiHistCH24 is committed to providing a safe and inclusive environment, in which the personal integrity of all participants is respected. In particular, we do not tolerate discrimination and any form of harassment. We strive to create a safe, respectful, and collegial conference experience for all attendees – ensuring that DigiHistCH24 is an event characterised by professionalism, honesty and fairness in accordance with the host University of Basel’s Code of Conduct.\nPlease refer to the Personal Integrity Coordination Office of the University of Basel as an easily accessible, confidential and personal point of contact, offering advice and support for participants whose personal integrity has been violated or for bystanders who have observed violations.",
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+ "text": "A modular system for managing complex HSS information\nScholars within the Humanities domain grapple with intricate information, significantly more complex when compared to other scientific disciplines. Historical sources, whether textual, oral, visual, or material, provide fragmented and biased glimpses into the past, necessitating contextualization and interpretation. Consequently, this dynamic can engender a considerable degree of information uncertainty and discordance that need to be meticulously documented. Any digital infrastructure or model employed must adeptly navigate this multifaceted information landscape and accommodate its inherent complexity.\nAn inherent strength of Geovistory lies in its handling of the challenges associated with scientific information in the Humanities and Social Sciences domain. Noteworthy among these challenges is the nuanced, context-sensitive nature of information and its relation with different research agendas, as well as the wide variations in meaning for the same terms and vocabulary complexities, competing views or gaps and fragmentation of available information. These complexities are deftly managed through the application of the SDHSS methodology, which tends to limit the number of classes and properties in the ontology ecosystem, while inviting projects to develop and share rich collections of controlled vocabularies of concepts that enrich the data model according to the different research agendas and perspectives.\nMoreover, the project-partition of the Knowledge Graph within Geovistory enables users to repurpose existing information while also accommodating contradictory data, particularly when discrepancies are identified by researchers. Each project graph is stored within a designated dataset, maintaining its individual identity within the overarching Knowledge Graph. This approach allows for the coexistence and contextualization of disparate interpretations of facts, enhancing the platform’s flexibility and adaptability to varying scholarly perspectives. It is the unique amalgamation of the Geovistory graph data model and its robust semantic enrichment capabilities that render it particularly compelling for research within the Humanities and Social Sciences.",
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- "text": "Inquiries\nFor inquiries, get in touch by contacting Moritz Twente via digital-history-2024@unibas.ch.\nIf your request does not concern an event, please refer to the general information of the University of Basel https://www.unibas.ch/en/Legal-notice.html (see below):",
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+ "text": "Integrating the DH ecosystem\nOperating within the framework of Linked Open Data principles entails establishing connections with disparate datasets housed in various open and online repositories or Knowledge Graphs, culminating in the creation of an inclusive and interconnected Web of Data—an accomplishment characterized as the fifth star of Tim Berners Lee’s Open Data (https://5stardata.info/en/). As datasets interlink, they collectively form the Linked Open Data Cloud (https://lod-cloud.net/), wherein predominant repositories such as Wikidata or DBpedia, alongside authority files such as VIAF or GND, assume pivotal roles as data hubs, enhancing the discoverability, contextualization, and citability of information.\nThe Geovistory ecosystem applies those principles, actively engaging with the Digital Humanities landscape. It is connected dynamically to the information systems of producers of authority records (such as IdRef, GND) and data repositories (such as Wikidata) in view of interconnecting bibliographic information systems and scale up to a large Knowledge Graph. Collaborative efforts include the establishment of a data exchange pipeline with the French Agence Bibliographique de l’Enseignement Supérieur (ABES), with ongoing initiatives to forge additional partnerships.\nMoreover, ensuring long-term preservation of research data remains imperative, with initiatives to archive completed projects in the Zenodo repository and explore potential collaborations with entities like DaSCH, OLOS, and Huma-Num for dynamic updates and data management, with preliminary engagements initiated with DaSCH.",
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- "text": "Publisher\nUniversity of Basel\nPetersplatz 1, P.O. Box\n4001 Basel\nSwitzerland",
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+ "text": "Conclusions and future perspectives\nGeovistory has been designed as a comprehensive research environment tailored by and for historians and humanists to address their needs in generating and utilizing FAIR data, thereby streamlining the research digitization process. As the utilization of Geovistory proliferates across more projects, the Knowledge Graph grows with increasingly enriched information, rendering the overall environment more advantageous for scholars either by providing reusable datasets or by enriching imported data. In this regard, Geovistory can be compared as a Wikidata dedicated to research endeavors, with the difference that projects retain full control over their data without a loss of semantic coherence throughout the graph.\nThe forthcoming years mark a critical juncture for Geovistory, as the tools and infrastructures of the environment recently transitioned into the public domain. This needed change will ease collaboration with future public institutions within Europe, but a greater part of public fundings will be needed to ensure the sustainability of the ecosystem.\nNonetheless, the Digital Humanities ecosystem remains unstable, attributed to the lack of sustained funding for infrastructural initiatives by national funding agencies and the absence of cohesive coordination among institutions. To ameliorate this landscape, prioritizing the establishment of robust collaborations and partnerships among diverse tools and infrastructures in Switzerland and Europe is imperative. Leveraging the specialized expertise of each institution holds the promise of engendering a harmonized and synergistic, distributed environment conducive to scholarly pursuits.",
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- "text": "Disclaimer of warranty and liability\nThe University of Basel makes every effort to ensure that the information on its website is correct and up-to-date. However, it does not guarantee the topicality, correctness, completeness or quality of the information provided. It reserves the right to adjust or remove information at any time and without notice. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect, will therefore be rejected.\nThe University of Basel is not liable for any material or immaterial damage resulting from access to or use or non-use of the published information, from misuse of the connection or from technical faults.\nThe University of Basel has not reviewed external websites, i.e. websites not located on its servers or within its sphere of influence, which may be connected to this website via hyperlinks, and does not accept any responsibility for their content.",
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+ "text": "References\n\n\nANR. 2023. “La Science Ouverte.” https://anr.fr/fr/lanr/engagements/la-science-ouverte/.\n\n\nBeretta, Francesco. 2023. “Données Ouvertes Liées Et Recherche Historique : Un Changement de Paradigme.” Humanités Numériques 7. https://doi.org/10.4000/revuehn.3349.\n\n\n———. 2024a. “Données Liées Ouvertes Et Référentiels Publics : Un Changement de Paradigme Pour La Recherche En Sciences Humaines Et Sociales.” Arabesques 112: 26–27.\n\n\n———. 2024b. “Semantic Data for Humanities and Social Sciences (SDHSS): An Ecosystem of CIDOC CRM Extensions for Research Data Production and Reuse.” In Professorale Karrieremuster. Entwicklung Einer Wissenschaftlichen Methode Zur Forschung Auf Online Verfügbaren Und Verteilten Forschungsdatenbanken Der Universitätsgeschichte, edited by Thomas Riechert, Hartmurt Beyer, Jennifer Blanke, and Edgard Marx, 73–101. Leipzig: International Handbooks on Information Systems.\n\n\nBorgo, Stefano, Roberta Ferrario, Aldo Gangemi, Nicola Guarino, Claudio Masolo, Daniele Porello, Emilio M. Sanfilippo, and Laure Vieu. 2022. “DOLCE: A Descriptive Ontology for Linguistic and Cognitive Engineering.” Applied Ontology 17: 45–69.\n\n\nEC. 2023. “Open Data, Software and Code Guidelines.” https://open-research-europe.ec.europa.eu/for-authors/data-guidelines#standardsandfair.\n\n\nFeugère, Michel. 2015. “Les Bases de Données En Archéologie. De La Révolution Informatique Au Changement de Paradigme.” Cahiers Philosophiques 141: 139–47.\n\n\nGuarino, Nicola, and Chistopher A. Welty. 2004. “An Overview of OntoClean.” In Handbook on Ontologies, edited by Steffen Staab and Rudi Studer, 151–71. Berlin AND Heidelberg: International Handbooks on Information Systems.\n\n\nSNSF. 2024. “Open Research Data.” https://www.snf.ch/en/dMILj9t4LNk8NwyR/topic/open-research-data.\n\n\nUNESCO. 2023. “UNESCO Recommendation on Open Science.” https://www.unesco.org/en/open-science/about?hub=686.",
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- "text": "DHN Logo\n\n\nJoin us for an engaging community meetup hosted by the Digital History Network Switzerland at the upcoming Digital History Switzerland 2024 conference in Basel. This event is an excellent opportunity to network and welcome new members to a vibrant community of scholars, researchers, and professionals passionate about digital history.\nDigital History Network Switzerland is inviting to a network meeting event during Digital History Switzerland 2024. It will take place on September 13, 12:30 P.M. at Rosshofgasse 2, room S02 (Map and Infrastructure Details).\nFounded in 2023, the Digital History Network Switzerland aims to raise the visibility of digital history and foster connections between academics, cultural institutions, and other stakeholders. This informal network holds regular meetings to plan activities and facilitates the exchange of ideas and best practices through its mailing list and online platform.\nFor more information and to join the Digital History Network Switzerland, please visit https://www.infoclio.ch/en/digitalhistorynetwork.\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0",
+ "text": "Digital History Switzerland 2024 takes place September 12–13, 2024 at the University of Basel. The conference will be held at Kollegienhaus centrally located in Basel.\nPlease note: The exact rooms in Kollegienhaus indicated in the conference schedule are preliminary and subject to change.\nConference Schedule",
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+ "text": "Book of Abstracts Digital History Switzerland 2024\nWe compiled a book of abstracts containing all the papers presented at the conference to provide a comprehensive overview of current research at the intersection of history and digital technology. These papers cover a range of topics, from innovative methodologies and software applications to the challenges of digital data management and algorithmic analysis in historical research.\nWe are pleased to present this collection, which reflects the state of the art in digital history, and anticipate that the discussions it stimulates will make a significant contribution to the field.\nBook of Abstracts\nEach day, we have one additional, externally organized network/information meeting:\nSeptember 12, 12:30–14:00: SSH Open Research Data Taskforce (Lunch Break Event)\nSeptember 13, 12:30–14:00: Digital History Network Switzerland (Lunch Break Event)",
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+ "text": "Time\nLecture Hall 001\nLecture Hall 115\n\n\n\n\n09:00 am\nConference Opening\n\n\n\n\nChairs: Prof. Dr. Martin Lengwiler (Universität Basel)Prof. Dr. Lucas Burkart (Universität Basel)Dr. Christiane Sibille (ETH Library)Dr. Enrico Natale (infoclio.ch)\n\n\n\n09:30 am\nSession 1A\nSession 1B\n\n\n\nChair: Moritz Twente (Universität Basel)\nChair: Prof. Dr. Lucas Burkart (Universität Basel)\n\n\n11:00 am\nSession 2A\nSession 2B\n\n\n\nChair: Dr. Moritz Mähr (Universität Basel)\nChair: Dr. Christiane Sibille (ETH Library)\n\n\n12:30 pm\nORD Task Force (Lunch Break Event)\n\n\n\n02:00 pm\nSession 3A\nSession 3B\n\n\n\nChair: Prof. Jérôme Baudry (EPFL)\nChair: Prof. Béatrice Joyeux-Prunel (Université de Genève)\n\n\n04:00 pm\nSession 4A\nSession 4B\n\n\n\nChair: Dr. Eliane Kurmann (infoclio.ch)\nChair: Dr. Christiane Sibille (ETH Library)",
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- "text": "Getting to Us\n\n\n\nMap of Conference Location\n\n\nThe conference will take place at Kollegienhaus (also referred to as Main Building) of the University of Basel. It is conveniently located in Basel’s city center and easy to reach.\nFrom Basel SBB (Swiss/French train station): Bus 30, direction “Badischer Bahnhof”, to “Universität”\nFrom Basel Badischer Bahnhof (German train station): Bus 30, direction “Bahnhof SBB” to “Universität”\nFrom EuroAirport: Bus 50, direction Basel, change to Bus 30 at Basel SBB.",
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+ "text": "Friday, 13 September 2024\n\n\n\nTime\nLecture Hall 001\nLecture Hall 115\n\n\n\n\n09:00 am\nSession 5A\nSession 5B (Workshop)\n\n\n\nChair: Dr. Enrico Natale (infoclio.ch)\nChair: Daniel Jaquet (EPFL)\n\n\n11:00 am\nSession 6A\nSession 6B\n\n\n\nChair: Moritz Twente (Universität Basel)\nChair: Dr. Moritz Mähr (Universität Basel)\n\n\n12:30 pm\nDigital History Network Switzerland (Lunch Break Event)\n\n\n\n02:00 pm\nSession 7A\nSession 7B\n\n\n\nChair: Dr. Enrico Natale (infoclio.ch)\nChair: Dr. Eliane Kurmann (infoclio.ch)\n\n\n03:30 pm\nClosing Ceremony\n\n\n\n\nChairs: Prof. Jérôme Baudry (EPFL)Prof. Béatrice Joyeux-Prunel (Université de Genève)",
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+ "text": "The national ORD (Open Research Data) Strategy Council is supported by the Swiss National Science Foundation, Swissuniversities, the ETH Domain and the Swiss Academies of Arts and Sciences. Its task is to coordinate and manage ORD activities in Switzerland. In a first step, so-called landscape analyses will be carried out in several thematic clusters. To this end, the StraCo is setting up task forces (TF) that have the necessary expertise in the clusters and are to prepare a report. The task of the TF SSH is to analyze the cluster Social Sciences and Humanities and to make recommendations for further development.\nThe task force is inviting to an information event during Digital History Switzerland 2024. It will take place on September 12, 12:30 P.M. at Rosshofgasse 2, room S02 (Map and Infrastructure Details).\nAt the information event, stakeholders from the SSH who are involved in ORD will be informed about the status of the work. In addition, the TF SSH would like to obtain feedback from the specialist community.\n\n\n\n\n\n\nORD Logo\n\n\nWebsite/Contact: https://openresearchdata.swiss\n\n\nManagement: Béla Kapossy (Head of Task Force)\nMembers: Rainer Gabriel, Tobias Hodel, Ben Jann, Sylvia Jeney, Tabea Lurk, Kurt Schmidheiny\nCoordination: Sarah Schlunegger, Rudolf Mumenthaler\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0",
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+ "text": "We invite scholars, researchers and professionals of all levels of experience from Switzerland and beyond to submit papers on the DigiHistCH24 conference theme: ‹Historical Research, Digital Literacy and Algorithmic Criticism›. We are particularly interested in papers that address ongoing research projects, innovative research methods, the use of software in historical research, data analysis, and digital tools.\nThe conference will take place in September 2024. We are looking forward to seeing you in Basel – please do not forget to register (CLOSED) for attending DigiHistCH24! If you are already curious about what to expect, our Book of Abstracts is the perfect place to start.\nThis conference provides a platform for scholars, researchers and professionals of all ages and levels of experience to discuss these challenges, exchange experiences, share best practices, and discuss forward-looking approaches to historical research in the digital age. It aims to promote digital literacy, raise awareness of the use of algorithms and AI systems, develop strategies for dealing with digital sources, encourage shared formats and methodologies, and facilitate the exchange of knowledge and best practices for collaborative historical research. The conference will also showcase projects and research in the field of digital history.",
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+ "text": "Digital History Network Switzerland\nWhile you’re here, you might also want to check out the Digital History Network Switzerland! Its aim is to promote the visibility of digital history and to network people from academic and memory institutions as well as other actors in this field. We recommend joining the network’s mailing list! See infoclio.ch for more information.",
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+ "text": "Organising Committee\n\nJérôme Baudry (Ecole polytechnique fédérale de Lausanne)\nLucas Burkart (Universität Basel)\nBéatrice Joyeux-Prunel (Université de Genève)\nEliane Kurmann (infoclio.ch)\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
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+ "text": "By registering for Digital History Switzerland 2024, attendees accept the following terms and conditions:\n1. Registration and Admission\n\nRegistration is required for participation.\nFree tickets do not guarantee entry or specific venue access.\nAdmission is on a first-come, first-served basis\n\n2. Event Changes\n\nThe organizers reserve the right to change the venue, schedule, or any other aspect of the event without prior notice.\n\n3. Liability\n\nParticipation is at the attendee’s own risk.\nThe organizers are not liable for any damages, losses, or injuries incurred during the event.\n\n4. Media\n\nPhotos and videos will be taken during the conference for social media purposes. If attendees do not wish to appear in these, they must contact the organizing committee at digital-history-2024@unibas.ch.\n\n5. Code of Conduct\n\nBy registering, attendees accept the code of conduct as stated on the homepage.\n\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0",
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- "text": "Our Standards\nExamples of behavior that contributes to a positive environment for our community include:\n\nDemonstrating empathy and kindness toward other people\nBeing respectful of differing opinions, viewpoints, and experiences\nGiving and gracefully accepting constructive feedback\nAccepting responsibility and apologizing to those affected by our mistakes, and learning from the experience\nFocusing on what is best not just for us as individuals, but for the overall community\n\nExamples of unacceptable behavior include:\n\nThe use of sexualized language or imagery, and sexual attention or advances of any kind\nTrolling, insulting or derogatory comments, and personal or political attacks\nPublic or private harassment\nPublishing others’ private information, such as a physical or email address, without their explicit permission\nOther conduct which could reasonably be considered inappropriate in a professional setting",
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+ "text": "The DigiHistCH24 conference on “Historical Research, Digital Literacy, and Algorithmic Criticism” brings together scholars and professionals to address the evolving role of digital technologies in historical research. Hosted by the University of Basel on September 12–13, 2024, the conference will focus on the integration of digital tools, the importance of digital literacy, and the critical examination of algorithms within the discipline.\nThis book of abstracts contains all the papers and posters presented at the conference, providing a comprehensive overview of current research at the intersection of history and digital technology. These cover a range of topics, from innovative methodologies and software applications to the challenges of digital data management and algorithmic analysis in historical research.\nWe are pleased to present this collection, which reflects the state of the art in digital history, and anticipate that the discussions it stimulates will make a significant contribution to the field.",
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+ "text": "Paper\n\n\n \n \n \n Order By\n Default\n \n Session\n \n \n Title\n \n \n Author(s)\n \n \n \n \n \n \n \n\n\n\n\n\nSession\n\n\nTitle\n\n\nAuthor(s)\n\n\n\n\n\n\nKeynote\n\n\nWhen Literacy Goes Digital: Rethinking the Ethics and Politics of Digitisation\n\n\nGerben Zaagsma\n\n\n\n\nSession 1A\n\n\nUsing GIS to Analyze the Development of Public Urban Green Spaces in Hamburg and Marseille (1945 - 1973)\n\n\nEliane Schmid\n\n\n\n\nSession 1A\n\n\nRevealing the Structure of Land Ownership through the Automatic Vectorisation of Swiss Cadastral Plans\n\n\nRémi Petitpierre, Isabella di Lenardo, Lucas Rappo\n\n\n\n\nSession 1B\n\n\nTables are tricky. Testing Text Encoding Initiative (TEI) Guidelines for FAIR upcycling of digitised historical statistics.\n\n\nGabi Wuethrich\n\n\n\n\nSession 1B\n\n\nTeaching the use of Automated Text Recognition online. Ad fontes goes ATR\n\n\nLaura Bitterli, Lorenz Dändliker\n\n\n\n\nSession 2A\n\n\nFrom manual work to artificial intelligence: developments in data literacy using the example of the Repertorium Academicum Germanicum (2001-2024)\n\n\nKaspar Gubler\n\n\n\n\nSession 2A\n\n\nLearning to Read Digital? Constellations of Correspondence Project and Humanist Perspectives on the Aggregated 19th-century Finnish Letter Metadata\n\n\nHanna-Leena Paloposki, Ilona Pikkanen\n\n\n\n\nSession 2A\n\n\nData Literacy and the Role of Libraries\n\n\nCatrina Langenegger, Johanna Schüpbach\n\n\n\n\nSession 2B\n\n\nAI-assisted Search for Digitized Publication Archives\n\n\nGiovanni Profeta, Fabio Rinaldi, Joseph Cornelius, Regina Wanger\n\n\n\n\nSession 2B\n\n\nA Digital History of Internationalization. Operationalizing Concepts and Exploring Millions of Patent Documents\n\n\nJérôme Baudry, Nicolas Chachereau\n\n\n\n\nSession 3A\n\n\nData-Driven Approaches to Studying the History of Museums on the Web: Challenges and Opportunities for New Discoveries\n\n\nNadezhda Povroznik\n\n\n\n\nSession 3A\n\n\nImpresso 2: Connecting Historical Digitised Newspapers and Radio. A Challenge at the Crossroads of History, User Interfaces and Natural Language Processing.\n\n\nMaud Ehrmann, Raphaëlle Ruppen Coutaz, Simon Clematide, Marten Düring\n\n\n\n\nSession 3A\n\n\nGeovistory, a LOD Research Infrastructure for Historical Sciences\n\n\nStephen Hart, Vincent Alamercery, Francesco Beretta, Djamel Ferhod, Sebastian Flick, Tobias Hodel, David Knecht, Gaétan Muck, Alexandre Perraud, Morgane Pica, Pierre Vernus\n\n\n\n\nSession 3B\n\n\n20 godparents and 3 wives – studying migrant glassworkers in post-medieval Estonia\n\n\nMonika Reppo\n\n\n\n\nSession 3B\n\n\nConnecting floras and herbaria before 1850 – challenges and lessons learned in digital history of biodiversity\n\n\nChristian Forney, Martin Stuber\n\n\n\n\nSession 4A\n\n\nA handful of pixels of blood\n\n\nAdrian Demleitner\n\n\n\n\nSession 4A\n\n\nFilms as sources and as means of communication for knowledge gained from historical research\n\n\nPeter Moser, Andreas Wigger\n\n\n\n\nSession 4A\n\n\nDigital Film Collection Literacy – Critical Research Interfaces for the “Encyclopaedia Cinematographica”\n\n\nMoritz Greiner-Petter, Sarine Waltenspül\n\n\n\n\nSession 4B\n\n\nTowards Computational Historiographical Modeling\n\n\nMichael Piotrowski\n\n\n\n\nSession 4B\n\n\nOn the Historiographic Authority of Machine Learning Systems\n\n\nDominic Weber\n\n\n\n\nSession 5A\n\n\nTraining engineering students through a digital humanities project: Techn’hom Time Machine\n\n\nCyril Lacheze, Marina Gasnier\n\n\n\n\nSession 5A\n\n\nContributing to a Paradigm Shift in Historical Research by Teaching Digital Methods to Master’s Students\n\n\nFrancesco Beretta\n\n\n\n\nSession 5A\n\n\nGo Digital, They Said. 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+ "text": "Our Pledge\nWe as members, contributors, and leaders pledge to make participation in our community a harassment-free experience for everyone, regardless of age, body size, visible or invisible disability, ethnicity, sex characteristics, gender identity and expression, level of experience, education, socio-economic status, nationality, personal appearance, race, caste, color, religion, or sexual identity and orientation.\nWe pledge to act and interact in ways that contribute to an open, welcoming, diverse, inclusive, and healthy community."
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+ "text": "Enforcement Responsibilities\nCommunity leaders are responsible for clarifying and enforcing our standards of acceptable behavior and will take appropriate and fair corrective action in response to any behavior that they deem inappropriate, threatening, offensive, or harmful.\nCommunity leaders have the right and responsibility to remove, edit, or reject comments, commits, code, wiki edits, issues, and other contributions that are not aligned to this Code of Conduct, and will communicate reasons for moderation decisions when appropriate."
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+ "text": "Enforcement\nInstances of abusive, harassing, or otherwise unacceptable behavior may be reported to the community leaders responsible for enforcement at digital-history-2024@unibas.ch. All complaints will be reviewed and investigated promptly and fairly.\nAll community leaders are obligated to respect the privacy and security of the reporter of any incident."
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+ "text": "Enforcement Guidelines\nCommunity leaders will follow these Community Impact Guidelines in determining the consequences for any action they deem in violation of this Code of Conduct:\n\n1. Correction\nCommunity Impact: Use of inappropriate language or other behavior deemed unprofessional or unwelcome in the community.\nConsequence: A private, written warning from community leaders, providing clarity around the nature of the violation and an explanation of why the behavior was inappropriate. A public apology may be requested.\n\n\n2. Warning\nCommunity Impact: A violation through a single incident or series of actions.\nConsequence: A warning with consequences for continued behavior. No interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, for a specified period of time. This includes avoiding interactions in community spaces as well as external channels like social media. Violating these terms may lead to a temporary or permanent ban.\n\n\n3. Temporary Ban\nCommunity Impact: A serious violation of community standards, including sustained inappropriate behavior.\nConsequence: A temporary ban from any sort of interaction or public communication with the community for a specified period of time. No public or private interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, is allowed during this period. Violating these terms may lead to a permanent ban.\n\n\n4. Permanent Ban\nCommunity Impact: Demonstrating a pattern of violation of community standards, including sustained inappropriate behavior, harassment of an individual, or aggression toward or disparagement of classes of individuals.\nConsequence: A permanent ban from any sort of public interaction within the community."
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+ "text": "General Guidelines\n\nDeadline: All submissions must be received by December 4, 2023. Late entries will not be considered.\nSubmission: Please use the conference submission platform (CLOSED).\nReview Process: All submissions will be peer-reviewed by an extended panel of reviewers. Authors will be notified of the decision by mid-March 2024. The review is based on these evaluation criteria.\nQuestions: If you have any questions about the submission process, please contact digital-history-2024 [at] unibas.ch.",
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- "text": "Code\n\n\n\n\nAttribution-ShareAlike 4.0 International\n=======================================================================\nCreative Commons Corporation (“Creative Commons”) is not a law firm and does not provide legal services or legal advice. Distribution of Creative Commons public licenses does not create a lawyer-client or other relationship. Creative Commons makes its licenses and related information available on an “as-is” basis. Creative Commons gives no warranties regarding its licenses, any material licensed under their terms and conditions, or any related information. Creative Commons disclaims all liability for damages resulting from their use to the fullest extent possible.\nUsing Creative Commons Public Licenses\nCreative Commons public licenses provide a standard set of terms and conditions that creators and other rights holders may use to share original works of authorship and other material subject to copyright and certain other rights specified in the public license below. The following considerations are for informational purposes only, are not exhaustive, and do not form part of our licenses.\n Considerations for licensors: Our public licenses are\n intended for use by those authorized to give the public\n permission to use material in ways otherwise restricted by\n copyright and certain other rights. Our licenses are\n irrevocable. Licensors should read and understand the terms\n and conditions of the license they choose before applying it.\n Licensors should also secure all rights necessary before\n applying our licenses so that the public can reuse the\n material as expected. Licensors should clearly mark any\n material not subject to the license. This includes other CC-\n licensed material, or material used under an exception or\n limitation to copyright. More considerations for licensors:\nwiki.creativecommons.org/Considerations_for_licensors\n\n Considerations for the public: By using one of our public\n licenses, a licensor grants the public permission to use the\n licensed material under specified terms and conditions. If\n the licensor's permission is not necessary for any reason--for\n example, because of any applicable exception or limitation to\n copyright--then that use is not regulated by the license. Our\n licenses grant only permissions under copyright and certain\n other rights that a licensor has authority to grant. Use of\n the licensed material may still be restricted for other\n reasons, including because others have copyright or other\n rights in the material. A licensor may make special requests,\n such as asking that all changes be marked or described.\n Although not required by our licenses, you are encouraged to\n respect those requests where reasonable. More considerations\n for the public:\nwiki.creativecommons.org/Considerations_for_licensees\n=======================================================================\nCreative Commons Attribution-ShareAlike 4.0 International Public License\nBy exercising the Licensed Rights (defined below), You accept and agree to be bound by the terms and conditions of this Creative Commons Attribution-ShareAlike 4.0 International Public License (“Public License”). To the extent this Public License may be interpreted as a contract, You are granted the Licensed Rights in consideration of Your acceptance of these terms and conditions, and the Licensor grants You such rights in consideration of benefits the Licensor receives from making the Licensed Material available under these terms and conditions.\nSection 1 – Definitions.\n\nAdapted Material means material subject to Copyright and Similar Rights that is derived from or based upon the Licensed Material and in which the Licensed Material is translated, altered, arranged, transformed, or otherwise modified in a manner requiring permission under the Copyright and Similar Rights held by the Licensor. For purposes of this Public License, where the Licensed Material is a musical work, performance, or sound recording, Adapted Material is always produced where the Licensed Material is synched in timed relation with a moving image.\nAdapter’s License means the license You apply to Your Copyright and Similar Rights in Your contributions to Adapted Material in accordance with the terms and conditions of this Public License.\nBY-SA Compatible License means a license listed at creativecommons.org/compatiblelicenses, approved by Creative Commons as essentially the equivalent of this Public License.\nCopyright and Similar Rights means copyright and/or similar rights closely related to copyright including, without limitation, performance, broadcast, sound recording, and Sui Generis Database Rights, without regard to how the rights are labeled or categorized. For purposes of this Public License, the rights specified in Section 2(b)(1)-(2) are not Copyright and Similar Rights.\nEffective Technological Measures means those measures that, in the absence of proper authority, may not be circumvented under laws fulfilling obligations under Article 11 of the WIPO Copyright Treaty adopted on December 20, 1996, and/or similar international agreements.\nExceptions and Limitations means fair use, fair dealing, and/or any other exception or limitation to Copyright and Similar Rights that applies to Your use of the Licensed Material.\nLicense Elements means the license attributes listed in the name of a Creative Commons Public License. The License Elements of this Public License are Attribution and ShareAlike.\nLicensed Material means the artistic or literary work, database, or other material to which the Licensor applied this Public License.\nLicensed Rights means the rights granted to You subject to the terms and conditions of this Public License, which are limited to all Copyright and Similar Rights that apply to Your use of the Licensed Material and that the Licensor has authority to license.\nLicensor means the individual(s) or entity(ies) granting rights under this Public License.\nShare means to provide material to the public by any means or process that requires permission under the Licensed Rights, such as reproduction, public display, public performance, distribution, dissemination, communication, or importation, and to make material available to the public including in ways that members of the public may access the material from a place and at a time individually chosen by them.\nSui Generis Database Rights means rights other than copyright resulting from Directive 96/9/EC of the European Parliament and of the Council of 11 March 1996 on the legal protection of databases, as amended and/or succeeded, as well as other essentially equivalent rights anywhere in the world.\nYou means the individual or entity exercising the Licensed Rights under this Public License. Your has a corresponding meaning.\n\nSection 2 – Scope.\n\nLicense grant.\n\nSubject to the terms and conditions of this Public License, the Licensor hereby grants You a worldwide, royalty-free, non-sublicensable, non-exclusive, irrevocable license to exercise the Licensed Rights in the Licensed Material to:\n\nreproduce and Share the Licensed Material, in whole or in part; and\nproduce, reproduce, and Share Adapted Material.\n\nExceptions and Limitations. For the avoidance of doubt, where Exceptions and Limitations apply to Your use, this Public License does not apply, and You do not need to comply with its terms and conditions.\nTerm. The term of this Public License is specified in Section 6(a).\nMedia and formats; technical modifications allowed. The Licensor authorizes You to exercise the Licensed Rights in all media and formats whether now known or hereafter created, and to make technical modifications necessary to do so. The Licensor waives and/or agrees not to assert any right or authority to forbid You from making technical modifications necessary to exercise the Licensed Rights, including technical modifications necessary to circumvent Effective Technological Measures. For purposes of this Public License, simply making modifications authorized by this Section 2(a)\n\nnever produces Adapted Material.\n\nDownstream recipients.\n\nOffer from the Licensor – Licensed Material. Every recipient of the Licensed Material automatically receives an offer from the Licensor to exercise the Licensed Rights under the terms and conditions of this Public License.\nAdditional offer from the Licensor – Adapted Material. Every recipient of Adapted Material from You automatically receives an offer from the Licensor to exercise the Licensed Rights in the Adapted Material under the conditions of the Adapter’s License You apply.\nNo downstream restrictions. You may not offer or impose any additional or different terms or conditions on, or apply any Effective Technological Measures to, the Licensed Material if doing so restricts exercise of the Licensed Rights by any recipient of the Licensed Material.\n\nNo endorsement. Nothing in this Public License constitutes or may be construed as permission to assert or imply that You are, or that Your use of the Licensed Material is, connected with, or sponsored, endorsed, or granted official status by, the Licensor or others designated to receive attribution as provided in Section 3(a)(1)(A)(i).\n\nOther rights.\n\nMoral rights, such as the right of integrity, are not licensed under this Public License, nor are publicity, privacy, and/or other similar personality rights; however, to the extent possible, the Licensor waives and/or agrees not to assert any such rights held by the Licensor to the limited extent necessary to allow You to exercise the Licensed Rights, but not otherwise.\nPatent and trademark rights are not licensed under this Public License.\nTo the extent possible, the Licensor waives any right to collect royalties from You for the exercise of the Licensed Rights, whether directly or through a collecting society under any voluntary or waivable statutory or compulsory licensing scheme. In all other cases the Licensor expressly reserves any right to collect such royalties.\n\n\nSection 3 – License Conditions.\nYour exercise of the Licensed Rights is expressly made subject to the following conditions.\n\nAttribution.\n\nIf You Share the Licensed Material (including in modified form), You must:\n\nretain the following if it is supplied by the Licensor with the Licensed Material:\n\nidentification of the creator(s) of the Licensed Material and any others designated to receive attribution, in any reasonable manner requested by the Licensor (including by pseudonym if designated);\na copyright notice;\na notice that refers to this Public License;\na notice that refers to the disclaimer of warranties;\na URI or hyperlink to the Licensed Material to the extent reasonably practicable;\n\nindicate if You modified the Licensed Material and retain an indication of any previous modifications; and\nindicate the Licensed Material is licensed under this Public License, and include the text of, or the URI or hyperlink to, this Public License.\n\nYou may satisfy the conditions in Section 3(a)(1) in any reasonable manner based on the medium, means, and context in which You Share the Licensed Material. For example, it may be reasonable to satisfy the conditions by providing a URI or hyperlink to a resource that includes the required information.\nIf requested by the Licensor, You must remove any of the information required by Section 3(a)(1)(A) to the extent reasonably practicable.\n\nShareAlike.\nIn addition to the conditions in Section 3(a), if You Share Adapted Material You produce, the following conditions also apply.\n\nThe Adapter’s License You apply must be a Creative Commons license with the same License Elements, this version or later, or a BY-SA Compatible License.\nYou must include the text of, or the URI or hyperlink to, the Adapter’s License You apply. You may satisfy this condition in any reasonable manner based on the medium, means, and context in which You Share Adapted Material.\nYou may not offer or impose any additional or different terms or conditions on, or apply any Effective Technological Measures to, Adapted Material that restrict exercise of the rights granted under the Adapter’s License You apply.\n\n\nSection 4 – Sui Generis Database Rights.\nWhere the Licensed Rights include Sui Generis Database Rights that apply to Your use of the Licensed Material:\n\nfor the avoidance of doubt, Section 2(a)(1) grants You the right to extract, reuse, reproduce, and Share all or a substantial portion of the contents of the database;\nif You include all or a substantial portion of the database contents in a database in which You have Sui Generis Database Rights, then the database in which You have Sui Generis Database Rights (but not its individual contents) is Adapted Material, including for purposes of Section 3(b); and\nYou must comply with the conditions in Section 3(a) if You Share all or a substantial portion of the contents of the database.\n\nFor the avoidance of doubt, this Section 4 supplements and does not replace Your obligations under this Public License where the Licensed Rights include other Copyright and Similar Rights.\nSection 5 – Disclaimer of Warranties and Limitation of Liability.\n\nUNLESS OTHERWISE SEPARATELY UNDERTAKEN BY THE LICENSOR, TO THE EXTENT POSSIBLE, THE LICENSOR OFFERS THE LICENSED MATERIAL AS-IS AND AS-AVAILABLE, AND MAKES NO REPRESENTATIONS OR WARRANTIES OF ANY KIND CONCERNING THE LICENSED MATERIAL, WHETHER EXPRESS, IMPLIED, STATUTORY, OR OTHER. THIS INCLUDES, WITHOUT LIMITATION, WARRANTIES OF TITLE, MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, NON-INFRINGEMENT, ABSENCE OF LATENT OR OTHER DEFECTS, ACCURACY, OR THE PRESENCE OR ABSENCE OF ERRORS, WHETHER OR NOT KNOWN OR DISCOVERABLE. WHERE DISCLAIMERS OF WARRANTIES ARE NOT ALLOWED IN FULL OR IN PART, THIS DISCLAIMER MAY NOT APPLY TO YOU.\nTO THE EXTENT POSSIBLE, IN NO EVENT WILL THE LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY (INCLUDING, WITHOUT LIMITATION, NEGLIGENCE) OR OTHERWISE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL, PUNITIVE, EXEMPLARY, OR OTHER LOSSES, COSTS, EXPENSES, OR DAMAGES ARISING OUT OF THIS PUBLIC LICENSE OR USE OF THE LICENSED MATERIAL, EVEN IF THE LICENSOR HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH LOSSES, COSTS, EXPENSES, OR DAMAGES. WHERE A LIMITATION OF LIABILITY IS NOT ALLOWED IN FULL OR IN PART, THIS LIMITATION MAY NOT APPLY TO YOU.\nThe disclaimer of warranties and limitation of liability provided above shall be interpreted in a manner that, to the extent possible, most closely approximates an absolute disclaimer and waiver of all liability.\n\nSection 6 – Term and Termination.\n\nThis Public License applies for the term of the Copyright and Similar Rights licensed here. However, if You fail to comply with this Public License, then Your rights under this Public License terminate automatically.\nWhere Your right to use the Licensed Material has terminated under Section 6(a), it reinstates:\n\nautomatically as of the date the violation is cured, provided it is cured within 30 days of Your discovery of the violation; or\nupon express reinstatement by the Licensor.\n\nFor the avoidance of doubt, this Section 6(b) does not affect any right the Licensor may have to seek remedies for Your violations of this Public License.\nFor the avoidance of doubt, the Licensor may also offer the Licensed Material under separate terms or conditions or stop distributing the Licensed Material at any time; however, doing so will not terminate this Public License.\nSections 1, 5, 6, 7, and 8 survive termination of this Public License.\n\nSection 7 – Other Terms and Conditions.\n\nThe Licensor shall not be bound by any additional or different terms or conditions communicated by You unless expressly agreed.\nAny arrangements, understandings, or agreements regarding the Licensed Material not stated herein are separate from and independent of the terms and conditions of this Public License.\n\nSection 8 – Interpretation.\n\nFor the avoidance of doubt, this Public License does not, and shall not be interpreted to, reduce, limit, restrict, or impose conditions on any use of the Licensed Material that could lawfully be made without permission under this Public License.\nTo the extent possible, if any provision of this Public License is deemed unenforceable, it shall be automatically reformed to the minimum extent necessary to make it enforceable. If the provision cannot be reformed, it shall be severed from this Public License without affecting the enforceability of the remaining terms and conditions.\nNo term or condition of this Public License will be waived and no failure to comply consented to unless expressly agreed to by the Licensor.\nNothing in this Public License constitutes or may be interpreted as a limitation upon, or waiver of, any privileges and immunities that apply to the Licensor or You, including from the legal processes of any jurisdiction or authority.\n\n=======================================================================\nCreative Commons is not a party to its public licenses. Notwithstanding, Creative Commons may elect to apply one of its public licenses to material it publishes and in those instances will be considered the “Licensor.” The text of the Creative Commons public licenses is dedicated to the public domain under the CC0 Public Domain Dedication. Except for the limited purpose of indicating that material is shared under a Creative Commons public license or as otherwise permitted by the Creative Commons policies published at creativecommons.org/policies, Creative Commons does not authorize the use of the trademark “Creative Commons” or any other trademark or logo of Creative Commons without its prior written consent including, without limitation, in connection with any unauthorized modifications to any of its public licenses or any other arrangements, understandings, or agreements concerning use of licensed material. For the avoidance of doubt, this paragraph does not form part of the public licenses.\nCreative Commons may be contacted at creativecommons.org.\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0"
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Creative Commons disclaims all liability for damages resulting from their use to the fullest extent possible.\nUsing Creative Commons Public Licenses\nCreative Commons public licenses provide a standard set of terms and conditions that creators and other rights holders may use to share original works of authorship and other material subject to copyright and certain other rights specified in the public license below. The following considerations are for informational purposes only, are not exhaustive, and do not form part of our licenses.\n Considerations for licensors: Our public licenses are\n intended for use by those authorized to give the public\n permission to use material in ways otherwise restricted by\n copyright and certain other rights. Our licenses are\n irrevocable. Licensors should read and understand the terms\n and conditions of the license they choose before applying it.\n Licensors should also secure all rights necessary before\n applying our licenses so that the public can reuse the\n material as expected. Licensors should clearly mark any\n material not subject to the license. This includes other CC-\n licensed material, or material used under an exception or\n limitation to copyright. More considerations for licensors:\nwiki.creativecommons.org/Considerations_for_licensors\n\n Considerations for the public: By using one of our public\n licenses, a licensor grants the public permission to use the\n licensed material under specified terms and conditions. If\n the licensor's permission is not necessary for any reason--for\n example, because of any applicable exception or limitation to\n copyright--then that use is not regulated by the license. 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If the provision cannot be reformed, it shall be severed from this Public License without affecting the enforceability of the remaining terms and conditions.\nNo term or condition of this Public License will be waived and no failure to comply consented to unless expressly agreed to by the Licensor.\nNothing in this Public License constitutes or may be interpreted as a limitation upon, or waiver of, any privileges and immunities that apply to the Licensor or You, including from the legal processes of any jurisdiction or authority.\n\n=======================================================================\nCreative Commons is not a party to its public licenses. Notwithstanding, Creative Commons may elect to apply one of its public licenses to material it publishes and in those instances will be considered the “Licensor.” The text of the Creative Commons public licenses is dedicated to the public domain under the CC0 Public Domain Dedication. Except for the limited purpose of indicating that material is shared under a Creative Commons public license or as otherwise permitted by the Creative Commons policies published at creativecommons.org/policies, Creative Commons does not authorize the use of the trademark “Creative Commons” or any other trademark or logo of Creative Commons without its prior written consent including, without limitation, in connection with any unauthorized modifications to any of its public licenses or any other arrangements, understandings, or agreements concerning use of licensed material. For the avoidance of doubt, this paragraph does not form part of the public licenses.\nCreative Commons may be contacted at creativecommons.org.\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0"
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- "text": "By registering for Digital History Switzerland 2024, attendees accept the following terms and conditions:\n1. Registration and Admission\n\nRegistration is required for participation.\nFree tickets do not guarantee entry or specific venue access.\nAdmission is on a first-come, first-served basis\n\n2. Event Changes\n\nThe organizers reserve the right to change the venue, schedule, or any other aspect of the event without prior notice.\n\n3. Liability\n\nParticipation is at the attendee’s own risk.\nThe organizers are not liable for any damages, losses, or injuries incurred during the event.\n\n4. Media\n\nPhotos and videos will be taken during the conference for social media purposes. If attendees do not wish to appear in these, they must contact the organizing committee at digital-history-2024@unibas.ch.\n\n5. Code of Conduct\n\nBy registering, attendees accept the code of conduct as stated on the homepage.\n\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0",
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- "text": "We invite scholars, researchers and professionals of all levels of experience from Switzerland and beyond to submit papers on the DigiHistCH24 conference theme: ‹Historical Research, Digital Literacy and Algorithmic Criticism›. We are particularly interested in papers that address ongoing research projects, innovative research methods, the use of software in historical research, data analysis, and digital tools.\nThe conference will take place in September 2024. We are looking forward to seeing you in Basel – please do not forget to register (CLOSED) for attending DigiHistCH24! If you are already curious about what to expect, our Book of Abstracts is the perfect place to start.\nThis conference provides a platform for scholars, researchers and professionals of all ages and levels of experience to discuss these challenges, exchange experiences, share best practices, and discuss forward-looking approaches to historical research in the digital age. It aims to promote digital literacy, raise awareness of the use of algorithms and AI systems, develop strategies for dealing with digital sources, encourage shared formats and methodologies, and facilitate the exchange of knowledge and best practices for collaborative historical research. The conference will also showcase projects and research in the field of digital history.",
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- "text": "Digital History Network Switzerland\nWhile you’re here, you might also want to check out the Digital History Network Switzerland! Its aim is to promote the visibility of digital history and to network people from academic and memory institutions as well as other actors in this field. We recommend joining the network’s mailing list! See infoclio.ch for more information.",
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- "text": "Organising Committee\n\nJérôme Baudry (Ecole polytechnique fédérale de Lausanne)\nLucas Burkart (Universität Basel)\nBéatrice Joyeux-Prunel (Université de Genève)\nEliane Kurmann (infoclio.ch)\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
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- "text": "The national ORD (Open Research Data) Strategy Council is supported by the Swiss National Science Foundation, Swissuniversities, the ETH Domain and the Swiss Academies of Arts and Sciences. Its task is to coordinate and manage ORD activities in Switzerland. In a first step, so-called landscape analyses will be carried out in several thematic clusters. To this end, the StraCo is setting up task forces (TF) that have the necessary expertise in the clusters and are to prepare a report. The task of the TF SSH is to analyze the cluster Social Sciences and Humanities and to make recommendations for further development.\nThe task force is inviting to an information event during Digital History Switzerland 2024. It will take place on September 12, 12:30 P.M. at Rosshofgasse 2, room S02 (Map and Infrastructure Details).\nAt the information event, stakeholders from the SSH who are involved in ORD will be informed about the status of the work. In addition, the TF SSH would like to obtain feedback from the specialist community.\n\n\n\n\n\n\nORD Logo\n\n\nWebsite/Contact: https://openresearchdata.swiss\n\n\nManagement: Béla Kapossy (Head of Task Force)\nMembers: Rainer Gabriel, Tobias Hodel, Ben Jann, Sylvia Jeney, Tabea Lurk, Kurt Schmidheiny\nCoordination: Sarah Schlunegger, Rudolf Mumenthaler\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0",
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- "text": "Time\nLecture Hall 001\nLecture Hall 115\n\n\n\n\n09:00 am\nConference Opening\n\n\n\n\nChairs: Prof. Dr. Martin Lengwiler (Universität Basel)Prof. Dr. Lucas Burkart (Universität Basel)Dr. Christiane Sibille (ETH Library)Dr. Enrico Natale (infoclio.ch)\n\n\n\n09:30 am\nSession 1A\nSession 1B\n\n\n\nChair: Moritz Twente (Universität Basel)\nChair: Prof. Dr. Lucas Burkart (Universität Basel)\n\n\n11:00 am\nSession 2A\nSession 2B\n\n\n\nChair: Dr. Moritz Mähr (Universität Basel)\nChair: Dr. Christiane Sibille (ETH Library)\n\n\n12:30 pm\nORD Task Force (Lunch Break Event)\n\n\n\n02:00 pm\nSession 3A\nSession 3B\n\n\n\nChair: Prof. Jérôme Baudry (EPFL)\nChair: Prof. Béatrice Joyeux-Prunel (Université de Genève)\n\n\n04:00 pm\nSession 4A\nSession 4B\n\n\n\nChair: Dr. Eliane Kurmann (infoclio.ch)\nChair: Dr. Christiane Sibille (ETH Library)",
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- "text": "Time\nLecture Hall 001\nLecture Hall 115\n\n\n\n\n09:00 am\nConference Opening\n\n\n\n\nChairs: Prof. Dr. Martin Lengwiler (Universität Basel)Prof. Dr. Lucas Burkart (Universität Basel)Dr. Christiane Sibille (ETH Library)Dr. Enrico Natale (infoclio.ch)\n\n\n\n09:30 am\nSession 1A\nSession 1B\n\n\n\nChair: Moritz Twente (Universität Basel)\nChair: Prof. Dr. Lucas Burkart (Universität Basel)\n\n\n11:00 am\nSession 2A\nSession 2B\n\n\n\nChair: Dr. Moritz Mähr (Universität Basel)\nChair: Dr. Christiane Sibille (ETH Library)\n\n\n12:30 pm\nORD Task Force (Lunch Break Event)\n\n\n\n02:00 pm\nSession 3A\nSession 3B\n\n\n\nChair: Prof. Jérôme Baudry (EPFL)\nChair: Prof. Béatrice Joyeux-Prunel (Université de Genève)\n\n\n04:00 pm\nSession 4A\nSession 4B\n\n\n\nChair: Dr. Eliane Kurmann (infoclio.ch)\nChair: Dr. Christiane Sibille (ETH Library)",
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- "text": "Friday, 13 September 2024\n\n\n\nTime\nLecture Hall 001\nLecture Hall 115\n\n\n\n\n09:00 am\nSession 5A\nSession 5B (Workshop)\n\n\n\nChair: Dr. Enrico Natale (infoclio.ch)\nChair: Daniel Jaquet (EPFL)\n\n\n11:00 am\nSession 6A\nSession 6B\n\n\n\nChair: Moritz Twente (Universität Basel)\nChair: Dr. Moritz Mähr (Universität Basel)\n\n\n12:30 pm\nDigital History Network Switzerland (Lunch Break Event)\n\n\n\n02:00 pm\nSession 7A\nSession 7B\n\n\n\nChair: Dr. Enrico Natale (infoclio.ch)\nChair: Dr. Eliane Kurmann (infoclio.ch)\n\n\n03:30 pm\nClosing Ceremony\n\n\n\n\nChairs: Prof. Jérôme Baudry (EPFL)Prof. Béatrice Joyeux-Prunel (Université de Genève)",
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+ "text": "Getting to Us\n\n\n\nMap of Conference Location\n\n\nThe conference will take place at Kollegienhaus (also referred to as Main Building) of the University of Basel. It is conveniently located in Basel’s city center and easy to reach.\nFrom Basel SBB (Swiss/French train station): Bus 30, direction “Badischer Bahnhof”, to “Universität”\nFrom Basel Badischer Bahnhof (German train station): Bus 30, direction “Bahnhof SBB” to “Universität”\nFrom EuroAirport: Bus 50, direction Basel, change to Bus 30 at Basel SBB.",
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- "text": "Digital History Switzerland 2024 takes place September 12–13, 2024 at the University of Basel. The conference will be held at Kollegienhaus centrally located in Basel.\nPlease note: The exact rooms in Kollegienhaus indicated in the conference schedule are preliminary and subject to change.\nConference Schedule",
+ "text": "DHN Logo\n\n\nJoin us for an engaging community meetup hosted by the Digital History Network Switzerland at the upcoming Digital History Switzerland 2024 conference in Basel. This event is an excellent opportunity to network and welcome new members to a vibrant community of scholars, researchers, and professionals passionate about digital history.\nDigital History Network Switzerland is inviting to a network meeting event during Digital History Switzerland 2024. It will take place on September 13, 12:30 P.M. at Rosshofgasse 2, room S02 (Map and Infrastructure Details).\nFounded in 2023, the Digital History Network Switzerland aims to raise the visibility of digital history and foster connections between academics, cultural institutions, and other stakeholders. This informal network holds regular meetings to plan activities and facilitates the exchange of ideas and best practices through its mailing list and online platform.\nFor more information and to join the Digital History Network Switzerland, please visit https://www.infoclio.ch/en/digitalhistorynetwork.\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0",
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- "text": "Book of Abstracts Digital History Switzerland 2024\nWe compiled a book of abstracts containing all the papers presented at the conference to provide a comprehensive overview of current research at the intersection of history and digital technology. These papers cover a range of topics, from innovative methodologies and software applications to the challenges of digital data management and algorithmic analysis in historical research.\nWe are pleased to present this collection, which reflects the state of the art in digital history, and anticipate that the discussions it stimulates will make a significant contribution to the field.\nBook of Abstracts\nEach day, we have one additional, externally organized network/information meeting:\nSeptember 12, 12:30–14:00: SSH Open Research Data Taskforce (Lunch Break Event)\nSeptember 13, 12:30–14:00: Digital History Network Switzerland (Lunch Break Event)",
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+ "text": "Jérôme Baudry (Ecole polytechnique fédérale de Lausanne)\n\nLucas Burkart (Universität Basel)\n\nBéatrice Joyeux-Prunel (Université de Genève)\n\nEliane Kurmann (infoclio.ch)\n\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\n\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\n\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\n\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
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- "text": "The movement of Open Science has grown in importance in the Humanities, advocating for better accessibility of scientific research, especially in the form of the publication of research data (UNESCO 2023). This has led funding agencies like SNSF, ANR, and Horizon Europe to ask research projects to publish their research data and metadata along the FAIR principles in public repositories (see for instance (ANR 2023; EC 2023; SNSF 2024). Such requirements are putting pressure on researchers, who need to learn and understand the principles and standards of FAIR data and its impact on research data, but also require them to acquire new methodologies and know-how, such as in data management and data science.\nAt the same time, this accessibility of an increasing volume of interoperable quality data and the new semantic methodologies might bring a change of paradigm in the Humanities by the way knowledge is produced (Beretta 2023; Feugère 2015). The utilization of Linked Open Data (LOD) grants scholars access to large volumes of interoperable and high-quality datasets, at a scale analogue methods cannot reach, fundamentally altering their approach to information. This enables scholars to pose novel research questions, marking a departure from traditional modes of inquiry and facilitating a broader range of analytical perspectives within academic discourse. Moreover, drawing upon semantic methodologies rooted in ontology engineering, scholars can effectively document the intricate complexities inherent of social and historical phenomena, enabling a nuanced representation essential to the Social Sciences and Humanities domains within their databases. This meticulous documentation not only reflects a sophisticated understanding of multifaceted realities but also empowers researchers to deepen the digital analysis of rich corpora.\nThe transition from analogical to digital research methodologies does not come without challenges for researchers, thus necessitating the development of new tools and research infrastructures to support them in this evolution. The demand arises for user-friendly tools that abstract the technical complexity, as well as project accompaniment organisations that can provide support in digital methodologies and strategies to help scholars to better manage their data for computational analysis and information sharing.\nThis is the goal of Geovistory. It is conceived as a virtual research and data publication environment designed to strengthen Open Research Data practices. Geovistory is developed for research projects in the Humanities and Social Sciences, whether in history, geography, literature or other related fields, according to the participatory method of “user experience design”. It supports researchers with simple and easy-to-use interfaces and allows them to make their research accessible in an attractive way to people interested in history.",
+ "text": "Jérôme Baudry (Ecole polytechnique fédérale de Lausanne)\n\nLucas Burkart (Universität Basel)\n\nBéatrice Joyeux-Prunel (Université de Genève)\n\nEliane Kurmann (infoclio.ch)\n\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\n\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\n\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\n\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
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- "text": "The movement of Open Science has grown in importance in the Humanities, advocating for better accessibility of scientific research, especially in the form of the publication of research data (UNESCO 2023). This has led funding agencies like SNSF, ANR, and Horizon Europe to ask research projects to publish their research data and metadata along the FAIR principles in public repositories (see for instance (ANR 2023; EC 2023; SNSF 2024). Such requirements are putting pressure on researchers, who need to learn and understand the principles and standards of FAIR data and its impact on research data, but also require them to acquire new methodologies and know-how, such as in data management and data science.\nAt the same time, this accessibility of an increasing volume of interoperable quality data and the new semantic methodologies might bring a change of paradigm in the Humanities by the way knowledge is produced (Beretta 2023; Feugère 2015). The utilization of Linked Open Data (LOD) grants scholars access to large volumes of interoperable and high-quality datasets, at a scale analogue methods cannot reach, fundamentally altering their approach to information. This enables scholars to pose novel research questions, marking a departure from traditional modes of inquiry and facilitating a broader range of analytical perspectives within academic discourse. Moreover, drawing upon semantic methodologies rooted in ontology engineering, scholars can effectively document the intricate complexities inherent of social and historical phenomena, enabling a nuanced representation essential to the Social Sciences and Humanities domains within their databases. This meticulous documentation not only reflects a sophisticated understanding of multifaceted realities but also empowers researchers to deepen the digital analysis of rich corpora.\nThe transition from analogical to digital research methodologies does not come without challenges for researchers, thus necessitating the development of new tools and research infrastructures to support them in this evolution. The demand arises for user-friendly tools that abstract the technical complexity, as well as project accompaniment organisations that can provide support in digital methodologies and strategies to help scholars to better manage their data for computational analysis and information sharing.\nThis is the goal of Geovistory. It is conceived as a virtual research and data publication environment designed to strengthen Open Research Data practices. Geovistory is developed for research projects in the Humanities and Social Sciences, whether in history, geography, literature or other related fields, according to the participatory method of “user experience design”. It supports researchers with simple and easy-to-use interfaces and allows them to make their research accessible in an attractive way to people interested in history.",
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+ "text": "Sponsoring\nWe are grateful for the generous support by our sponsors:\n\nSwiss National Science Foundation\n\nFAG Basel\n\nMax-Geldner-Stiftung\n\nDepartment of History, University of Basel\n\nAssociation History and Computing\n\n\n\n\nSponsoring: Swiss National Foundation, FAG Basel, Max-Geldner-Stiftung, Universität Basel (Departement Geschichte), Verein Informatik und Geschichte",
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- "text": "Geovistory as a Research Environment\nGeovistory aims to be a comprehensive research environment that accompanies scholars throughout the whole research cycle. Geovistory includes:\n\nThe Geovistory Toolbox, which allows to manage and curate projects’ research data. The Toolbox is freely accessible for all individual projects. Each research project works on its own data perspective but at the same time directly contributes to a joint knowledge graph.\nA joint Data repository that allows to connect and link the different research projects under a unique and modular ontology, thus creating a large Knowledge Graph.\nThe Geovistory Publication platform (http://geovistory.org), where data is published using the RDF framework and can be accessed via the community page or project-specific webpages and its graphical search tools or a SPARQL-endpoint.\nAn active Community to foster information and know-how exchange among the researchers, users and technological experts.\n\n\n\n\n\n\n\nFigure 1\n\n\n\nAs per current terms of service, all data produced in the information layer of Geovistory are licensed under creative commons BY-SA 4.0. Initiated by KleioLab GmbH, the different infrastructure components are currently being developed jointly by LARHRA and the University of Bern, while other actors are welcome to join the Geovistory vision.. All the web components and the publication platform have been made available as open source, as well as the toolbox. The LOD4HSS project (https://www.geovistory.org/lod4hss), co-funded by swissuniversities, structures these efforts and aims at creating a larger community of users and supporters of this vision.",
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+ "text": "Patronage\n\ninfoclio.ch\n\nVerein Geschichte und Informatik | Association Histoire et Informatique | Association History and Computing\n\nSchweizerische Gesellschaft für Geschichte\n\n\n\n\nLogos of DigiHistCH24 patronage organizations: infoclio.ch, Association History and Computing, and Swiss Society of History\n\n\n\nHost\nUniversity of Basel, Department of History\n\n\nCode of Conduct\nThe organising committee of DigiHistCH24 is committed to providing a safe and inclusive environment, in which the personal integrity of all participants is respected. In particular, we do not tolerate discrimination and any form of harassment. We strive to create a safe, respectful, and collegial conference experience for all attendees – ensuring that DigiHistCH24 is an event characterised by professionalism, honesty and fairness in accordance with the host University of Basel’s Code of Conduct.\nPlease refer to the Personal Integrity Coordination Office of the University of Basel as an easily accessible, confidential and personal point of contact, offering advice and support for participants whose personal integrity has been violated or for bystanders who have observed violations.",
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- "text": "The aim of breaking information silos\nThe goal of producing and publishing FAIR research data is to break the information silos that hinder the sharing and reusing of scientific data. However, achieving interoperability hinges on two critical components (Beretta 2024a):\n\nFirstly, the unambiguous identification of real-world entities (e.g., persons, places, concepts) with unique identifiers (e.g., URIs in Linked Open Data) and the establishment of links between identical entities across different projects (e.g., ensuring that the entity “Paris” is identified by the same URI in all projects);\nSecondly, the utilization of explicit ontologies that can be aligned across projects. Nevertheless, mapping between ontologies may prove challenging, or even unfeasible, particularly when divergent structural frameworks are employed (e.g., an event-centric ontology may have limited compatibility with an object-centric one).\n\nIn Geovistory, those challenges are addressed by producing a unique Knowledge Graph that integrates the various projects. This necessitates from each project the adherence to the Semantic Data for History and Social Sciences (SDHSS) ontology ecosystem. It includes a methodology of ontological foundational analysis, based on the principles of OntoClean, from the domain of semantic engineering (Guarino and Welty 2004), and the high-level conceptual categories of the DOLCE ontology (Borgo et al. 2022). This has been applied to the CIDOC CRM ontology, the ICOM standard for the Heritage domain, while extending it to include the social and mental realities crucial for documenting essential aspects of human history, like ownership, membership, collective beliefs, etc. (Beretta 2024b). On this basis, a standardised semantic methodology for the development of domain-oriented ontologies in different fields of the Humanities, such as archaeology, prosopography, and geography has been created.. The SDHSS ontology ecosystem provides adaptability to the specificities of the various research projects while ensuring full interoperability among them. It is collaboratively managed in the ontome.net (http://ontome.net) application, so that scholars and domain experts can participate in its development if interested.\nThis shared Knowledge Graph streamlines the entity creation process by enabling users to navigate the graph, identify existing objects, and reuse them in their project using the same URIs for entity identification. By leveraging a common ontology ecosystem, users can not only easily identify and reuse information pertaining to specific entities but also ensure seamless integration and interoperability across projects within the Geovistory platform.",
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+ "text": "Inquiries\nFor inquiries, get in touch by contacting Moritz Twente via digital-history-2024@unibas.ch.\nIf your request does not concern an event, please refer to the general information of the University of Basel https://www.unibas.ch/en/Legal-notice.html (see below):",
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- "text": "A modular system for managing complex HSS information\nScholars within the Humanities domain grapple with intricate information, significantly more complex when compared to other scientific disciplines. Historical sources, whether textual, oral, visual, or material, provide fragmented and biased glimpses into the past, necessitating contextualization and interpretation. Consequently, this dynamic can engender a considerable degree of information uncertainty and discordance that need to be meticulously documented. Any digital infrastructure or model employed must adeptly navigate this multifaceted information landscape and accommodate its inherent complexity.\nAn inherent strength of Geovistory lies in its handling of the challenges associated with scientific information in the Humanities and Social Sciences domain. Noteworthy among these challenges is the nuanced, context-sensitive nature of information and its relation with different research agendas, as well as the wide variations in meaning for the same terms and vocabulary complexities, competing views or gaps and fragmentation of available information. These complexities are deftly managed through the application of the SDHSS methodology, which tends to limit the number of classes and properties in the ontology ecosystem, while inviting projects to develop and share rich collections of controlled vocabularies of concepts that enrich the data model according to the different research agendas and perspectives.\nMoreover, the project-partition of the Knowledge Graph within Geovistory enables users to repurpose existing information while also accommodating contradictory data, particularly when discrepancies are identified by researchers. Each project graph is stored within a designated dataset, maintaining its individual identity within the overarching Knowledge Graph. This approach allows for the coexistence and contextualization of disparate interpretations of facts, enhancing the platform’s flexibility and adaptability to varying scholarly perspectives. It is the unique amalgamation of the Geovistory graph data model and its robust semantic enrichment capabilities that render it particularly compelling for research within the Humanities and Social Sciences.",
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- "text": "Integrating the DH ecosystem\nOperating within the framework of Linked Open Data principles entails establishing connections with disparate datasets housed in various open and online repositories or Knowledge Graphs, culminating in the creation of an inclusive and interconnected Web of Data—an accomplishment characterized as the fifth star of Tim Berners Lee’s Open Data (https://5stardata.info/en/). As datasets interlink, they collectively form the Linked Open Data Cloud (https://lod-cloud.net/), wherein predominant repositories such as Wikidata or DBpedia, alongside authority files such as VIAF or GND, assume pivotal roles as data hubs, enhancing the discoverability, contextualization, and citability of information.\nThe Geovistory ecosystem applies those principles, actively engaging with the Digital Humanities landscape. It is connected dynamically to the information systems of producers of authority records (such as IdRef, GND) and data repositories (such as Wikidata) in view of interconnecting bibliographic information systems and scale up to a large Knowledge Graph. Collaborative efforts include the establishment of a data exchange pipeline with the French Agence Bibliographique de l’Enseignement Supérieur (ABES), with ongoing initiatives to forge additional partnerships.\nMoreover, ensuring long-term preservation of research data remains imperative, with initiatives to archive completed projects in the Zenodo repository and explore potential collaborations with entities like DaSCH, OLOS, and Huma-Num for dynamic updates and data management, with preliminary engagements initiated with DaSCH.",
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+ "text": "Disclaimer of warranty and liability\nThe University of Basel makes every effort to ensure that the information on its website is correct and up-to-date. However, it does not guarantee the topicality, correctness, completeness or quality of the information provided. It reserves the right to adjust or remove information at any time and without notice. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect, will therefore be rejected.\nThe University of Basel is not liable for any material or immaterial damage resulting from access to or use or non-use of the published information, from misuse of the connection or from technical faults.\nThe University of Basel has not reviewed external websites, i.e. websites not located on its servers or within its sphere of influence, which may be connected to this website via hyperlinks, and does not accept any responsibility for their content.",
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- "text": "Conclusions and future perspectives\nGeovistory has been designed as a comprehensive research environment tailored by and for historians and humanists to address their needs in generating and utilizing FAIR data, thereby streamlining the research digitization process. As the utilization of Geovistory proliferates across more projects, the Knowledge Graph grows with increasingly enriched information, rendering the overall environment more advantageous for scholars either by providing reusable datasets or by enriching imported data. In this regard, Geovistory can be compared as a Wikidata dedicated to research endeavors, with the difference that projects retain full control over their data without a loss of semantic coherence throughout the graph.\nThe forthcoming years mark a critical juncture for Geovistory, as the tools and infrastructures of the environment recently transitioned into the public domain. This needed change will ease collaboration with future public institutions within Europe, but a greater part of public fundings will be needed to ensure the sustainability of the ecosystem.\nNonetheless, the Digital Humanities ecosystem remains unstable, attributed to the lack of sustained funding for infrastructural initiatives by national funding agencies and the absence of cohesive coordination among institutions. To ameliorate this landscape, prioritizing the establishment of robust collaborations and partnerships among diverse tools and infrastructures in Switzerland and Europe is imperative. Leveraging the specialized expertise of each institution holds the promise of engendering a harmonized and synergistic, distributed environment conducive to scholarly pursuits.",
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- "text": "References\n\n\nANR. 2023. “La Science Ouverte.” https://anr.fr/fr/lanr/engagements/la-science-ouverte/.\n\n\nBeretta, Francesco. 2023. “Données Ouvertes Liées Et Recherche Historique : Un Changement de Paradigme.” Humanités Numériques 7. https://doi.org/10.4000/revuehn.3349.\n\n\n———. 2024a. “Données Liées Ouvertes Et Référentiels Publics : Un Changement de Paradigme Pour La Recherche En Sciences Humaines Et Sociales.” Arabesques 112: 26–27.\n\n\n———. 2024b. “Semantic Data for Humanities and Social Sciences (SDHSS): An Ecosystem of CIDOC CRM Extensions for Research Data Production and Reuse.” In Professorale Karrieremuster. Entwicklung Einer Wissenschaftlichen Methode Zur Forschung Auf Online Verfügbaren Und Verteilten Forschungsdatenbanken Der Universitätsgeschichte, edited by Thomas Riechert, Hartmurt Beyer, Jennifer Blanke, and Edgard Marx, 73–101. Leipzig: International Handbooks on Information Systems.\n\n\nBorgo, Stefano, Roberta Ferrario, Aldo Gangemi, Nicola Guarino, Claudio Masolo, Daniele Porello, Emilio M. Sanfilippo, and Laure Vieu. 2022. “DOLCE: A Descriptive Ontology for Linguistic and Cognitive Engineering.” Applied Ontology 17: 45–69.\n\n\nEC. 2023. “Open Data, Software and Code Guidelines.” https://open-research-europe.ec.europa.eu/for-authors/data-guidelines#standardsandfair.\n\n\nFeugère, Michel. 2015. “Les Bases de Données En Archéologie. De La Révolution Informatique Au Changement de Paradigme.” Cahiers Philosophiques 141: 139–47.\n\n\nGuarino, Nicola, and Chistopher A. Welty. 2004. “An Overview of OntoClean.” In Handbook on Ontologies, edited by Steffen Staab and Rudi Studer, 151–71. Berlin AND Heidelberg: International Handbooks on Information Systems.\n\n\nSNSF. 2024. “Open Research Data.” https://www.snf.ch/en/dMILj9t4LNk8NwyR/topic/open-research-data.\n\n\nUNESCO. 2023. “UNESCO Recommendation on Open Science.” https://www.unesco.org/en/open-science/about?hub=686.",
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+ "text": "Cultural digital archives are a goldmine of information for historians, offering access to digitized sources online. However, research highlights that these archives often struggle with usability issues (Vora, Komura, and Stanton Usability Team 2010; Dani et al. 2015) including difficulties in accessing certain items and information. Moreover, several emerging challenges are affecting the work of historians. Among these are the limited ways to explore archives, because cultural digital archives typically rely heavily on keyword-based search methods, the lack of transparency about how search results are generated, and the absence of advanced search and filtering options to reduce the volume of search results. In recent years, several researches from both the computer science and information visualization domains have been conducted to investigate more advanced and easy-to-use methods to access digitized publications. In the computer science domain, studies on the recognition and classification of named entities are relevant for historians and scholars in general because they allow the search, retrieval and comparison of information (Meroño-Peñuela et al. 2014). However, it is necessary to overcome the current technical issues, including the reduction of the noisy OCR outputs, the lack of resources for the training of the algorithms and the dynamics of language (spelling variations and name irregularities) (Ehrmann et al. 2023).\nIn the information visualization domain, the concept of “generous interfaces” was introduced (Whitelaw 2015) to identify a design approach for cultural digital collections that focuses on providing broader, more engaging and multi-faceted views on the content through the use of the visualization of the metadata of the collection. More recently, studies defined the requirements for more “transparent” digital archives, meant as tools facilitating content exploration even under imperfect conditions posed by digitized historical publications (Düring, Bunout, and Guido 2024), and started to investigate the use of graph-based narratives to analyze the interplay between the linearity of historical discourses and the non-linearity of the cultural heritage data (Günther et al. 2023). Through the development of the Mini-Muse research project, we merged current research coming from both the computer science and information design domains to identify novel and effective ways to access and analyse digitized publications for historical purposes. In particular, we implemented a user-centred design methodology to acquire preliminary knowledge on the integration of Natural Language Processing (NLP) algorithms and data visualization methods to enable researchers and students of history to investigate historical figures and their actions within their historical context.",
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- "text": "Our presentation reflects on the experience gained in the ongoing SNSF-funded research project The Internationalization of Patent Systems: From Patent Cultures to Global Intellectual Property. As recent debates on price of, and access to, patented COVID-19 vaccines have recalled, intellectual property rights are of great importance on a global scale. Our research investigates how patents have become, albeit incompletely, such globally relevant rights. While this internationalization is often seen as the consequence of agreements between macro-actors such as states, this project argues that this internationalization stems equally, if not more, from the networks of actors, economic strategies, texts and images involved in patent practices. To explore these, our project relies on the digital analysis of a large corpus of digitized patent documents, using text mining and computer vision techniques.",
+ "text": "Cultural digital archives are a goldmine of information for historians, offering access to digitized sources online. However, research highlights that these archives often struggle with usability issues (Vora, Komura, and Stanton Usability Team 2010; Dani et al. 2015) including difficulties in accessing certain items and information. Moreover, several emerging challenges are affecting the work of historians. Among these are the limited ways to explore archives, because cultural digital archives typically rely heavily on keyword-based search methods, the lack of transparency about how search results are generated, and the absence of advanced search and filtering options to reduce the volume of search results. In recent years, several researches from both the computer science and information visualization domains have been conducted to investigate more advanced and easy-to-use methods to access digitized publications. In the computer science domain, studies on the recognition and classification of named entities are relevant for historians and scholars in general because they allow the search, retrieval and comparison of information (Meroño-Peñuela et al. 2014). However, it is necessary to overcome the current technical issues, including the reduction of the noisy OCR outputs, the lack of resources for the training of the algorithms and the dynamics of language (spelling variations and name irregularities) (Ehrmann et al. 2023).\nIn the information visualization domain, the concept of “generous interfaces” was introduced (Whitelaw 2015) to identify a design approach for cultural digital collections that focuses on providing broader, more engaging and multi-faceted views on the content through the use of the visualization of the metadata of the collection. More recently, studies defined the requirements for more “transparent” digital archives, meant as tools facilitating content exploration even under imperfect conditions posed by digitized historical publications (Düring, Bunout, and Guido 2024), and started to investigate the use of graph-based narratives to analyze the interplay between the linearity of historical discourses and the non-linearity of the cultural heritage data (Günther et al. 2023). Through the development of the Mini-Muse research project, we merged current research coming from both the computer science and information design domains to identify novel and effective ways to access and analyse digitized publications for historical purposes. In particular, we implemented a user-centred design methodology to acquire preliminary knowledge on the integration of Natural Language Processing (NLP) algorithms and data visualization methods to enable researchers and students of history to investigate historical figures and their actions within their historical context.",
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+ "text": "Research methodology\nOur research adopts a user-centred design approach, involving a pool of historians, to ensure that user interface features meet their needs. It consists of three main phases: user research, design and implementation of a basic working prototype and user test. The user research aims to gather the needs of users of cultural digital archives regarding the information and its visual representation. During this phase, we conducted semi-structured interviews with a group of 14 heavy users of cultural digital archives. The design and implementation of a basic working prototype aim to test the feasibility of users’ desiderata. During this phase, we implemented a set of NLP algorithms to automatically extract information from a corpus of issues of a digitized publication about history. More specifically, we focused on a set of articles from the Swiss Historical Journal. The journal has been published quarterly by the Swiss History Society since 1951 and made available online by E-Periodica, a service by ETH Library. Finally, the evaluation of the working prototype aims to gather feedback regarding ease of use, clarity and usability of the interface features we implemented. During this phase, we presented the prototype to the pool of historians involved in the user research and we gathered their feedback about the user interface through a set of online interviews and an anonymous survey.",
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- "text": "Opportunities of Digital Analysis for a History of Patent Internationalization\nOur research project combines traditional historical methods with digital analysis. These various methods are more or less relevant depending on how the “internationalization” of patents is understood. The adoption of a legal agreement (the Paris Convention of 1883) by various states made patents internationally more relevant: because of the emergence of diplomatic discussions in matters of intellectual property, and because it made it easier for corporations to obtain rights for the same technology in different countries simultaneously. Similarly and relatedly, from the late 19th century on, patent specialists gathered in international private networks and advocacy groups. Both of these aspects can be studied through close-reading of archival materials and printed sources.\nDigital methods enable us to go further and examine a third meaning or aspect of internationalization: border-crossing patent practice and related business strategies. Indeed, patenting abroad was not exclusively the activity of multinational companies, nor of their founders and chief engineers, but also of craftsmen and low-level employees. Unlike, say, Thomas Edison or Alexander Graham Bell (see e.g. Beauchamp 2015), these patentees have left few traces outside of the patent record and even fewer, if any, that could shed light on their motivations and strategies. The large-scale digitization of patent documents thus creates the opportunity to study the activity of a wider variety of patentees.\nFurthermore, digital methods allow us to quantitatively study broad changes in patenting practices. For instance, over the period under consideration, a growing proportion of patents were granted or assigned to corporations, rather than individual inventors (Lamoreaux, Sokoloff, and Sutthiphisal 2009; Veyrassat 2001; Fisk 2009, chap. 6). How did this reflect on international patenting? More generally, what proportion of patents was granted, in different countries and at different times, to (foreign) companies and individuals holding similar patents in other countries? How did the situation vary from industry to industry?",
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+ "text": "User research: interviews with a pool of experts\nThe user research started with the selection of a group of 14 heavy users of cultural digital archives, including 8 historians and 6 other experts (librarians, archivists and developers of cultural digital archives). They are affiliated with universities and cultural institutions based in the three main language regions of Switzerland (German, Italian and French). The experts’ interests include politics, economics, technology, diplomacy, and science history. The experts were interviewed in one-to-one sessions to gather information on their research routines, their pain points in accessing and analysing historical content through cultural digital archives and their needs in terms of user interface features.",
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- "text": "Available Digitized Sources\nBecause patents constitute a legal claim of exclusivity, a detailed description of the invention is required by the law, inter alia to allow courts to assess whether competing technical devices or processes constitute illegal imitations. From the second half of the nineteenth century onward, most countries systematically published these descriptions, so-called patent specifications. We rely on a large corpus of these documents that have been digitized by patent offices for their own current activity (especially for assessing the novelty of patent applications).\nOur dataset currently includes around 4 million patent specifications from four large industrial countries: France, Germany, the United Kingdom and the United States. These countries represent major players in the discussions around the Paris Convention. Their residents also account for a large proportion of patents taken abroad. Furthermore, it has been proposed that they constitute distinct “patent cultures” that have constituted models for other countries (Gooday and Wilf 2020). This corpus however reproduces the historiographical tendency to neglect smaller and less-studied countries. To account for this, we plan to include patent specifications from additional states at a later point.\nThe main source of our data is the European Patent Office (EPO). Digitized specifications were downloaded by using Open Patent Services, an API offered by the EPO. We have also downloaded metadata through the same channel, including information such as a title for the patent; the date the patent was applied for; the date it was published; the name and country of the inventor and/or applicant; so-called “family data”, linking this specification to other ones. However, coverage is very uneven. For instance, we have no metadata for most German specifications before 1914.",
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+ "text": "Design and implementation of a basic working prototype\nThe basic working prototype is an online user interface displaying content from the Swiss Historical Journal in a novel way. Its information system consists of a backend that stores data extracted from the publication and a frontend that displays it through a set of two views. The backend and frontend share data through the use of custom APIs we built (see Figure 1).\n\n\n\n\n\n\nFigure 1: Mini-Muse Information System\n\n\n\nThe working prototype is based on a selection of 25 recent articles. We selected the articles with the following attributes: focusing on politics (because several experts we interviewed were interested in this topic), in German and with historical figures shared among two or more articles. ETH Library provided us with the whole set of issues of the Swiss Historical Journal that are available via the E-Periodica digital archive both as text files, which were the output of OCR software applied to the digitized magazines and as an XML file containing the metadata of the whole issues of the journal. Then, we converted the content of the selected articles into a format suitable for the NLP algorithms, namely BioC JSON.\nAccording to the experts’ desiderata, we gather both intrinsic and extrinsic content. As extrinsic content, namely the information that contextualizes the article, we gathered the title, author, publication date, the issue and the page number. As intrinsic content, namely the information that is contained within the article text, we gathered the historical figures (persons, institutions, and locations), and the actions they performed, with related dates and locations. The extrinsic content was extracted from the XML file provided by ETH-Library. The intrinsic content was extracted automatically through the implementation of an assembly of NLP algorithms consisting of two main parts: rule-based algorithms and LLM-based algorithms. The rule-based algorithms, including text Parsing, NER, Dependency Parsing, and Rule-Based Systems, extracted the set of intrinsic elements for each sentence of each article: historical figure, action, object, details, time, and location. The LLM-based algorithms, leveraging models like GPT-4 (gpt-4-0125-preview), use structured prompting and large text inputs to understand and interpret complex contexts, identify actions, actors, and relationships, and infer details like time and location for accurate action flow detection.\nThe frontend of the tool consists of two different views on the same set of articles: the action flow view and the article inquiry view. The action flow view allows the user to see the action flows, namely all the actions a historical figure undertook, with related locations and years, through the use of an interactive timeline. In this view, the user can filter the action flows according to the type of historical figure and sort them according to a list of parameters, including the number of actions per figure and the completeness of the actions’ metadata. The article inquiry view allows the user to ask questions about an article through the use of a chatbot connected to a custom LLM-based algorithm. This view lists the whole set of analyzed articles with their related action flows, lists of historical figures and locations, and an automatically generated short summary.",
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- "text": "Operationalizing and Exploring Internationalization\nTo quantitatively trace the internationalization of patent practice, we must define this concept more precisely, or rather stipulate how we are going to measure it: we must “operationalize” the concept, i.e. turn it into “a series of operations”, “building a bridge from concepts to measurement, and then to the world” (Moretti 2013, 104). Deciding on a series of operations happens in interaction with a process of close examination and exploration of the dataset.\nSpeaking of a network of text and images implies that we can link patents from one country to those granted in another. The available “family” metadata already does so, but using it as an entry point for exploration shows that we would severely underestimate the extent of international patenting by relying only on that indication. However, this exploration reveals how very similar patents can be, confirming our expectations. We can match specifications by comparing patentee names and titles. Because available metadata is incomplete, these elements also need to be extracted from the patent document itself through text mining.\nExploration leads to a further possible operation: matching the drawings printed in these documents. Unlike the text, which changes between countries because it is translated and sometimes adapted to local patent practices and regulations, the drawings have often been reused (almost) identically from one country to another (Figure 1).\n\n\n\n\n\n\nFigure 1: Example of two pages from different patents featuring the same drawing (left: French patent 325,985; right: German patent 142,688).",
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+ "text": "Test of the prototype\nThe test of the working prototype consists of a set of online meetings with the experts that we involved in the user research, to show them the set of prototype features, and an anonymous survey. During the online meetings, we gather the very first impressions about the working prototype in terms of usability and usefulness in regards to the historians’ main research tasks. Through the anonymous survey, which remains available online for two weeks, we gather more in-depth feedback on the usefulness of the features we introduced and suggestions for further studies on how NLP algorithm and data visualization can improve historical research.",
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- "text": "Implementing Image Matching\nIn recent years, computational exploration and analysis of images have attracted a growing interest in digital history (Arnold and Tilton 2019, 2023; Wevers and Smits 2020). Among other approaches, historians have used convolutional neural networks (CNNs) to generate numerical representations of images, so-called image embeddings, and then find similar pictures. Pre-trained CNNs have been shown to be useful on historical documents even though they were built for another purpose, typically classifying colored photographs in categories such as iPod and hair_spray, as in the ImageNet training data.\nHowever, in itself, this method proved insufficient for our needs. First, the available images are digitizations of whole pages in the specifications. These pages might not be found to be similar, because of changes in the arrangement of the drawings on the page or because of differences in overall layout (see again Figure 1). To address this first limitation, we segment the pages by identifying regions of contiguous black pixels. A second limitation of using image embeddings for our purpose is that we are not looking for general similarity, e.g. in the overall shape of the figures, but for (near) identity. This distinction could not be made based on similarity measures given by the embeddings, possibly because of how the models were trained.\nAnother family of computer vision algorithms, feature detection and matching, is more appropriate for our goal. Predating the breakthrough of CNNs by a decade, Scale-Invariant Feature Transform (SIFT) remains one of the best available methods (Lowe 2004). SIFT can for instance find a photographed object in another photograph, even if it is scaled or rotated. However, SIFT is computationally intensive, which presents us with a challenge because of the amount of data we process. While faster algorithms exist, they have so far given inferior results on our data, leading especially to many false positives.\nBest results were obtained by combining a CNN and SIFT. Image embeddings and an efficient indexing algorithm (“Hnswlib - Fast Approximate Nearest Neighbor Search” 2024; Malkov and Yashunin 2018) allow us to reduce the search space: instead of using SIFT to compare a segment from a French patent to all the segments of British, German and US patents, we only compare it to the segments with the most similar embeddings. Preliminary results of using this method on French and German patents issued around 1902 indicate a very high precision, with very few false positives (recall still needs to be evaluated).",
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+ "text": "Results and future works\nThe Mini-Muse project allowed us to gather an overall understanding of which are the possible research directions regarding the implementation of AI-assisted search tools for digitized publication archives. Through this research, we have found evidence of the fact that the AI extraction of action flows, and related graphical visualization, can have a great impact on historical research activities in terms of both speeding up and enhancing the quality of the work. The action flow allows historians to easily find correlations among historical figures and relevant documents mentioning them, and so fostering the comparison of different authors’ perspectives on the same event/figure. We have also gathered evidence that the action flow, combined with a chatbot that allows users to ask questions about a selected article, can lead to a shift in the search results paradigm within cultural digital archives. Instead of displaying document-centered results, where each item returned by the system is a whole document, the search results become content-centered. In this new approach, each item returned is the specific information requested, presented in both textual and visual form, along with its contextual background. This shift focuses more on historical figures or content, rather than on entire documents. Throughout this preliminary project, we encountered some constraints, including the current size of the prompt of LLMs algorithms, which is not enough for passing very long documents, and the low quality of the summaries generated by the algorithms, which are requested to be as accurate as possible by historians. In future works, we plan to investigate how to scale our NLP algorithms and data visualization models for larger collections of digitized publications and how to integrate other historical entities, such as the thematic area (i.e.: resistance, counter-reform, colonialism) for more advanced historical research.",
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- "text": "Back to Exploration and Future Work\nOur early results prompt further exploration, leading to new insights. For instance, some of the matches point to metadata errors, e.g. wrong country indications in French patents. It also leads us to question some of our assumptions. Assuming that a patent in one country would have one corresponding patent in another, we used embeddings to get, for each segment in country A, the two segments most similar to it in country B. However, in our early results, one French patents matched six different German patents. This suggests that we might need to apply SIFT to compare each segment A to a greater number of similar B segments. Further future work includes combining matching the drawings and matching other data points. All in all, our use of computer vision methods, while not yet robust enough to answer our research questions, yields promising results demonstrating that the concept of internationalization can be operationalized in this way.",
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+ "text": "In the context of the research project Digitizing and Augmenting the Panorama of the Battle of Murten (EPFL, 2022-2026), we have produced the largest digital image of a single work of art (1.62 terapixel, the original painting dimensions are 10x100m, oil on canvas, 1894). To enhance the interpretation of the panorama’s intricate visual content, we propose a deep semantic annotation approach for data curation, operating at the Point of Interest (POI) level.\nLeveraging Linked Open Data (LOD) technologies and adopting the CIDOC CRM standards, we develop an annotation ontology to facilitate the description and interpretation of the panorama using interoperable structured data. This annotation will be supported by a web-based platform we designed, featuring deep zoom capabilities, with the potential to evolve into a versatile tool for the curation of panoramic content. During this workshop, we will present the beta-version of the web-based platform and let the audience test the annotation platform.\nThis workshop is being offered by Daniel Jaquet and Tsz Kin Chau (EPFL).\nParticipants can use their own laptops.",
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- "text": "References\n\n\nArnold, Taylor, and Lauren Tilton. 2019. “Distant Viewing: Analyzing Large Visual Corpora.” Digital Scholarship in the Humanities 34 (Supplement_1): i3–16. https://doi.org/10.1093/llc/fqz013.\n\n\n———. 2023. Distant Viewing: Computational Exploration of Digital Images. Cambridge (Massachusetts): The MIT Press. https://doi.org/10.7551/mitpress/14046.001.0001.\n\n\nBeauchamp, Christopher. 2015. Invented by Law: Alexander Graham Bell and the Patent That Changed America. Cambridge (Massachusetts): Harvard University Press.\n\n\nFisk, Catherine L. 2009. Working Knowledge. Employee Innovation and the Rise of Corporate Intellectual Property, 1800-1930. Studies in Legal History. Chapel Hill: University of North Carolina Press.\n\n\nGooday, Graeme, and Steven Wilf, eds. 2020. Patent Cultures: Diversity and Harmonization in Historical Perspective. Cambridge Intellectual Property and Information Law. Cambridge: Cambridge University Press. https://doi.org/10.1017/9781108654333.\n\n\n“Hnswlib - Fast Approximate Nearest Neighbor Search.” 2024. https://github.com/nmslib/hnswlib.\n\n\nLamoreaux, Naomi R., Kenneth L. Sokoloff, and Dhanoos Sutthiphisal. 2009. “The Reorganization of Inventive Activity in the United States During the Early Twentieth Century.” Working Paper 15440. National Bureau of Economic Research. https://doi.org/10.3386/w15440.\n\n\nLowe, David G. 2004. “Distinctive Image Features from Scale-Invariant Keypoints.” International Journal of Computer Vision 60 (2): 91–110. https://doi.org/10.1023/B:VISI.0000029664.99615.94.\n\n\nMalkov, Yu A, and Dmitry A Yashunin. 2018. “Efficient and Robust Approximate Nearest Neighbor Search Using Hierarchical Navigable Small World Graphs.” IEEE Transactions on Pattern Analysis and Machine Intelligence 42 (4): 824–36.\n\n\nMoretti, Franco. 2013. “‘Operationalizing’.” New Left Review, no. 84: 103–19. https://newleftreview.org/issues/ii84/articles/franco-moretti-operationalizing.\n\n\nVeyrassat, Béatrice. 2001. “De la protection de l’inventeur à l’industrialisation de l’invention.” In Innovations : incitations et résistances : des sources de l’innovation à ses effets, edited by Hans-Jörg Gilomen, Rudolf Jaun, Margrit Müller, and Béatrice Veyrassat, 367–83. Zürich: Chronos. https://doi.org/10.5169/seals-16825.\n\n\nWevers, Melvin, and Thomas Smits. 2020. “The Visual Digital Turn: Using Neural Networks to Study Historical Images.” Digital Scholarship in the Humanities 35 (1): 194–207. https://doi.org/10.1093/llc/fqy085.",
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+ "text": "In the context of the research project Digitizing and Augmenting the Panorama of the Battle of Murten (EPFL, 2022-2026), we have produced the largest digital image of a single work of art (1.62 terapixel, the original painting dimensions are 10x100m, oil on canvas, 1894). To enhance the interpretation of the panorama’s intricate visual content, we propose a deep semantic annotation approach for data curation, operating at the Point of Interest (POI) level.\nLeveraging Linked Open Data (LOD) technologies and adopting the CIDOC CRM standards, we develop an annotation ontology to facilitate the description and interpretation of the panorama using interoperable structured data. This annotation will be supported by a web-based platform we designed, featuring deep zoom capabilities, with the potential to evolve into a versatile tool for the curation of panoramic content. During this workshop, we will present the beta-version of the web-based platform and let the audience test the annotation platform.\nThis workshop is being offered by Daniel Jaquet and Tsz Kin Chau (EPFL).\nParticipants can use their own laptops.",
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https://digihistch24.github.io/book-of-abstracts/submissions/438/index.html
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https://digihistch24.github.io/book-of-abstracts/submissions/444/index.html
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https://digihistch24.github.io/book-of-abstracts/submissions/486/index.html
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https://digihistch24.github.io/book-of-abstracts/submissions/427/index.html
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https://digihistch24.github.io/book-of-abstracts/submissions/474/index.html
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https://digihistch24.github.io/book-of-abstracts/submissions/445/index.html
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https://digihistch24.github.io/book-of-abstracts/submissions/450/index.html
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https://digihistch24.github.io/book-of-abstracts/submissions/457/index.html
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https://digihistch24.github.io/book-of-abstracts/submissions/poster/440/index.html
- 2024-11-08T09:29:06.248Z
+ 2024-11-18T07:41:39.010Z
https://digihistch24.github.io/book-of-abstracts/submissions/poster/484/index.html
- 2024-11-08T09:29:06.249Z
+ 2024-11-18T07:41:39.011Z
https://digihistch24.github.io/book-of-abstracts/submissions/poster/472/index.html
- 2024-11-08T09:29:06.249Z
+ 2024-11-18T07:41:39.011Z
https://digihistch24.github.io/book-of-abstracts/fonts/LICENSE-OFL.html
- 2024-11-08T09:29:05.998Z
+ 2024-11-18T07:41:38.778Z
https://digihistch24.github.io/book-of-abstracts/SECURITY.html
- 2024-11-08T09:29:05.992Z
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diff --git a/submissions/405/index.html b/submissions/405/index.html
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@@ -347,6 +347,12 @@ Data-Driven Approaches to Studying the Hi
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/427/index.html b/submissions/427/index.html
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@@ -348,6 +348,12 @@ On a solid ground. Building software for
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/428/index.html b/submissions/428/index.html
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@@ -347,6 +347,12 @@ Tables are tricky. Testing Text Encoding
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/429/index.html b/submissions/429/index.html
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@@ -348,6 +348,12 @@ Training engineering students through a d
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/431/index.html b/submissions/431/index.html
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/438/index.html b/submissions/438/index.html
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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Modified
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+ November 18, 2024
diff --git a/submissions/438/presentation/A handful of pixels of blood - Transcript.html b/submissions/438/presentation/A handful of pixels of blood - Transcript.html
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@@ -338,6 +338,12 @@
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/443/index.html b/submissions/443/index.html
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/444/index.html b/submissions/444/index.html
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/445/index.html b/submissions/445/index.html
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/455/index.html b/submissions/455/index.html
index ac411b8..f1c20e3 100644
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/456/index.html b/submissions/456/index.html
index a7105a5..88e7b1e 100644
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/457/index.html b/submissions/457/index.html
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@@ -347,6 +347,12 @@ Towards Computational Historiographical M
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/458/index.html b/submissions/458/index.html
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/459/index.html b/submissions/459/index.html
index 21b6419..b1507a8 100644
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@@ -348,6 +348,12 @@ Data Literacy and the Role of Libraries
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/460/index.html b/submissions/460/index.html
index 669ef94..8746d28 100644
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@@ -347,6 +347,12 @@ 20 godparents and 3 wives – studying mi
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/462/index.html b/submissions/462/index.html
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@@ -349,6 +349,12 @@ From record cards to the dynamics of real
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/464/index.html b/submissions/464/index.html
index c658a2a..51e440c 100644
--- a/submissions/464/index.html
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@@ -347,6 +347,12 @@ When the Data Becomes Meta: Quality Contr
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/465/index.html b/submissions/465/index.html
index bcb3dd6..e62bb19 100644
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@@ -347,6 +347,12 @@ On the Historiographic Authority of Machi
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/468/index.html b/submissions/468/index.html
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@@ -348,6 +348,12 @@ Films as sources and as means of communic
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/469/index.html b/submissions/469/index.html
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/471/index.html b/submissions/471/index.html
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/473/index.html b/submissions/473/index.html
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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diff --git a/submissions/480/index.html b/submissions/480/index.html
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
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-
- When Literacy Goes Digital: Rethinking the Ethics and Politics of Digitisation
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+ Unveiling Historical Depth: Semantic annotation of the Panorama of the Battle of Murten
Source Code
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+Unveiling Historical Depth: Semantic annotation of the Panorama of the Battle of Murten – DigiHistCH24
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+Unveiling Historical Depth: Semantic annotation of the Panorama of the Battle of Murten
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+ Session 5B
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+ Published
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+ September 13, 2024
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+ Doi
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+Workshop
+In the context of the research project Digitizing and Augmenting the Panorama of the Battle of Murten (EPFL, 2022-2026), we have produced the largest digital image of a single work of art (1.62 terapixel, the original painting dimensions are 10x100m, oil on canvas, 1894). To enhance the interpretation of the panorama’s intricate visual content, we propose a deep semantic annotation approach for data curation, operating at the Point of Interest (POI) level.
+Leveraging Linked Open Data (LOD) technologies and adopting the CIDOC CRM standards, we develop an annotation ontology to facilitate the description and interpretation of the panorama using interoperable structured data. This annotation will be supported by a web-based platform we designed, featuring deep zoom capabilities, with the potential to evolve into a versatile tool for the curation of panoramic content. During this workshop, we will present the beta-version of the web-based platform and let the audience test the annotation platform.
+This workshop is being offered by Daniel Jaquet and Tsz Kin Chau (EPFL).
+Participants can use their own laptops.
+
+
+
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+
+ Back to topReuse
Citation
BibTeX citation:@misc{jaquet2024,
+ author = {Jaquet, Daniel and Kin Chau, Tsz},
+ editor = {Baudry, Jérôme and Burkart, Lucas and Joyeux-Prunel,
+ Béatrice and Kurmann, Eliane and Mähr, Moritz and Natale, Enrico and
+ Sibille, Christiane and Twente, Moritz},
+ title = {Unveiling {Historical} {Depth:} {Semantic} Annotation of the
+ {Panorama} of the {Battle} of {Murten}},
+ date = {2024-09-13},
+ url = {https://digihistch24.github.io/book-of-abstracts/submissions/873/},
+ doi = {10.5281/zenodo.14175343},
+ langid = {en}
+}
+
For attribution, please cite this work as:
+Jaquet, Daniel, and Tsz Kin Chau. 2024. “Unveiling Historical
+Depth: Semantic Annotation of the Panorama of the Battle of
+Murten.” Edited by Jérôme Baudry, Lucas Burkart, Béatrice
+Joyeux-Prunel, Eliane Kurmann, Moritz Mähr, Enrico Natale, Christiane
+Sibille, and Moritz Twente. Digital History Switzerland 2024: Book
+of Abstracts. https://doi.org/10.5281/zenodo.14175343.
+
+
+Source Code
+---
+submission_id: 873
+categories: 'Session 5B'
+title: 'Unveiling Historical Depth: Semantic annotation of the Panorama of the Battle of Murten'
+author:
+ - name: Daniel Jaquet
+ orcid: 0000-0003-1515-3619
+ email: daniel.jaquet@epfl.ch
+ affiliation: EPFL
+ - name: Tsz Kin Chau
+ orcid: 0009-0006-7939-3151
+ email: tszkin.chau@epfl.ch
+ affiliation: EPFL
+date: 09-13-2024
+doi: 10.5281/zenodo.14175343
+---
+
+## Workshop
+
+In the context of the research project Digitizing and Augmenting the Panorama of the Battle of Murten (EPFL, 2022-2026), we have produced the largest digital image of a single work of art (1.62 terapixel, the original painting dimensions are 10x100m, oil on canvas, 1894). To enhance the interpretation of the panorama's intricate visual content, we propose a deep semantic annotation approach for data curation, operating at the Point of Interest (POI) level.
+
+Leveraging Linked Open Data (LOD) technologies and adopting the CIDOC CRM standards, we develop an annotation ontology to facilitate the description and interpretation of the panorama using interoperable structured data. This annotation will be supported by a web-based platform we designed, featuring deep zoom capabilities, with the potential to evolve into a versatile tool for the curation of panoramic content. During this workshop, we will present the beta-version of the web-based platform and let the audience test the annotation platform.
+
+This workshop is being offered by Daniel Jaquet and Tsz Kin Chau (EPFL).
+
+Participants can use their own laptops.
+
+
+
+
+
+
+
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diff --git a/submissions/keynote/index.html b/submissions/keynote/index.html
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@@ -21,7 +21,7 @@
-
+
@@ -347,6 +347,12 @@ When Literacy Goes Digital: Rethinking th
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
+
+
+
@@ -575,8 +581,8 @@ When Literacy Goes Digital: Rethinking th
Friday, 13 Septem | Time | Lecture Hall 001 | Lecture Hall 115 | |----------|---------------------------------------------|-------------------------------------------------| -| 09:00 am | **[Session 5A](/book-of-abstracts.html#category=Session%205A)** | **Session 5B (Workshop)** | +| 09:00 am | **[Session 5A](/book-of-abstracts.html#category=Session%205A)** | **[Session 5B (Workshop)](/submissions/873)** | | | Chair: Dr. Enrico Natale (infoclio.ch) | Chair: Daniel Jaquet (EPFL) | | 11:00 am | **[Session 6A](/book-of-abstracts.html#category=Session%206A)** | **[Session 6B](/book-of-abstracts.html#category=Session%206B)** | | | Chair: Moritz Twente (Universität Basel) | Chair: Dr. Moritz Mähr (Universität Basel) | diff --git a/fonts/LICENSE-OFL.html b/fonts/LICENSE-OFL.html index 6ad6332..c591ffe 100644 --- a/fonts/LICENSE-OFL.html +++ b/fonts/LICENSE-OFL.html @@ -340,6 +340,12 @@ Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research + +
diff --git a/index.html b/index.html
index e84c9a9..f198585 100644
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+Historical Research, Digital Literacy and Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
@@ -477,7 +483,7 @@
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- "text": "Cultural digital archives are a goldmine of information for historians, offering access to digitized sources online. However, research highlights that these archives often struggle with usability issues (Vora, Komura, and Stanton Usability Team 2010; Dani et al. 2015) including difficulties in accessing certain items and information. Moreover, several emerging challenges are affecting the work of historians. Among these are the limited ways to explore archives, because cultural digital archives typically rely heavily on keyword-based search methods, the lack of transparency about how search results are generated, and the absence of advanced search and filtering options to reduce the volume of search results. In recent years, several researches from both the computer science and information visualization domains have been conducted to investigate more advanced and easy-to-use methods to access digitized publications. In the computer science domain, studies on the recognition and classification of named entities are relevant for historians and scholars in general because they allow the search, retrieval and comparison of information (Meroño-Peñuela et al. 2014). However, it is necessary to overcome the current technical issues, including the reduction of the noisy OCR outputs, the lack of resources for the training of the algorithms and the dynamics of language (spelling variations and name irregularities) (Ehrmann et al. 2023).\nIn the information visualization domain, the concept of “generous interfaces” was introduced (Whitelaw 2015) to identify a design approach for cultural digital collections that focuses on providing broader, more engaging and multi-faceted views on the content through the use of the visualization of the metadata of the collection. More recently, studies defined the requirements for more “transparent” digital archives, meant as tools facilitating content exploration even under imperfect conditions posed by digitized historical publications (Düring, Bunout, and Guido 2024), and started to investigate the use of graph-based narratives to analyze the interplay between the linearity of historical discourses and the non-linearity of the cultural heritage data (Günther et al. 2023). Through the development of the Mini-Muse research project, we merged current research coming from both the computer science and information design domains to identify novel and effective ways to access and analyse digitized publications for historical purposes. In particular, we implemented a user-centred design methodology to acquire preliminary knowledge on the integration of Natural Language Processing (NLP) algorithms and data visualization methods to enable researchers and students of history to investigate historical figures and their actions within their historical context.",
+ "text": "Our presentation reflects on the experience gained in the ongoing SNSF-funded research project The Internationalization of Patent Systems: From Patent Cultures to Global Intellectual Property. As recent debates on price of, and access to, patented COVID-19 vaccines have recalled, intellectual property rights are of great importance on a global scale. Our research investigates how patents have become, albeit incompletely, such globally relevant rights. While this internationalization is often seen as the consequence of agreements between macro-actors such as states, this project argues that this internationalization stems equally, if not more, from the networks of actors, economic strategies, texts and images involved in patent practices. To explore these, our project relies on the digital analysis of a large corpus of digitized patent documents, using text mining and computer vision techniques.",
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- "text": "Cultural digital archives are a goldmine of information for historians, offering access to digitized sources online. However, research highlights that these archives often struggle with usability issues (Vora, Komura, and Stanton Usability Team 2010; Dani et al. 2015) including difficulties in accessing certain items and information. Moreover, several emerging challenges are affecting the work of historians. Among these are the limited ways to explore archives, because cultural digital archives typically rely heavily on keyword-based search methods, the lack of transparency about how search results are generated, and the absence of advanced search and filtering options to reduce the volume of search results. In recent years, several researches from both the computer science and information visualization domains have been conducted to investigate more advanced and easy-to-use methods to access digitized publications. In the computer science domain, studies on the recognition and classification of named entities are relevant for historians and scholars in general because they allow the search, retrieval and comparison of information (Meroño-Peñuela et al. 2014). However, it is necessary to overcome the current technical issues, including the reduction of the noisy OCR outputs, the lack of resources for the training of the algorithms and the dynamics of language (spelling variations and name irregularities) (Ehrmann et al. 2023).\nIn the information visualization domain, the concept of “generous interfaces” was introduced (Whitelaw 2015) to identify a design approach for cultural digital collections that focuses on providing broader, more engaging and multi-faceted views on the content through the use of the visualization of the metadata of the collection. More recently, studies defined the requirements for more “transparent” digital archives, meant as tools facilitating content exploration even under imperfect conditions posed by digitized historical publications (Düring, Bunout, and Guido 2024), and started to investigate the use of graph-based narratives to analyze the interplay between the linearity of historical discourses and the non-linearity of the cultural heritage data (Günther et al. 2023). Through the development of the Mini-Muse research project, we merged current research coming from both the computer science and information design domains to identify novel and effective ways to access and analyse digitized publications for historical purposes. In particular, we implemented a user-centred design methodology to acquire preliminary knowledge on the integration of Natural Language Processing (NLP) algorithms and data visualization methods to enable researchers and students of history to investigate historical figures and their actions within their historical context.",
+ "text": "Our presentation reflects on the experience gained in the ongoing SNSF-funded research project The Internationalization of Patent Systems: From Patent Cultures to Global Intellectual Property. As recent debates on price of, and access to, patented COVID-19 vaccines have recalled, intellectual property rights are of great importance on a global scale. Our research investigates how patents have become, albeit incompletely, such globally relevant rights. While this internationalization is often seen as the consequence of agreements between macro-actors such as states, this project argues that this internationalization stems equally, if not more, from the networks of actors, economic strategies, texts and images involved in patent practices. To explore these, our project relies on the digital analysis of a large corpus of digitized patent documents, using text mining and computer vision techniques.",
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- "text": "Research methodology\nOur research adopts a user-centred design approach, involving a pool of historians, to ensure that user interface features meet their needs. It consists of three main phases: user research, design and implementation of a basic working prototype and user test. The user research aims to gather the needs of users of cultural digital archives regarding the information and its visual representation. During this phase, we conducted semi-structured interviews with a group of 14 heavy users of cultural digital archives. The design and implementation of a basic working prototype aim to test the feasibility of users’ desiderata. During this phase, we implemented a set of NLP algorithms to automatically extract information from a corpus of issues of a digitized publication about history. More specifically, we focused on a set of articles from the Swiss Historical Journal. The journal has been published quarterly by the Swiss History Society since 1951 and made available online by E-Periodica, a service by ETH Library. Finally, the evaluation of the working prototype aims to gather feedback regarding ease of use, clarity and usability of the interface features we implemented. During this phase, we presented the prototype to the pool of historians involved in the user research and we gathered their feedback about the user interface through a set of online interviews and an anonymous survey.",
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+ "text": "Opportunities of Digital Analysis for a History of Patent Internationalization\nOur research project combines traditional historical methods with digital analysis. These various methods are more or less relevant depending on how the “internationalization” of patents is understood. The adoption of a legal agreement (the Paris Convention of 1883) by various states made patents internationally more relevant: because of the emergence of diplomatic discussions in matters of intellectual property, and because it made it easier for corporations to obtain rights for the same technology in different countries simultaneously. Similarly and relatedly, from the late 19th century on, patent specialists gathered in international private networks and advocacy groups. Both of these aspects can be studied through close-reading of archival materials and printed sources.\nDigital methods enable us to go further and examine a third meaning or aspect of internationalization: border-crossing patent practice and related business strategies. Indeed, patenting abroad was not exclusively the activity of multinational companies, nor of their founders and chief engineers, but also of craftsmen and low-level employees. Unlike, say, Thomas Edison or Alexander Graham Bell (see e.g. Beauchamp 2015), these patentees have left few traces outside of the patent record and even fewer, if any, that could shed light on their motivations and strategies. The large-scale digitization of patent documents thus creates the opportunity to study the activity of a wider variety of patentees.\nFurthermore, digital methods allow us to quantitatively study broad changes in patenting practices. For instance, over the period under consideration, a growing proportion of patents were granted or assigned to corporations, rather than individual inventors (Lamoreaux, Sokoloff, and Sutthiphisal 2009; Veyrassat 2001; Fisk 2009, chap. 6). How did this reflect on international patenting? More generally, what proportion of patents was granted, in different countries and at different times, to (foreign) companies and individuals holding similar patents in other countries? How did the situation vary from industry to industry?",
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- "text": "User research: interviews with a pool of experts\nThe user research started with the selection of a group of 14 heavy users of cultural digital archives, including 8 historians and 6 other experts (librarians, archivists and developers of cultural digital archives). They are affiliated with universities and cultural institutions based in the three main language regions of Switzerland (German, Italian and French). The experts’ interests include politics, economics, technology, diplomacy, and science history. The experts were interviewed in one-to-one sessions to gather information on their research routines, their pain points in accessing and analysing historical content through cultural digital archives and their needs in terms of user interface features.",
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+ "text": "Available Digitized Sources\nBecause patents constitute a legal claim of exclusivity, a detailed description of the invention is required by the law, inter alia to allow courts to assess whether competing technical devices or processes constitute illegal imitations. From the second half of the nineteenth century onward, most countries systematically published these descriptions, so-called patent specifications. We rely on a large corpus of these documents that have been digitized by patent offices for their own current activity (especially for assessing the novelty of patent applications).\nOur dataset currently includes around 4 million patent specifications from four large industrial countries: France, Germany, the United Kingdom and the United States. These countries represent major players in the discussions around the Paris Convention. Their residents also account for a large proportion of patents taken abroad. Furthermore, it has been proposed that they constitute distinct “patent cultures” that have constituted models for other countries (Gooday and Wilf 2020). This corpus however reproduces the historiographical tendency to neglect smaller and less-studied countries. To account for this, we plan to include patent specifications from additional states at a later point.\nThe main source of our data is the European Patent Office (EPO). Digitized specifications were downloaded by using Open Patent Services, an API offered by the EPO. We have also downloaded metadata through the same channel, including information such as a title for the patent; the date the patent was applied for; the date it was published; the name and country of the inventor and/or applicant; so-called “family data”, linking this specification to other ones. However, coverage is very uneven. For instance, we have no metadata for most German specifications before 1914.",
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- "text": "Design and implementation of a basic working prototype\nThe basic working prototype is an online user interface displaying content from the Swiss Historical Journal in a novel way. Its information system consists of a backend that stores data extracted from the publication and a frontend that displays it through a set of two views. The backend and frontend share data through the use of custom APIs we built (see Figure 1).\n\n\n\n\n\n\nFigure 1: Mini-Muse Information System\n\n\n\nThe working prototype is based on a selection of 25 recent articles. We selected the articles with the following attributes: focusing on politics (because several experts we interviewed were interested in this topic), in German and with historical figures shared among two or more articles. ETH Library provided us with the whole set of issues of the Swiss Historical Journal that are available via the E-Periodica digital archive both as text files, which were the output of OCR software applied to the digitized magazines and as an XML file containing the metadata of the whole issues of the journal. Then, we converted the content of the selected articles into a format suitable for the NLP algorithms, namely BioC JSON.\nAccording to the experts’ desiderata, we gather both intrinsic and extrinsic content. As extrinsic content, namely the information that contextualizes the article, we gathered the title, author, publication date, the issue and the page number. As intrinsic content, namely the information that is contained within the article text, we gathered the historical figures (persons, institutions, and locations), and the actions they performed, with related dates and locations. The extrinsic content was extracted from the XML file provided by ETH-Library. The intrinsic content was extracted automatically through the implementation of an assembly of NLP algorithms consisting of two main parts: rule-based algorithms and LLM-based algorithms. The rule-based algorithms, including text Parsing, NER, Dependency Parsing, and Rule-Based Systems, extracted the set of intrinsic elements for each sentence of each article: historical figure, action, object, details, time, and location. The LLM-based algorithms, leveraging models like GPT-4 (gpt-4-0125-preview), use structured prompting and large text inputs to understand and interpret complex contexts, identify actions, actors, and relationships, and infer details like time and location for accurate action flow detection.\nThe frontend of the tool consists of two different views on the same set of articles: the action flow view and the article inquiry view. The action flow view allows the user to see the action flows, namely all the actions a historical figure undertook, with related locations and years, through the use of an interactive timeline. In this view, the user can filter the action flows according to the type of historical figure and sort them according to a list of parameters, including the number of actions per figure and the completeness of the actions’ metadata. The article inquiry view allows the user to ask questions about an article through the use of a chatbot connected to a custom LLM-based algorithm. This view lists the whole set of analyzed articles with their related action flows, lists of historical figures and locations, and an automatically generated short summary.",
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+ "text": "Operationalizing and Exploring Internationalization\nTo quantitatively trace the internationalization of patent practice, we must define this concept more precisely, or rather stipulate how we are going to measure it: we must “operationalize” the concept, i.e. turn it into “a series of operations”, “building a bridge from concepts to measurement, and then to the world” (Moretti 2013, 104). Deciding on a series of operations happens in interaction with a process of close examination and exploration of the dataset.\nSpeaking of a network of text and images implies that we can link patents from one country to those granted in another. The available “family” metadata already does so, but using it as an entry point for exploration shows that we would severely underestimate the extent of international patenting by relying only on that indication. However, this exploration reveals how very similar patents can be, confirming our expectations. We can match specifications by comparing patentee names and titles. Because available metadata is incomplete, these elements also need to be extracted from the patent document itself through text mining.\nExploration leads to a further possible operation: matching the drawings printed in these documents. Unlike the text, which changes between countries because it is translated and sometimes adapted to local patent practices and regulations, the drawings have often been reused (almost) identically from one country to another (Figure 1).\n\n\n\n\n\n\nFigure 1: Example of two pages from different patents featuring the same drawing (left: French patent 325,985; right: German patent 142,688).",
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- "text": "Test of the prototype\nThe test of the working prototype consists of a set of online meetings with the experts that we involved in the user research, to show them the set of prototype features, and an anonymous survey. During the online meetings, we gather the very first impressions about the working prototype in terms of usability and usefulness in regards to the historians’ main research tasks. Through the anonymous survey, which remains available online for two weeks, we gather more in-depth feedback on the usefulness of the features we introduced and suggestions for further studies on how NLP algorithm and data visualization can improve historical research.",
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+ "text": "Implementing Image Matching\nIn recent years, computational exploration and analysis of images have attracted a growing interest in digital history (Arnold and Tilton 2019, 2023; Wevers and Smits 2020). Among other approaches, historians have used convolutional neural networks (CNNs) to generate numerical representations of images, so-called image embeddings, and then find similar pictures. Pre-trained CNNs have been shown to be useful on historical documents even though they were built for another purpose, typically classifying colored photographs in categories such as iPod and hair_spray, as in the ImageNet training data.\nHowever, in itself, this method proved insufficient for our needs. First, the available images are digitizations of whole pages in the specifications. These pages might not be found to be similar, because of changes in the arrangement of the drawings on the page or because of differences in overall layout (see again Figure 1). To address this first limitation, we segment the pages by identifying regions of contiguous black pixels. A second limitation of using image embeddings for our purpose is that we are not looking for general similarity, e.g. in the overall shape of the figures, but for (near) identity. This distinction could not be made based on similarity measures given by the embeddings, possibly because of how the models were trained.\nAnother family of computer vision algorithms, feature detection and matching, is more appropriate for our goal. Predating the breakthrough of CNNs by a decade, Scale-Invariant Feature Transform (SIFT) remains one of the best available methods (Lowe 2004). SIFT can for instance find a photographed object in another photograph, even if it is scaled or rotated. However, SIFT is computationally intensive, which presents us with a challenge because of the amount of data we process. While faster algorithms exist, they have so far given inferior results on our data, leading especially to many false positives.\nBest results were obtained by combining a CNN and SIFT. Image embeddings and an efficient indexing algorithm (“Hnswlib - Fast Approximate Nearest Neighbor Search” 2024; Malkov and Yashunin 2018) allow us to reduce the search space: instead of using SIFT to compare a segment from a French patent to all the segments of British, German and US patents, we only compare it to the segments with the most similar embeddings. Preliminary results of using this method on French and German patents issued around 1902 indicate a very high precision, with very few false positives (recall still needs to be evaluated).",
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- "text": "Results and future works\nThe Mini-Muse project allowed us to gather an overall understanding of which are the possible research directions regarding the implementation of AI-assisted search tools for digitized publication archives. Through this research, we have found evidence of the fact that the AI extraction of action flows, and related graphical visualization, can have a great impact on historical research activities in terms of both speeding up and enhancing the quality of the work. The action flow allows historians to easily find correlations among historical figures and relevant documents mentioning them, and so fostering the comparison of different authors’ perspectives on the same event/figure. We have also gathered evidence that the action flow, combined with a chatbot that allows users to ask questions about a selected article, can lead to a shift in the search results paradigm within cultural digital archives. Instead of displaying document-centered results, where each item returned by the system is a whole document, the search results become content-centered. In this new approach, each item returned is the specific information requested, presented in both textual and visual form, along with its contextual background. This shift focuses more on historical figures or content, rather than on entire documents. Throughout this preliminary project, we encountered some constraints, including the current size of the prompt of LLMs algorithms, which is not enough for passing very long documents, and the low quality of the summaries generated by the algorithms, which are requested to be as accurate as possible by historians. In future works, we plan to investigate how to scale our NLP algorithms and data visualization models for larger collections of digitized publications and how to integrate other historical entities, such as the thematic area (i.e.: resistance, counter-reform, colonialism) for more advanced historical research.",
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+ "text": "Back to Exploration and Future Work\nOur early results prompt further exploration, leading to new insights. For instance, some of the matches point to metadata errors, e.g. wrong country indications in French patents. It also leads us to question some of our assumptions. Assuming that a patent in one country would have one corresponding patent in another, we used embeddings to get, for each segment in country A, the two segments most similar to it in country B. However, in our early results, one French patents matched six different German patents. This suggests that we might need to apply SIFT to compare each segment A to a greater number of similar B segments. Further future work includes combining matching the drawings and matching other data points. All in all, our use of computer vision methods, while not yet robust enough to answer our research questions, yields promising results demonstrating that the concept of internationalization can be operationalized in this way.",
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+ "text": "References\n\n\nArnold, Taylor, and Lauren Tilton. 2019. “Distant Viewing: Analyzing Large Visual Corpora.” Digital Scholarship in the Humanities 34 (Supplement_1): i3–16. https://doi.org/10.1093/llc/fqz013.\n\n\n———. 2023. Distant Viewing: Computational Exploration of Digital Images. Cambridge (Massachusetts): The MIT Press. https://doi.org/10.7551/mitpress/14046.001.0001.\n\n\nBeauchamp, Christopher. 2015. Invented by Law: Alexander Graham Bell and the Patent That Changed America. Cambridge (Massachusetts): Harvard University Press.\n\n\nFisk, Catherine L. 2009. Working Knowledge. Employee Innovation and the Rise of Corporate Intellectual Property, 1800-1930. Studies in Legal History. Chapel Hill: University of North Carolina Press.\n\n\nGooday, Graeme, and Steven Wilf, eds. 2020. Patent Cultures: Diversity and Harmonization in Historical Perspective. Cambridge Intellectual Property and Information Law. Cambridge: Cambridge University Press. https://doi.org/10.1017/9781108654333.\n\n\n“Hnswlib - Fast Approximate Nearest Neighbor Search.” 2024. https://github.com/nmslib/hnswlib.\n\n\nLamoreaux, Naomi R., Kenneth L. Sokoloff, and Dhanoos Sutthiphisal. 2009. “The Reorganization of Inventive Activity in the United States During the Early Twentieth Century.” Working Paper 15440. National Bureau of Economic Research. https://doi.org/10.3386/w15440.\n\n\nLowe, David G. 2004. “Distinctive Image Features from Scale-Invariant Keypoints.” International Journal of Computer Vision 60 (2): 91–110. https://doi.org/10.1023/B:VISI.0000029664.99615.94.\n\n\nMalkov, Yu A, and Dmitry A Yashunin. 2018. “Efficient and Robust Approximate Nearest Neighbor Search Using Hierarchical Navigable Small World Graphs.” IEEE Transactions on Pattern Analysis and Machine Intelligence 42 (4): 824–36.\n\n\nMoretti, Franco. 2013. “‘Operationalizing’.” New Left Review, no. 84: 103–19. https://newleftreview.org/issues/ii84/articles/franco-moretti-operationalizing.\n\n\nVeyrassat, Béatrice. 2001. “De la protection de l’inventeur à l’industrialisation de l’invention.” In Innovations : incitations et résistances : des sources de l’innovation à ses effets, edited by Hans-Jörg Gilomen, Rudolf Jaun, Margrit Müller, and Béatrice Veyrassat, 367–83. Zürich: Chronos. https://doi.org/10.5169/seals-16825.\n\n\nWevers, Melvin, and Thomas Smits. 2020. “The Visual Digital Turn: Using Neural Networks to Study Historical Images.” Digital Scholarship in the Humanities 35 (1): 194–207. https://doi.org/10.1093/llc/fqy085.",
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+ "text": "The movement of Open Science has grown in importance in the Humanities, advocating for better accessibility of scientific research, especially in the form of the publication of research data (UNESCO 2023). This has led funding agencies like SNSF, ANR, and Horizon Europe to ask research projects to publish their research data and metadata along the FAIR principles in public repositories (see for instance (ANR 2023; EC 2023; SNSF 2024). Such requirements are putting pressure on researchers, who need to learn and understand the principles and standards of FAIR data and its impact on research data, but also require them to acquire new methodologies and know-how, such as in data management and data science.\nAt the same time, this accessibility of an increasing volume of interoperable quality data and the new semantic methodologies might bring a change of paradigm in the Humanities by the way knowledge is produced (Beretta 2023; Feugère 2015). The utilization of Linked Open Data (LOD) grants scholars access to large volumes of interoperable and high-quality datasets, at a scale analogue methods cannot reach, fundamentally altering their approach to information. This enables scholars to pose novel research questions, marking a departure from traditional modes of inquiry and facilitating a broader range of analytical perspectives within academic discourse. Moreover, drawing upon semantic methodologies rooted in ontology engineering, scholars can effectively document the intricate complexities inherent of social and historical phenomena, enabling a nuanced representation essential to the Social Sciences and Humanities domains within their databases. This meticulous documentation not only reflects a sophisticated understanding of multifaceted realities but also empowers researchers to deepen the digital analysis of rich corpora.\nThe transition from analogical to digital research methodologies does not come without challenges for researchers, thus necessitating the development of new tools and research infrastructures to support them in this evolution. The demand arises for user-friendly tools that abstract the technical complexity, as well as project accompaniment organisations that can provide support in digital methodologies and strategies to help scholars to better manage their data for computational analysis and information sharing.\nThis is the goal of Geovistory. It is conceived as a virtual research and data publication environment designed to strengthen Open Research Data practices. Geovistory is developed for research projects in the Humanities and Social Sciences, whether in history, geography, literature or other related fields, according to the participatory method of “user experience design”. It supports researchers with simple and easy-to-use interfaces and allows them to make their research accessible in an attractive way to people interested in history.",
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- "text": "Jérôme Baudry (Ecole polytechnique fédérale de Lausanne)\n\nLucas Burkart (Universität Basel)\n\nBéatrice Joyeux-Prunel (Université de Genève)\n\nEliane Kurmann (infoclio.ch)\n\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\n\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\n\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\n\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
+ "text": "The movement of Open Science has grown in importance in the Humanities, advocating for better accessibility of scientific research, especially in the form of the publication of research data (UNESCO 2023). This has led funding agencies like SNSF, ANR, and Horizon Europe to ask research projects to publish their research data and metadata along the FAIR principles in public repositories (see for instance (ANR 2023; EC 2023; SNSF 2024). Such requirements are putting pressure on researchers, who need to learn and understand the principles and standards of FAIR data and its impact on research data, but also require them to acquire new methodologies and know-how, such as in data management and data science.\nAt the same time, this accessibility of an increasing volume of interoperable quality data and the new semantic methodologies might bring a change of paradigm in the Humanities by the way knowledge is produced (Beretta 2023; Feugère 2015). The utilization of Linked Open Data (LOD) grants scholars access to large volumes of interoperable and high-quality datasets, at a scale analogue methods cannot reach, fundamentally altering their approach to information. This enables scholars to pose novel research questions, marking a departure from traditional modes of inquiry and facilitating a broader range of analytical perspectives within academic discourse. Moreover, drawing upon semantic methodologies rooted in ontology engineering, scholars can effectively document the intricate complexities inherent of social and historical phenomena, enabling a nuanced representation essential to the Social Sciences and Humanities domains within their databases. This meticulous documentation not only reflects a sophisticated understanding of multifaceted realities but also empowers researchers to deepen the digital analysis of rich corpora.\nThe transition from analogical to digital research methodologies does not come without challenges for researchers, thus necessitating the development of new tools and research infrastructures to support them in this evolution. The demand arises for user-friendly tools that abstract the technical complexity, as well as project accompaniment organisations that can provide support in digital methodologies and strategies to help scholars to better manage their data for computational analysis and information sharing.\nThis is the goal of Geovistory. It is conceived as a virtual research and data publication environment designed to strengthen Open Research Data practices. Geovistory is developed for research projects in the Humanities and Social Sciences, whether in history, geography, literature or other related fields, according to the participatory method of “user experience design”. It supports researchers with simple and easy-to-use interfaces and allows them to make their research accessible in an attractive way to people interested in history.",
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- "text": "Jérôme Baudry (Ecole polytechnique fédérale de Lausanne)\n\nLucas Burkart (Universität Basel)\n\nBéatrice Joyeux-Prunel (Université de Genève)\n\nEliane Kurmann (infoclio.ch)\n\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\n\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\n\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\n\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
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+ "text": "Geovistory as a Research Environment\nGeovistory aims to be a comprehensive research environment that accompanies scholars throughout the whole research cycle. Geovistory includes:\n\nThe Geovistory Toolbox, which allows to manage and curate projects’ research data. The Toolbox is freely accessible for all individual projects. Each research project works on its own data perspective but at the same time directly contributes to a joint knowledge graph.\nA joint Data repository that allows to connect and link the different research projects under a unique and modular ontology, thus creating a large Knowledge Graph.\nThe Geovistory Publication platform (http://geovistory.org), where data is published using the RDF framework and can be accessed via the community page or project-specific webpages and its graphical search tools or a SPARQL-endpoint.\nAn active Community to foster information and know-how exchange among the researchers, users and technological experts.\n\n\n\n\n\n\n\nFigure 1\n\n\n\nAs per current terms of service, all data produced in the information layer of Geovistory are licensed under creative commons BY-SA 4.0. Initiated by KleioLab GmbH, the different infrastructure components are currently being developed jointly by LARHRA and the University of Bern, while other actors are welcome to join the Geovistory vision.. All the web components and the publication platform have been made available as open source, as well as the toolbox. The LOD4HSS project (https://www.geovistory.org/lod4hss), co-funded by swissuniversities, structures these efforts and aims at creating a larger community of users and supporters of this vision.",
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- "text": "Sponsoring\nWe are grateful for the generous support by our sponsors:\n\nSwiss National Science Foundation\n\nFAG Basel\n\nMax-Geldner-Stiftung\n\nDepartment of History, University of Basel\n\nAssociation History and Computing\n\n\n\n\nSponsoring: Swiss National Foundation, FAG Basel, Max-Geldner-Stiftung, Universität Basel (Departement Geschichte), Verein Informatik und Geschichte",
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+ "text": "The aim of breaking information silos\nThe goal of producing and publishing FAIR research data is to break the information silos that hinder the sharing and reusing of scientific data. However, achieving interoperability hinges on two critical components (Beretta 2024a):\n\nFirstly, the unambiguous identification of real-world entities (e.g., persons, places, concepts) with unique identifiers (e.g., URIs in Linked Open Data) and the establishment of links between identical entities across different projects (e.g., ensuring that the entity “Paris” is identified by the same URI in all projects);\nSecondly, the utilization of explicit ontologies that can be aligned across projects. Nevertheless, mapping between ontologies may prove challenging, or even unfeasible, particularly when divergent structural frameworks are employed (e.g., an event-centric ontology may have limited compatibility with an object-centric one).\n\nIn Geovistory, those challenges are addressed by producing a unique Knowledge Graph that integrates the various projects. This necessitates from each project the adherence to the Semantic Data for History and Social Sciences (SDHSS) ontology ecosystem. It includes a methodology of ontological foundational analysis, based on the principles of OntoClean, from the domain of semantic engineering (Guarino and Welty 2004), and the high-level conceptual categories of the DOLCE ontology (Borgo et al. 2022). This has been applied to the CIDOC CRM ontology, the ICOM standard for the Heritage domain, while extending it to include the social and mental realities crucial for documenting essential aspects of human history, like ownership, membership, collective beliefs, etc. (Beretta 2024b). On this basis, a standardised semantic methodology for the development of domain-oriented ontologies in different fields of the Humanities, such as archaeology, prosopography, and geography has been created.. The SDHSS ontology ecosystem provides adaptability to the specificities of the various research projects while ensuring full interoperability among them. It is collaboratively managed in the ontome.net (http://ontome.net) application, so that scholars and domain experts can participate in its development if interested.\nThis shared Knowledge Graph streamlines the entity creation process by enabling users to navigate the graph, identify existing objects, and reuse them in their project using the same URIs for entity identification. By leveraging a common ontology ecosystem, users can not only easily identify and reuse information pertaining to specific entities but also ensure seamless integration and interoperability across projects within the Geovistory platform.",
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- "text": "Patronage\n\ninfoclio.ch\n\nVerein Geschichte und Informatik | Association Histoire et Informatique | Association History and Computing\n\nSchweizerische Gesellschaft für Geschichte\n\n\n\n\nLogos of DigiHistCH24 patronage organizations: infoclio.ch, Association History and Computing, and Swiss Society of History\n\n\n\nHost\nUniversity of Basel, Department of History\n\n\nCode of Conduct\nThe organising committee of DigiHistCH24 is committed to providing a safe and inclusive environment, in which the personal integrity of all participants is respected. In particular, we do not tolerate discrimination and any form of harassment. We strive to create a safe, respectful, and collegial conference experience for all attendees – ensuring that DigiHistCH24 is an event characterised by professionalism, honesty and fairness in accordance with the host University of Basel’s Code of Conduct.\nPlease refer to the Personal Integrity Coordination Office of the University of Basel as an easily accessible, confidential and personal point of contact, offering advice and support for participants whose personal integrity has been violated or for bystanders who have observed violations.",
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+ "text": "A modular system for managing complex HSS information\nScholars within the Humanities domain grapple with intricate information, significantly more complex when compared to other scientific disciplines. Historical sources, whether textual, oral, visual, or material, provide fragmented and biased glimpses into the past, necessitating contextualization and interpretation. Consequently, this dynamic can engender a considerable degree of information uncertainty and discordance that need to be meticulously documented. Any digital infrastructure or model employed must adeptly navigate this multifaceted information landscape and accommodate its inherent complexity.\nAn inherent strength of Geovistory lies in its handling of the challenges associated with scientific information in the Humanities and Social Sciences domain. Noteworthy among these challenges is the nuanced, context-sensitive nature of information and its relation with different research agendas, as well as the wide variations in meaning for the same terms and vocabulary complexities, competing views or gaps and fragmentation of available information. These complexities are deftly managed through the application of the SDHSS methodology, which tends to limit the number of classes and properties in the ontology ecosystem, while inviting projects to develop and share rich collections of controlled vocabularies of concepts that enrich the data model according to the different research agendas and perspectives.\nMoreover, the project-partition of the Knowledge Graph within Geovistory enables users to repurpose existing information while also accommodating contradictory data, particularly when discrepancies are identified by researchers. Each project graph is stored within a designated dataset, maintaining its individual identity within the overarching Knowledge Graph. This approach allows for the coexistence and contextualization of disparate interpretations of facts, enhancing the platform’s flexibility and adaptability to varying scholarly perspectives. It is the unique amalgamation of the Geovistory graph data model and its robust semantic enrichment capabilities that render it particularly compelling for research within the Humanities and Social Sciences.",
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- "text": "Inquiries\nFor inquiries, get in touch by contacting Moritz Twente via digital-history-2024@unibas.ch.\nIf your request does not concern an event, please refer to the general information of the University of Basel https://www.unibas.ch/en/Legal-notice.html (see below):",
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+ "text": "Integrating the DH ecosystem\nOperating within the framework of Linked Open Data principles entails establishing connections with disparate datasets housed in various open and online repositories or Knowledge Graphs, culminating in the creation of an inclusive and interconnected Web of Data—an accomplishment characterized as the fifth star of Tim Berners Lee’s Open Data (https://5stardata.info/en/). As datasets interlink, they collectively form the Linked Open Data Cloud (https://lod-cloud.net/), wherein predominant repositories such as Wikidata or DBpedia, alongside authority files such as VIAF or GND, assume pivotal roles as data hubs, enhancing the discoverability, contextualization, and citability of information.\nThe Geovistory ecosystem applies those principles, actively engaging with the Digital Humanities landscape. It is connected dynamically to the information systems of producers of authority records (such as IdRef, GND) and data repositories (such as Wikidata) in view of interconnecting bibliographic information systems and scale up to a large Knowledge Graph. Collaborative efforts include the establishment of a data exchange pipeline with the French Agence Bibliographique de l’Enseignement Supérieur (ABES), with ongoing initiatives to forge additional partnerships.\nMoreover, ensuring long-term preservation of research data remains imperative, with initiatives to archive completed projects in the Zenodo repository and explore potential collaborations with entities like DaSCH, OLOS, and Huma-Num for dynamic updates and data management, with preliminary engagements initiated with DaSCH.",
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- "text": "Publisher\nUniversity of Basel\nPetersplatz 1, P.O. Box\n4001 Basel\nSwitzerland",
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+ "text": "Conclusions and future perspectives\nGeovistory has been designed as a comprehensive research environment tailored by and for historians and humanists to address their needs in generating and utilizing FAIR data, thereby streamlining the research digitization process. As the utilization of Geovistory proliferates across more projects, the Knowledge Graph grows with increasingly enriched information, rendering the overall environment more advantageous for scholars either by providing reusable datasets or by enriching imported data. In this regard, Geovistory can be compared as a Wikidata dedicated to research endeavors, with the difference that projects retain full control over their data without a loss of semantic coherence throughout the graph.\nThe forthcoming years mark a critical juncture for Geovistory, as the tools and infrastructures of the environment recently transitioned into the public domain. This needed change will ease collaboration with future public institutions within Europe, but a greater part of public fundings will be needed to ensure the sustainability of the ecosystem.\nNonetheless, the Digital Humanities ecosystem remains unstable, attributed to the lack of sustained funding for infrastructural initiatives by national funding agencies and the absence of cohesive coordination among institutions. To ameliorate this landscape, prioritizing the establishment of robust collaborations and partnerships among diverse tools and infrastructures in Switzerland and Europe is imperative. Leveraging the specialized expertise of each institution holds the promise of engendering a harmonized and synergistic, distributed environment conducive to scholarly pursuits.",
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- "text": "Disclaimer of warranty and liability\nThe University of Basel makes every effort to ensure that the information on its website is correct and up-to-date. However, it does not guarantee the topicality, correctness, completeness or quality of the information provided. It reserves the right to adjust or remove information at any time and without notice. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect, will therefore be rejected.\nThe University of Basel is not liable for any material or immaterial damage resulting from access to or use or non-use of the published information, from misuse of the connection or from technical faults.\nThe University of Basel has not reviewed external websites, i.e. websites not located on its servers or within its sphere of influence, which may be connected to this website via hyperlinks, and does not accept any responsibility for their content.",
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+ "text": "References\n\n\nANR. 2023. “La Science Ouverte.” https://anr.fr/fr/lanr/engagements/la-science-ouverte/.\n\n\nBeretta, Francesco. 2023. “Données Ouvertes Liées Et Recherche Historique : Un Changement de Paradigme.” Humanités Numériques 7. https://doi.org/10.4000/revuehn.3349.\n\n\n———. 2024a. “Données Liées Ouvertes Et Référentiels Publics : Un Changement de Paradigme Pour La Recherche En Sciences Humaines Et Sociales.” Arabesques 112: 26–27.\n\n\n———. 2024b. “Semantic Data for Humanities and Social Sciences (SDHSS): An Ecosystem of CIDOC CRM Extensions for Research Data Production and Reuse.” In Professorale Karrieremuster. Entwicklung Einer Wissenschaftlichen Methode Zur Forschung Auf Online Verfügbaren Und Verteilten Forschungsdatenbanken Der Universitätsgeschichte, edited by Thomas Riechert, Hartmurt Beyer, Jennifer Blanke, and Edgard Marx, 73–101. Leipzig: International Handbooks on Information Systems.\n\n\nBorgo, Stefano, Roberta Ferrario, Aldo Gangemi, Nicola Guarino, Claudio Masolo, Daniele Porello, Emilio M. Sanfilippo, and Laure Vieu. 2022. “DOLCE: A Descriptive Ontology for Linguistic and Cognitive Engineering.” Applied Ontology 17: 45–69.\n\n\nEC. 2023. “Open Data, Software and Code Guidelines.” https://open-research-europe.ec.europa.eu/for-authors/data-guidelines#standardsandfair.\n\n\nFeugère, Michel. 2015. “Les Bases de Données En Archéologie. De La Révolution Informatique Au Changement de Paradigme.” Cahiers Philosophiques 141: 139–47.\n\n\nGuarino, Nicola, and Chistopher A. Welty. 2004. “An Overview of OntoClean.” In Handbook on Ontologies, edited by Steffen Staab and Rudi Studer, 151–71. Berlin AND Heidelberg: International Handbooks on Information Systems.\n\n\nSNSF. 2024. “Open Research Data.” https://www.snf.ch/en/dMILj9t4LNk8NwyR/topic/open-research-data.\n\n\nUNESCO. 2023. “UNESCO Recommendation on Open Science.” https://www.unesco.org/en/open-science/about?hub=686.",
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- "text": "DHN Logo\n\n\nJoin us for an engaging community meetup hosted by the Digital History Network Switzerland at the upcoming Digital History Switzerland 2024 conference in Basel. This event is an excellent opportunity to network and welcome new members to a vibrant community of scholars, researchers, and professionals passionate about digital history.\nDigital History Network Switzerland is inviting to a network meeting event during Digital History Switzerland 2024. It will take place on September 13, 12:30 P.M. at Rosshofgasse 2, room S02 (Map and Infrastructure Details).\nFounded in 2023, the Digital History Network Switzerland aims to raise the visibility of digital history and foster connections between academics, cultural institutions, and other stakeholders. This informal network holds regular meetings to plan activities and facilitates the exchange of ideas and best practices through its mailing list and online platform.\nFor more information and to join the Digital History Network Switzerland, please visit https://www.infoclio.ch/en/digitalhistorynetwork.\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0",
+ "text": "Digital History Switzerland 2024 takes place September 12–13, 2024 at the University of Basel. The conference will be held at Kollegienhaus centrally located in Basel.\nPlease note: The exact rooms in Kollegienhaus indicated in the conference schedule are preliminary and subject to change.\nConference Schedule",
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+ "text": "Book of Abstracts Digital History Switzerland 2024\nWe compiled a book of abstracts containing all the papers presented at the conference to provide a comprehensive overview of current research at the intersection of history and digital technology. These papers cover a range of topics, from innovative methodologies and software applications to the challenges of digital data management and algorithmic analysis in historical research.\nWe are pleased to present this collection, which reflects the state of the art in digital history, and anticipate that the discussions it stimulates will make a significant contribution to the field.\nBook of Abstracts\nEach day, we have one additional, externally organized network/information meeting:\nSeptember 12, 12:30–14:00: SSH Open Research Data Taskforce (Lunch Break Event)\nSeptember 13, 12:30–14:00: Digital History Network Switzerland (Lunch Break Event)",
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- "text": "Getting to Us\n\n\n\nMap of Conference Location\n\n\nThe conference will take place at Kollegienhaus (also referred to as Main Building) of the University of Basel. It is conveniently located in Basel’s city center and easy to reach.\nFrom Basel SBB (Swiss/French train station): Bus 30, direction “Badischer Bahnhof”, to “Universität”\nFrom Basel Badischer Bahnhof (German train station): Bus 30, direction “Bahnhof SBB” to “Universität”\nFrom EuroAirport: Bus 50, direction Basel, change to Bus 30 at Basel SBB.",
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+ "text": "Friday, 13 September 2024\n\n\n\nTime\nLecture Hall 001\nLecture Hall 115\n\n\n\n\n09:00 am\nSession 5A\nSession 5B (Workshop)\n\n\n\nChair: Dr. Enrico Natale (infoclio.ch)\nChair: Daniel Jaquet (EPFL)\n\n\n11:00 am\nSession 6A\nSession 6B\n\n\n\nChair: Moritz Twente (Universität Basel)\nChair: Dr. Moritz Mähr (Universität Basel)\n\n\n12:30 pm\nDigital History Network Switzerland (Lunch Break Event)\n\n\n\n02:00 pm\nSession 7A\nSession 7B\n\n\n\nChair: Dr. Enrico Natale (infoclio.ch)\nChair: Dr. Eliane Kurmann (infoclio.ch)\n\n\n03:30 pm\nClosing Ceremony\n\n\n\n\nChairs: Prof. Jérôme Baudry (EPFL)Prof. Béatrice Joyeux-Prunel (Université de Genève)",
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+ "text": "We invite scholars, researchers and professionals of all levels of experience from Switzerland and beyond to submit papers on the DigiHistCH24 conference theme: ‹Historical Research, Digital Literacy and Algorithmic Criticism›. We are particularly interested in papers that address ongoing research projects, innovative research methods, the use of software in historical research, data analysis, and digital tools.\nThe conference will take place in September 2024. We are looking forward to seeing you in Basel – please do not forget to register (CLOSED) for attending DigiHistCH24! If you are already curious about what to expect, our Book of Abstracts is the perfect place to start.\nThis conference provides a platform for scholars, researchers and professionals of all ages and levels of experience to discuss these challenges, exchange experiences, share best practices, and discuss forward-looking approaches to historical research in the digital age. It aims to promote digital literacy, raise awareness of the use of algorithms and AI systems, develop strategies for dealing with digital sources, encourage shared formats and methodologies, and facilitate the exchange of knowledge and best practices for collaborative historical research. The conference will also showcase projects and research in the field of digital history.",
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+ "text": "Digital History Network Switzerland\nWhile you’re here, you might also want to check out the Digital History Network Switzerland! Its aim is to promote the visibility of digital history and to network people from academic and memory institutions as well as other actors in this field. We recommend joining the network’s mailing list! See infoclio.ch for more information.",
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+ "text": "Organising Committee\n\nJérôme Baudry (Ecole polytechnique fédérale de Lausanne)\nLucas Burkart (Universität Basel)\nBéatrice Joyeux-Prunel (Université de Genève)\nEliane Kurmann (infoclio.ch)\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
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+ "text": "The DigiHistCH24 conference on “Historical Research, Digital Literacy, and Algorithmic Criticism” brings together scholars and professionals to address the evolving role of digital technologies in historical research. Hosted by the University of Basel on September 12–13, 2024, the conference will focus on the integration of digital tools, the importance of digital literacy, and the critical examination of algorithms within the discipline.\nThis book of abstracts contains all the papers and posters presented at the conference, providing a comprehensive overview of current research at the intersection of history and digital technology. These cover a range of topics, from innovative methodologies and software applications to the challenges of digital data management and algorithmic analysis in historical research.\nWe are pleased to present this collection, which reflects the state of the art in digital history, and anticipate that the discussions it stimulates will make a significant contribution to the field.",
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+ "text": "Paper\n\n\n \n \n \n Order By\n Default\n \n Session\n \n \n Title\n \n \n Author(s)\n \n \n \n \n \n \n \n\n\n\n\n\nSession\n\n\nTitle\n\n\nAuthor(s)\n\n\n\n\n\n\nKeynote\n\n\nWhen Literacy Goes Digital: Rethinking the Ethics and Politics of Digitisation\n\n\nGerben Zaagsma\n\n\n\n\nSession 1A\n\n\nUsing GIS to Analyze the Development of Public Urban Green Spaces in Hamburg and Marseille (1945 - 1973)\n\n\nEliane Schmid\n\n\n\n\nSession 1A\n\n\nRevealing the Structure of Land Ownership through the Automatic Vectorisation of Swiss Cadastral Plans\n\n\nRémi Petitpierre, Isabella di Lenardo, Lucas Rappo\n\n\n\n\nSession 1B\n\n\nTables are tricky. Testing Text Encoding Initiative (TEI) Guidelines for FAIR upcycling of digitised historical statistics.\n\n\nGabi Wuethrich\n\n\n\n\nSession 1B\n\n\nTeaching the use of Automated Text Recognition online. Ad fontes goes ATR\n\n\nLaura Bitterli, Lorenz Dändliker\n\n\n\n\nSession 2A\n\n\nFrom manual work to artificial intelligence: developments in data literacy using the example of the Repertorium Academicum Germanicum (2001-2024)\n\n\nKaspar Gubler\n\n\n\n\nSession 2A\n\n\nLearning to Read Digital? Constellations of Correspondence Project and Humanist Perspectives on the Aggregated 19th-century Finnish Letter Metadata\n\n\nHanna-Leena Paloposki, Ilona Pikkanen\n\n\n\n\nSession 2A\n\n\nData Literacy and the Role of Libraries\n\n\nCatrina Langenegger, Johanna Schüpbach\n\n\n\n\nSession 2B\n\n\nAI-assisted Search for Digitized Publication Archives\n\n\nGiovanni Profeta, Fabio Rinaldi, Joseph Cornelius, Regina Wanger\n\n\n\n\nSession 2B\n\n\nA Digital History of Internationalization. Operationalizing Concepts and Exploring Millions of Patent Documents\n\n\nJérôme Baudry, Nicolas Chachereau\n\n\n\n\nSession 3A\n\n\nData-Driven Approaches to Studying the History of Museums on the Web: Challenges and Opportunities for New Discoveries\n\n\nNadezhda Povroznik\n\n\n\n\nSession 3A\n\n\nImpresso 2: Connecting Historical Digitised Newspapers and Radio. A Challenge at the Crossroads of History, User Interfaces and Natural Language Processing.\n\n\nMaud Ehrmann, Raphaëlle Ruppen Coutaz, Simon Clematide, Marten Düring\n\n\n\n\nSession 3A\n\n\nGeovistory, a LOD Research Infrastructure for Historical Sciences\n\n\nStephen Hart, Vincent Alamercery, Francesco Beretta, Djamel Ferhod, Sebastian Flick, Tobias Hodel, David Knecht, Gaétan Muck, Alexandre Perraud, Morgane Pica, Pierre Vernus\n\n\n\n\nSession 3B\n\n\n20 godparents and 3 wives – studying migrant glassworkers in post-medieval Estonia\n\n\nMonika Reppo\n\n\n\n\nSession 3B\n\n\nConnecting floras and herbaria before 1850 – challenges and lessons learned in digital history of biodiversity\n\n\nChristian Forney, Martin Stuber\n\n\n\n\nSession 4A\n\n\nA handful of pixels of blood\n\n\nAdrian Demleitner\n\n\n\n\nSession 4A\n\n\nFilms as sources and as means of communication for knowledge gained from historical research\n\n\nPeter Moser, Andreas Wigger\n\n\n\n\nSession 4A\n\n\nDigital Film Collection Literacy – Critical Research Interfaces for the “Encyclopaedia Cinematographica”\n\n\nMoritz Greiner-Petter, Sarine Waltenspül\n\n\n\n\nSession 4B\n\n\nTowards Computational Historiographical Modeling\n\n\nMichael Piotrowski\n\n\n\n\nSession 4B\n\n\nOn the Historiographic Authority of Machine Learning Systems\n\n\nDominic Weber\n\n\n\n\nSession 5A\n\n\nTraining engineering students through a digital humanities project: Techn’hom Time Machine\n\n\nCyril Lacheze, Marina Gasnier\n\n\n\n\nSession 5A\n\n\nContributing to a Paradigm Shift in Historical Research by Teaching Digital Methods to Master’s Students\n\n\nFrancesco Beretta\n\n\n\n\nSession 5A\n\n\nGo Digital, They Said. 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+ "text": "Scope\nThis Code of Conduct applies within all community spaces, and also applies when an individual is officially representing the community in public spaces. Examples of representing our community include using an official e-mail address, posting via an official social media account, or acting as an appointed representative at an online or offline event."
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+ "text": "Enforcement\nInstances of abusive, harassing, or otherwise unacceptable behavior may be reported to the community leaders responsible for enforcement at digital-history-2024@unibas.ch. All complaints will be reviewed and investigated promptly and fairly.\nAll community leaders are obligated to respect the privacy and security of the reporter of any incident."
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+ "text": "Enforcement Guidelines\nCommunity leaders will follow these Community Impact Guidelines in determining the consequences for any action they deem in violation of this Code of Conduct:\n\n1. Correction\nCommunity Impact: Use of inappropriate language or other behavior deemed unprofessional or unwelcome in the community.\nConsequence: A private, written warning from community leaders, providing clarity around the nature of the violation and an explanation of why the behavior was inappropriate. A public apology may be requested.\n\n\n2. Warning\nCommunity Impact: A violation through a single incident or series of actions.\nConsequence: A warning with consequences for continued behavior. No interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, for a specified period of time. This includes avoiding interactions in community spaces as well as external channels like social media. Violating these terms may lead to a temporary or permanent ban.\n\n\n3. Temporary Ban\nCommunity Impact: A serious violation of community standards, including sustained inappropriate behavior.\nConsequence: A temporary ban from any sort of interaction or public communication with the community for a specified period of time. No public or private interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, is allowed during this period. Violating these terms may lead to a permanent ban.\n\n\n4. Permanent Ban\nCommunity Impact: Demonstrating a pattern of violation of community standards, including sustained inappropriate behavior, harassment of an individual, or aggression toward or disparagement of classes of individuals.\nConsequence: A permanent ban from any sort of public interaction within the community."
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+ "text": "Attribution\nThis Code of Conduct is adapted from the Contributor Covenant, version 2.1, available at https://www.contributor-covenant.org/version/2/1/code_of_conduct.html.\nCommunity Impact Guidelines were inspired by Mozilla’s code of conduct enforcement ladder.\nFor answers to common questions about this code of conduct, see the FAQ at https://www.contributor-covenant.org/faq. Translations are available at https://www.contributor-covenant.org/translations."
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+ "text": "Paper Proposals\n\nAbstract: Submit an abstract of no more than 300 words that clearly outlines the title, purpose, methodology, findings, and implications of your research project, research method, software, data, or tool.\nBiography: Provide a brief biography (up to 150 words) that includes your current affiliation, research interests, and relevant publications. If there are multiple authors, you can use up to 150 words per person.\nLanguage: Abstract and biography must be submitted in English. While the common language at the conference will be English, paper presentations may be in English, German, French, or Italian.\nFormat: Abstract and biography submissions should be combined into a single PDF file. The file should be named as follows: LASTNAME_Firstname_short-title-of-proposition.pdf. If there are multiple authors, use the name of the person submitting the proposal on this platform.",
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- "text": "Enforcement Guidelines\nCommunity leaders will follow these Community Impact Guidelines in determining the consequences for any action they deem in violation of this Code of Conduct:\n\n1. Correction\nCommunity Impact: Use of inappropriate language or other behavior deemed unprofessional or unwelcome in the community.\nConsequence: A private, written warning from community leaders, providing clarity around the nature of the violation and an explanation of why the behavior was inappropriate. A public apology may be requested.\n\n\n2. Warning\nCommunity Impact: A violation through a single incident or series of actions.\nConsequence: A warning with consequences for continued behavior. No interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, for a specified period of time. This includes avoiding interactions in community spaces as well as external channels like social media. Violating these terms may lead to a temporary or permanent ban.\n\n\n3. Temporary Ban\nCommunity Impact: A serious violation of community standards, including sustained inappropriate behavior.\nConsequence: A temporary ban from any sort of interaction or public communication with the community for a specified period of time. No public or private interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, is allowed during this period. Violating these terms may lead to a permanent ban.\n\n\n4. Permanent Ban\nCommunity Impact: Demonstrating a pattern of violation of community standards, including sustained inappropriate behavior, harassment of an individual, or aggression toward or disparagement of classes of individuals.\nConsequence: A permanent ban from any sort of public interaction within the community.",
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+ "text": "General Guidelines\n\nDeadline: All submissions must be received by December 4, 2023. Late entries will not be considered.\nSubmission: Please use the conference submission platform (CLOSED).\nReview Process: All submissions will be peer-reviewed by an extended panel of reviewers. Authors will be notified of the decision by mid-March 2024. The review is based on these evaluation criteria.\nQuestions: If you have any questions about the submission process, please contact digital-history-2024 [at] unibas.ch.",
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- "text": "Code\n\n\n\n\nAttribution-ShareAlike 4.0 International\n=======================================================================\nCreative Commons Corporation (“Creative Commons”) is not a law firm and does not provide legal services or legal advice. Distribution of Creative Commons public licenses does not create a lawyer-client or other relationship. Creative Commons makes its licenses and related information available on an “as-is” basis. Creative Commons gives no warranties regarding its licenses, any material licensed under their terms and conditions, or any related information. Creative Commons disclaims all liability for damages resulting from their use to the fullest extent possible.\nUsing Creative Commons Public Licenses\nCreative Commons public licenses provide a standard set of terms and conditions that creators and other rights holders may use to share original works of authorship and other material subject to copyright and certain other rights specified in the public license below. The following considerations are for informational purposes only, are not exhaustive, and do not form part of our licenses.\n Considerations for licensors: Our public licenses are\n intended for use by those authorized to give the public\n permission to use material in ways otherwise restricted by\n copyright and certain other rights. Our licenses are\n irrevocable. Licensors should read and understand the terms\n and conditions of the license they choose before applying it.\n Licensors should also secure all rights necessary before\n applying our licenses so that the public can reuse the\n material as expected. Licensors should clearly mark any\n material not subject to the license. This includes other CC-\n licensed material, or material used under an exception or\n limitation to copyright. More considerations for licensors:\nwiki.creativecommons.org/Considerations_for_licensors\n\n Considerations for the public: By using one of our public\n licenses, a licensor grants the public permission to use the\n licensed material under specified terms and conditions. If\n the licensor's permission is not necessary for any reason--for\n example, because of any applicable exception or limitation to\n copyright--then that use is not regulated by the license. Our\n licenses grant only permissions under copyright and certain\n other rights that a licensor has authority to grant. Use of\n the licensed material may still be restricted for other\n reasons, including because others have copyright or other\n rights in the material. A licensor may make special requests,\n such as asking that all changes be marked or described.\n Although not required by our licenses, you are encouraged to\n respect those requests where reasonable. More considerations\n for the public:\nwiki.creativecommons.org/Considerations_for_licensees\n=======================================================================\nCreative Commons Attribution-ShareAlike 4.0 International Public License\nBy exercising the Licensed Rights (defined below), You accept and agree to be bound by the terms and conditions of this Creative Commons Attribution-ShareAlike 4.0 International Public License (“Public License”). To the extent this Public License may be interpreted as a contract, You are granted the Licensed Rights in consideration of Your acceptance of these terms and conditions, and the Licensor grants You such rights in consideration of benefits the Licensor receives from making the Licensed Material available under these terms and conditions.\nSection 1 – Definitions.\n\nAdapted Material means material subject to Copyright and Similar Rights that is derived from or based upon the Licensed Material and in which the Licensed Material is translated, altered, arranged, transformed, or otherwise modified in a manner requiring permission under the Copyright and Similar Rights held by the Licensor. For purposes of this Public License, where the Licensed Material is a musical work, performance, or sound recording, Adapted Material is always produced where the Licensed Material is synched in timed relation with a moving image.\nAdapter’s License means the license You apply to Your Copyright and Similar Rights in Your contributions to Adapted Material in accordance with the terms and conditions of this Public License.\nBY-SA Compatible License means a license listed at creativecommons.org/compatiblelicenses, approved by Creative Commons as essentially the equivalent of this Public License.\nCopyright and Similar Rights means copyright and/or similar rights closely related to copyright including, without limitation, performance, broadcast, sound recording, and Sui Generis Database Rights, without regard to how the rights are labeled or categorized. For purposes of this Public License, the rights specified in Section 2(b)(1)-(2) are not Copyright and Similar Rights.\nEffective Technological Measures means those measures that, in the absence of proper authority, may not be circumvented under laws fulfilling obligations under Article 11 of the WIPO Copyright Treaty adopted on December 20, 1996, and/or similar international agreements.\nExceptions and Limitations means fair use, fair dealing, and/or any other exception or limitation to Copyright and Similar Rights that applies to Your use of the Licensed Material.\nLicense Elements means the license attributes listed in the name of a Creative Commons Public License. The License Elements of this Public License are Attribution and ShareAlike.\nLicensed Material means the artistic or literary work, database, or other material to which the Licensor applied this Public License.\nLicensed Rights means the rights granted to You subject to the terms and conditions of this Public License, which are limited to all Copyright and Similar Rights that apply to Your use of the Licensed Material and that the Licensor has authority to license.\nLicensor means the individual(s) or entity(ies) granting rights under this Public License.\nShare means to provide material to the public by any means or process that requires permission under the Licensed Rights, such as reproduction, public display, public performance, distribution, dissemination, communication, or importation, and to make material available to the public including in ways that members of the public may access the material from a place and at a time individually chosen by them.\nSui Generis Database Rights means rights other than copyright resulting from Directive 96/9/EC of the European Parliament and of the Council of 11 March 1996 on the legal protection of databases, as amended and/or succeeded, as well as other essentially equivalent rights anywhere in the world.\nYou means the individual or entity exercising the Licensed Rights under this Public License. Your has a corresponding meaning.\n\nSection 2 – Scope.\n\nLicense grant.\n\nSubject to the terms and conditions of this Public License, the Licensor hereby grants You a worldwide, royalty-free, non-sublicensable, non-exclusive, irrevocable license to exercise the Licensed Rights in the Licensed Material to:\n\nreproduce and Share the Licensed Material, in whole or in part; and\nproduce, reproduce, and Share Adapted Material.\n\nExceptions and Limitations. For the avoidance of doubt, where Exceptions and Limitations apply to Your use, this Public License does not apply, and You do not need to comply with its terms and conditions.\nTerm. The term of this Public License is specified in Section 6(a).\nMedia and formats; technical modifications allowed. The Licensor authorizes You to exercise the Licensed Rights in all media and formats whether now known or hereafter created, and to make technical modifications necessary to do so. The Licensor waives and/or agrees not to assert any right or authority to forbid You from making technical modifications necessary to exercise the Licensed Rights, including technical modifications necessary to circumvent Effective Technological Measures. For purposes of this Public License, simply making modifications authorized by this Section 2(a)\n\nnever produces Adapted Material.\n\nDownstream recipients.\n\nOffer from the Licensor – Licensed Material. Every recipient of the Licensed Material automatically receives an offer from the Licensor to exercise the Licensed Rights under the terms and conditions of this Public License.\nAdditional offer from the Licensor – Adapted Material. Every recipient of Adapted Material from You automatically receives an offer from the Licensor to exercise the Licensed Rights in the Adapted Material under the conditions of the Adapter’s License You apply.\nNo downstream restrictions. You may not offer or impose any additional or different terms or conditions on, or apply any Effective Technological Measures to, the Licensed Material if doing so restricts exercise of the Licensed Rights by any recipient of the Licensed Material.\n\nNo endorsement. Nothing in this Public License constitutes or may be construed as permission to assert or imply that You are, or that Your use of the Licensed Material is, connected with, or sponsored, endorsed, or granted official status by, the Licensor or others designated to receive attribution as provided in Section 3(a)(1)(A)(i).\n\nOther rights.\n\nMoral rights, such as the right of integrity, are not licensed under this Public License, nor are publicity, privacy, and/or other similar personality rights; however, to the extent possible, the Licensor waives and/or agrees not to assert any such rights held by the Licensor to the limited extent necessary to allow You to exercise the Licensed Rights, but not otherwise.\nPatent and trademark rights are not licensed under this Public License.\nTo the extent possible, the Licensor waives any right to collect royalties from You for the exercise of the Licensed Rights, whether directly or through a collecting society under any voluntary or waivable statutory or compulsory licensing scheme. In all other cases the Licensor expressly reserves any right to collect such royalties.\n\n\nSection 3 – License Conditions.\nYour exercise of the Licensed Rights is expressly made subject to the following conditions.\n\nAttribution.\n\nIf You Share the Licensed Material (including in modified form), You must:\n\nretain the following if it is supplied by the Licensor with the Licensed Material:\n\nidentification of the creator(s) of the Licensed Material and any others designated to receive attribution, in any reasonable manner requested by the Licensor (including by pseudonym if designated);\na copyright notice;\na notice that refers to this Public License;\na notice that refers to the disclaimer of warranties;\na URI or hyperlink to the Licensed Material to the extent reasonably practicable;\n\nindicate if You modified the Licensed Material and retain an indication of any previous modifications; and\nindicate the Licensed Material is licensed under this Public License, and include the text of, or the URI or hyperlink to, this Public License.\n\nYou may satisfy the conditions in Section 3(a)(1) in any reasonable manner based on the medium, means, and context in which You Share the Licensed Material. For example, it may be reasonable to satisfy the conditions by providing a URI or hyperlink to a resource that includes the required information.\nIf requested by the Licensor, You must remove any of the information required by Section 3(a)(1)(A) to the extent reasonably practicable.\n\nShareAlike.\nIn addition to the conditions in Section 3(a), if You Share Adapted Material You produce, the following conditions also apply.\n\nThe Adapter’s License You apply must be a Creative Commons license with the same License Elements, this version or later, or a BY-SA Compatible License.\nYou must include the text of, or the URI or hyperlink to, the Adapter’s License You apply. You may satisfy this condition in any reasonable manner based on the medium, means, and context in which You Share Adapted Material.\nYou may not offer or impose any additional or different terms or conditions on, or apply any Effective Technological Measures to, Adapted Material that restrict exercise of the rights granted under the Adapter’s License You apply.\n\n\nSection 4 – Sui Generis Database Rights.\nWhere the Licensed Rights include Sui Generis Database Rights that apply to Your use of the Licensed Material:\n\nfor the avoidance of doubt, Section 2(a)(1) grants You the right to extract, reuse, reproduce, and Share all or a substantial portion of the contents of the database;\nif You include all or a substantial portion of the database contents in a database in which You have Sui Generis Database Rights, then the database in which You have Sui Generis Database Rights (but not its individual contents) is Adapted Material, including for purposes of Section 3(b); and\nYou must comply with the conditions in Section 3(a) if You Share all or a substantial portion of the contents of the database.\n\nFor the avoidance of doubt, this Section 4 supplements and does not replace Your obligations under this Public License where the Licensed Rights include other Copyright and Similar Rights.\nSection 5 – Disclaimer of Warranties and Limitation of Liability.\n\nUNLESS OTHERWISE SEPARATELY UNDERTAKEN BY THE LICENSOR, TO THE EXTENT POSSIBLE, THE LICENSOR OFFERS THE LICENSED MATERIAL AS-IS AND AS-AVAILABLE, AND MAKES NO REPRESENTATIONS OR WARRANTIES OF ANY KIND CONCERNING THE LICENSED MATERIAL, WHETHER EXPRESS, IMPLIED, STATUTORY, OR OTHER. THIS INCLUDES, WITHOUT LIMITATION, WARRANTIES OF TITLE, MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, NON-INFRINGEMENT, ABSENCE OF LATENT OR OTHER DEFECTS, ACCURACY, OR THE PRESENCE OR ABSENCE OF ERRORS, WHETHER OR NOT KNOWN OR DISCOVERABLE. WHERE DISCLAIMERS OF WARRANTIES ARE NOT ALLOWED IN FULL OR IN PART, THIS DISCLAIMER MAY NOT APPLY TO YOU.\nTO THE EXTENT POSSIBLE, IN NO EVENT WILL THE LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY (INCLUDING, WITHOUT LIMITATION, NEGLIGENCE) OR OTHERWISE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL, PUNITIVE, EXEMPLARY, OR OTHER LOSSES, COSTS, EXPENSES, OR DAMAGES ARISING OUT OF THIS PUBLIC LICENSE OR USE OF THE LICENSED MATERIAL, EVEN IF THE LICENSOR HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH LOSSES, COSTS, EXPENSES, OR DAMAGES. WHERE A LIMITATION OF LIABILITY IS NOT ALLOWED IN FULL OR IN PART, THIS LIMITATION MAY NOT APPLY TO YOU.\nThe disclaimer of warranties and limitation of liability provided above shall be interpreted in a manner that, to the extent possible, most closely approximates an absolute disclaimer and waiver of all liability.\n\nSection 6 – Term and Termination.\n\nThis Public License applies for the term of the Copyright and Similar Rights licensed here. However, if You fail to comply with this Public License, then Your rights under this Public License terminate automatically.\nWhere Your right to use the Licensed Material has terminated under Section 6(a), it reinstates:\n\nautomatically as of the date the violation is cured, provided it is cured within 30 days of Your discovery of the violation; or\nupon express reinstatement by the Licensor.\n\nFor the avoidance of doubt, this Section 6(b) does not affect any right the Licensor may have to seek remedies for Your violations of this Public License.\nFor the avoidance of doubt, the Licensor may also offer the Licensed Material under separate terms or conditions or stop distributing the Licensed Material at any time; however, doing so will not terminate this Public License.\nSections 1, 5, 6, 7, and 8 survive termination of this Public License.\n\nSection 7 – Other Terms and Conditions.\n\nThe Licensor shall not be bound by any additional or different terms or conditions communicated by You unless expressly agreed.\nAny arrangements, understandings, or agreements regarding the Licensed Material not stated herein are separate from and independent of the terms and conditions of this Public License.\n\nSection 8 – Interpretation.\n\nFor the avoidance of doubt, this Public License does not, and shall not be interpreted to, reduce, limit, restrict, or impose conditions on any use of the Licensed Material that could lawfully be made without permission under this Public License.\nTo the extent possible, if any provision of this Public License is deemed unenforceable, it shall be automatically reformed to the minimum extent necessary to make it enforceable. If the provision cannot be reformed, it shall be severed from this Public License without affecting the enforceability of the remaining terms and conditions.\nNo term or condition of this Public License will be waived and no failure to comply consented to unless expressly agreed to by the Licensor.\nNothing in this Public License constitutes or may be interpreted as a limitation upon, or waiver of, any privileges and immunities that apply to the Licensor or You, including from the legal processes of any jurisdiction or authority.\n\n=======================================================================\nCreative Commons is not a party to its public licenses. Notwithstanding, Creative Commons may elect to apply one of its public licenses to material it publishes and in those instances will be considered the “Licensor.” The text of the Creative Commons public licenses is dedicated to the public domain under the CC0 Public Domain Dedication. Except for the limited purpose of indicating that material is shared under a Creative Commons public license or as otherwise permitted by the Creative Commons policies published at creativecommons.org/policies, Creative Commons does not authorize the use of the trademark “Creative Commons” or any other trademark or logo of Creative Commons without its prior written consent including, without limitation, in connection with any unauthorized modifications to any of its public licenses or any other arrangements, understandings, or agreements concerning use of licensed material. For the avoidance of doubt, this paragraph does not form part of the public licenses.\nCreative Commons may be contacted at creativecommons.org.\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0"
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Creative Commons disclaims all liability for damages resulting from their use to the fullest extent possible.\nUsing Creative Commons Public Licenses\nCreative Commons public licenses provide a standard set of terms and conditions that creators and other rights holders may use to share original works of authorship and other material subject to copyright and certain other rights specified in the public license below. The following considerations are for informational purposes only, are not exhaustive, and do not form part of our licenses.\n Considerations for licensors: Our public licenses are\n intended for use by those authorized to give the public\n permission to use material in ways otherwise restricted by\n copyright and certain other rights. Our licenses are\n irrevocable. Licensors should read and understand the terms\n and conditions of the license they choose before applying it.\n Licensors should also secure all rights necessary before\n applying our licenses so that the public can reuse the\n material as expected. Licensors should clearly mark any\n material not subject to the license. This includes other CC-\n licensed material, or material used under an exception or\n limitation to copyright. More considerations for licensors:\nwiki.creativecommons.org/Considerations_for_licensors\n\n Considerations for the public: By using one of our public\n licenses, a licensor grants the public permission to use the\n licensed material under specified terms and conditions. If\n the licensor's permission is not necessary for any reason--for\n example, because of any applicable exception or limitation to\n copyright--then that use is not regulated by the license. Our\n licenses grant only permissions under copyright and certain\n other rights that a licensor has authority to grant. Use of\n the licensed material may still be restricted for other\n reasons, including because others have copyright or other\n rights in the material. A licensor may make special requests,\n such as asking that all changes be marked or described.\n Although not required by our licenses, you are encouraged to\n respect those requests where reasonable. More considerations\n for the public:\nwiki.creativecommons.org/Considerations_for_licensees\n=======================================================================\nCreative Commons Attribution-ShareAlike 4.0 International Public License\nBy exercising the Licensed Rights (defined below), You accept and agree to be bound by the terms and conditions of this Creative Commons Attribution-ShareAlike 4.0 International Public License (“Public License”). To the extent this Public License may be interpreted as a contract, You are granted the Licensed Rights in consideration of Your acceptance of these terms and conditions, and the Licensor grants You such rights in consideration of benefits the Licensor receives from making the Licensed Material available under these terms and conditions.\nSection 1 – Definitions.\n\nAdapted Material means material subject to Copyright and Similar Rights that is derived from or based upon the Licensed Material and in which the Licensed Material is translated, altered, arranged, transformed, or otherwise modified in a manner requiring permission under the Copyright and Similar Rights held by the Licensor. For purposes of this Public License, where the Licensed Material is a musical work, performance, or sound recording, Adapted Material is always produced where the Licensed Material is synched in timed relation with a moving image.\nAdapter’s License means the license You apply to Your Copyright and Similar Rights in Your contributions to Adapted Material in accordance with the terms and conditions of this Public License.\nBY-SA Compatible License means a license listed at creativecommons.org/compatiblelicenses, approved by Creative Commons as essentially the equivalent of this Public License.\nCopyright and Similar Rights means copyright and/or similar rights closely related to copyright including, without limitation, performance, broadcast, sound recording, and Sui Generis Database Rights, without regard to how the rights are labeled or categorized. For purposes of this Public License, the rights specified in Section 2(b)(1)-(2) are not Copyright and Similar Rights.\nEffective Technological Measures means those measures that, in the absence of proper authority, may not be circumvented under laws fulfilling obligations under Article 11 of the WIPO Copyright Treaty adopted on December 20, 1996, and/or similar international agreements.\nExceptions and Limitations means fair use, fair dealing, and/or any other exception or limitation to Copyright and Similar Rights that applies to Your use of the Licensed Material.\nLicense Elements means the license attributes listed in the name of a Creative Commons Public License. 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You may satisfy this condition in any reasonable manner based on the medium, means, and context in which You Share Adapted Material.\nYou may not offer or impose any additional or different terms or conditions on, or apply any Effective Technological Measures to, Adapted Material that restrict exercise of the rights granted under the Adapter’s License You apply.\n\n\nSection 4 – Sui Generis Database Rights.\nWhere the Licensed Rights include Sui Generis Database Rights that apply to Your use of the Licensed Material:\n\nfor the avoidance of doubt, Section 2(a)(1) grants You the right to extract, reuse, reproduce, and Share all or a substantial portion of the contents of the database;\nif You include all or a substantial portion of the database contents in a database in which You have Sui Generis Database Rights, then the database in which You have Sui Generis Database Rights (but not its individual contents) is Adapted Material, including for purposes of Section 3(b); and\nYou must comply with the conditions in Section 3(a) if You Share all or a substantial portion of the contents of the database.\n\nFor the avoidance of doubt, this Section 4 supplements and does not replace Your obligations under this Public License where the Licensed Rights include other Copyright and Similar Rights.\nSection 5 – Disclaimer of Warranties and Limitation of Liability.\n\nUNLESS OTHERWISE SEPARATELY UNDERTAKEN BY THE LICENSOR, TO THE EXTENT POSSIBLE, THE LICENSOR OFFERS THE LICENSED MATERIAL AS-IS AND AS-AVAILABLE, AND MAKES NO REPRESENTATIONS OR WARRANTIES OF ANY KIND CONCERNING THE LICENSED MATERIAL, WHETHER EXPRESS, IMPLIED, STATUTORY, OR OTHER. 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However, if You fail to comply with this Public License, then Your rights under this Public License terminate automatically.\nWhere Your right to use the Licensed Material has terminated under Section 6(a), it reinstates:\n\nautomatically as of the date the violation is cured, provided it is cured within 30 days of Your discovery of the violation; or\nupon express reinstatement by the Licensor.\n\nFor the avoidance of doubt, this Section 6(b) does not affect any right the Licensor may have to seek remedies for Your violations of this Public License.\nFor the avoidance of doubt, the Licensor may also offer the Licensed Material under separate terms or conditions or stop distributing the Licensed Material at any time; however, doing so will not terminate this Public License.\nSections 1, 5, 6, 7, and 8 survive termination of this Public License.\n\nSection 7 – Other Terms and Conditions.\n\nThe Licensor shall not be bound by any additional or different terms or conditions communicated by You unless expressly agreed.\nAny arrangements, understandings, or agreements regarding the Licensed Material not stated herein are separate from and independent of the terms and conditions of this Public License.\n\nSection 8 – Interpretation.\n\nFor the avoidance of doubt, this Public License does not, and shall not be interpreted to, reduce, limit, restrict, or impose conditions on any use of the Licensed Material that could lawfully be made without permission under this Public License.\nTo the extent possible, if any provision of this Public License is deemed unenforceable, it shall be automatically reformed to the minimum extent necessary to make it enforceable. If the provision cannot be reformed, it shall be severed from this Public License without affecting the enforceability of the remaining terms and conditions.\nNo term or condition of this Public License will be waived and no failure to comply consented to unless expressly agreed to by the Licensor.\nNothing in this Public License constitutes or may be interpreted as a limitation upon, or waiver of, any privileges and immunities that apply to the Licensor or You, including from the legal processes of any jurisdiction or authority.\n\n=======================================================================\nCreative Commons is not a party to its public licenses. Notwithstanding, Creative Commons may elect to apply one of its public licenses to material it publishes and in those instances will be considered the “Licensor.” The text of the Creative Commons public licenses is dedicated to the public domain under the CC0 Public Domain Dedication. Except for the limited purpose of indicating that material is shared under a Creative Commons public license or as otherwise permitted by the Creative Commons policies published at creativecommons.org/policies, Creative Commons does not authorize the use of the trademark “Creative Commons” or any other trademark or logo of Creative Commons without its prior written consent including, without limitation, in connection with any unauthorized modifications to any of its public licenses or any other arrangements, understandings, or agreements concerning use of licensed material. For the avoidance of doubt, this paragraph does not form part of the public licenses.\nCreative Commons may be contacted at creativecommons.org.\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0"
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- "text": "Poster Proposals\n\nAbstract: Submit an abstract of no more than 300 words that clearly outlines the purpose, methodology, findings, and implications of your research project, research method, software, data, or tool.\nBiography: Provide a brief biography (up to 150 words) that includes your current affiliation, research interests, and relevant publications. If there are multiple authors, you can use up to 150 words per person.\nLanguage: Abstract and biography must be submitted in English. While the common language at the conference will be English, posters may be in English, German, French, or Italian.\nFormat: Abstract and biography submissions should be combined into a single PDF file. The file should be named as follows: LASTNAME_Firstname_short-title-of-proposition.pdf. If there are multiple authors, use the name of the person submitting the proposal on this platform.",
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- "text": "Enforcement Guidelines\nCommunity leaders will follow these Community Impact Guidelines in determining the consequences for any action they deem in violation of this Code of Conduct:\n\n1. Correction\nCommunity Impact: Use of inappropriate language or other behavior deemed unprofessional or unwelcome in the community.\nConsequence: A private, written warning from community leaders, providing clarity around the nature of the violation and an explanation of why the behavior was inappropriate. A public apology may be requested.\n\n\n2. Warning\nCommunity Impact: A violation through a single incident or series of actions.\nConsequence: A warning with consequences for continued behavior. No interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, for a specified period of time. This includes avoiding interactions in community spaces as well as external channels like social media. Violating these terms may lead to a temporary or permanent ban.\n\n\n3. Temporary Ban\nCommunity Impact: A serious violation of community standards, including sustained inappropriate behavior.\nConsequence: A temporary ban from any sort of interaction or public communication with the community for a specified period of time. No public or private interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, is allowed during this period. Violating these terms may lead to a permanent ban.\n\n\n4. Permanent Ban\nCommunity Impact: Demonstrating a pattern of violation of community standards, including sustained inappropriate behavior, harassment of an individual, or aggression toward or disparagement of classes of individuals.\nConsequence: A permanent ban from any sort of public interaction within the community."
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Operationalizing Concepts and Exploring Millions of Patent Documents\n\n\nJérôme Baudry, Nicolas Chachereau\n\n\n\n\nSession 3A\n\n\nData-Driven Approaches to Studying the History of Museums on the Web: Challenges and Opportunities for New Discoveries\n\n\nNadezhda Povroznik\n\n\n\n\nSession 3A\n\n\nImpresso 2: Connecting Historical Digitised Newspapers and Radio. A Challenge at the Crossroads of History, User Interfaces and Natural Language Processing.\n\n\nMaud Ehrmann, Raphaëlle Ruppen Coutaz, Simon Clematide, Marten Düring\n\n\n\n\nSession 3A\n\n\nGeovistory, a LOD Research Infrastructure for Historical Sciences\n\n\nStephen Hart, Vincent Alamercery, Francesco Beretta, Djamel Ferhod, Sebastian Flick, Tobias Hodel, David Knecht, Gaétan Muck, Alexandre Perraud, Morgane Pica, Pierre Vernus\n\n\n\n\nSession 3B\n\n\n20 godparents and 3 wives – studying migrant glassworkers in post-medieval Estonia\n\n\nMonika Reppo\n\n\n\n\nSession 3B\n\n\nConnecting floras and herbaria before 1850 – challenges and lessons learned in digital history of biodiversity\n\n\nChristian Forney, Martin Stuber\n\n\n\n\nSession 4A\n\n\nA handful of pixels of blood\n\n\nAdrian Demleitner\n\n\n\n\nSession 4A\n\n\nFilms as sources and as means of communication for knowledge gained from historical research\n\n\nPeter Moser, Andreas Wigger\n\n\n\n\nSession 4A\n\n\nDigital Film Collection Literacy – Critical Research Interfaces for the “Encyclopaedia Cinematographica”\n\n\nMoritz Greiner-Petter, Sarine Waltenspül\n\n\n\n\nSession 4B\n\n\nTowards Computational Historiographical Modeling\n\n\nMichael Piotrowski\n\n\n\n\nSession 4B\n\n\nOn the Historiographic Authority of Machine Learning Systems\n\n\nDominic Weber\n\n\n\n\nSession 5A\n\n\nTraining engineering students through a digital humanities project: Techn’hom Time Machine\n\n\nCyril Lacheze, Marina Gasnier\n\n\n\n\nSession 5A\n\n\nContributing to a Paradigm Shift in Historical Research by Teaching Digital Methods to Master’s Students\n\n\nFrancesco Beretta\n\n\n\n\nSession 5A\n\n\nGo Digital, They Said. 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- "text": "By registering for Digital History Switzerland 2024, attendees accept the following terms and conditions:\n1. Registration and Admission\n\nRegistration is required for participation.\nFree tickets do not guarantee entry or specific venue access.\nAdmission is on a first-come, first-served basis\n\n2. Event Changes\n\nThe organizers reserve the right to change the venue, schedule, or any other aspect of the event without prior notice.\n\n3. Liability\n\nParticipation is at the attendee’s own risk.\nThe organizers are not liable for any damages, losses, or injuries incurred during the event.\n\n4. Media\n\nPhotos and videos will be taken during the conference for social media purposes. If attendees do not wish to appear in these, they must contact the organizing committee at digital-history-2024@unibas.ch.\n\n5. Code of Conduct\n\nBy registering, attendees accept the code of conduct as stated on the homepage.\n\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0",
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- "text": "We invite scholars, researchers and professionals of all levels of experience from Switzerland and beyond to submit papers on the DigiHistCH24 conference theme: ‹Historical Research, Digital Literacy and Algorithmic Criticism›. We are particularly interested in papers that address ongoing research projects, innovative research methods, the use of software in historical research, data analysis, and digital tools.\nThe conference will take place in September 2024. We are looking forward to seeing you in Basel – please do not forget to register (CLOSED) for attending DigiHistCH24! If you are already curious about what to expect, our Book of Abstracts is the perfect place to start.\nThis conference provides a platform for scholars, researchers and professionals of all ages and levels of experience to discuss these challenges, exchange experiences, share best practices, and discuss forward-looking approaches to historical research in the digital age. It aims to promote digital literacy, raise awareness of the use of algorithms and AI systems, develop strategies for dealing with digital sources, encourage shared formats and methodologies, and facilitate the exchange of knowledge and best practices for collaborative historical research. The conference will also showcase projects and research in the field of digital history.",
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- "text": "Digital History Network Switzerland\nWhile you’re here, you might also want to check out the Digital History Network Switzerland! Its aim is to promote the visibility of digital history and to network people from academic and memory institutions as well as other actors in this field. We recommend joining the network’s mailing list! See infoclio.ch for more information.",
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- "text": "Organising Committee\n\nJérôme Baudry (Ecole polytechnique fédérale de Lausanne)\nLucas Burkart (Universität Basel)\nBéatrice Joyeux-Prunel (Université de Genève)\nEliane Kurmann (infoclio.ch)\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
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- "text": "The national ORD (Open Research Data) Strategy Council is supported by the Swiss National Science Foundation, Swissuniversities, the ETH Domain and the Swiss Academies of Arts and Sciences. Its task is to coordinate and manage ORD activities in Switzerland. In a first step, so-called landscape analyses will be carried out in several thematic clusters. To this end, the StraCo is setting up task forces (TF) that have the necessary expertise in the clusters and are to prepare a report. The task of the TF SSH is to analyze the cluster Social Sciences and Humanities and to make recommendations for further development.\nThe task force is inviting to an information event during Digital History Switzerland 2024. It will take place on September 12, 12:30 P.M. at Rosshofgasse 2, room S02 (Map and Infrastructure Details).\nAt the information event, stakeholders from the SSH who are involved in ORD will be informed about the status of the work. In addition, the TF SSH would like to obtain feedback from the specialist community.\n\n\n\n\n\n\nORD Logo\n\n\nWebsite/Contact: https://openresearchdata.swiss\n\n\nManagement: Béla Kapossy (Head of Task Force)\nMembers: Rainer Gabriel, Tobias Hodel, Ben Jann, Sylvia Jeney, Tabea Lurk, Kurt Schmidheiny\nCoordination: Sarah Schlunegger, Rudolf Mumenthaler\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0",
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- "text": "Time\nLecture Hall 001\nLecture Hall 115\n\n\n\n\n09:00 am\nConference Opening\n\n\n\n\nChairs: Prof. Dr. Martin Lengwiler (Universität Basel)Prof. Dr. Lucas Burkart (Universität Basel)Dr. Christiane Sibille (ETH Library)Dr. Enrico Natale (infoclio.ch)\n\n\n\n09:30 am\nSession 1A\nSession 1B\n\n\n\nChair: Moritz Twente (Universität Basel)\nChair: Prof. Dr. Lucas Burkart (Universität Basel)\n\n\n11:00 am\nSession 2A\nSession 2B\n\n\n\nChair: Dr. Moritz Mähr (Universität Basel)\nChair: Dr. Christiane Sibille (ETH Library)\n\n\n12:30 pm\nORD Task Force (Lunch Break Event)\n\n\n\n02:00 pm\nSession 3A\nSession 3B\n\n\n\nChair: Prof. Jérôme Baudry (EPFL)\nChair: Prof. Béatrice Joyeux-Prunel (Université de Genève)\n\n\n04:00 pm\nSession 4A\nSession 4B\n\n\n\nChair: Dr. Eliane Kurmann (infoclio.ch)\nChair: Dr. Christiane Sibille (ETH Library)",
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- "text": "Time\nLecture Hall 001\nLecture Hall 115\n\n\n\n\n09:00 am\nConference Opening\n\n\n\n\nChairs: Prof. Dr. Martin Lengwiler (Universität Basel)Prof. Dr. Lucas Burkart (Universität Basel)Dr. Christiane Sibille (ETH Library)Dr. Enrico Natale (infoclio.ch)\n\n\n\n09:30 am\nSession 1A\nSession 1B\n\n\n\nChair: Moritz Twente (Universität Basel)\nChair: Prof. Dr. Lucas Burkart (Universität Basel)\n\n\n11:00 am\nSession 2A\nSession 2B\n\n\n\nChair: Dr. Moritz Mähr (Universität Basel)\nChair: Dr. Christiane Sibille (ETH Library)\n\n\n12:30 pm\nORD Task Force (Lunch Break Event)\n\n\n\n02:00 pm\nSession 3A\nSession 3B\n\n\n\nChair: Prof. Jérôme Baudry (EPFL)\nChair: Prof. Béatrice Joyeux-Prunel (Université de Genève)\n\n\n04:00 pm\nSession 4A\nSession 4B\n\n\n\nChair: Dr. Eliane Kurmann (infoclio.ch)\nChair: Dr. Christiane Sibille (ETH Library)",
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- "text": "Friday, 13 September 2024\n\n\n\nTime\nLecture Hall 001\nLecture Hall 115\n\n\n\n\n09:00 am\nSession 5A\nSession 5B (Workshop)\n\n\n\nChair: Dr. Enrico Natale (infoclio.ch)\nChair: Daniel Jaquet (EPFL)\n\n\n11:00 am\nSession 6A\nSession 6B\n\n\n\nChair: Moritz Twente (Universität Basel)\nChair: Dr. Moritz Mähr (Universität Basel)\n\n\n12:30 pm\nDigital History Network Switzerland (Lunch Break Event)\n\n\n\n02:00 pm\nSession 7A\nSession 7B\n\n\n\nChair: Dr. Enrico Natale (infoclio.ch)\nChair: Dr. Eliane Kurmann (infoclio.ch)\n\n\n03:30 pm\nClosing Ceremony\n\n\n\n\nChairs: Prof. Jérôme Baudry (EPFL)Prof. Béatrice Joyeux-Prunel (Université de Genève)",
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+ "text": "Getting to Us\n\n\n\nMap of Conference Location\n\n\nThe conference will take place at Kollegienhaus (also referred to as Main Building) of the University of Basel. It is conveniently located in Basel’s city center and easy to reach.\nFrom Basel SBB (Swiss/French train station): Bus 30, direction “Badischer Bahnhof”, to “Universität”\nFrom Basel Badischer Bahnhof (German train station): Bus 30, direction “Bahnhof SBB” to “Universität”\nFrom EuroAirport: Bus 50, direction Basel, change to Bus 30 at Basel SBB.",
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- "text": "Digital History Switzerland 2024 takes place September 12–13, 2024 at the University of Basel. The conference will be held at Kollegienhaus centrally located in Basel.\nPlease note: The exact rooms in Kollegienhaus indicated in the conference schedule are preliminary and subject to change.\nConference Schedule",
+ "text": "DHN Logo\n\n\nJoin us for an engaging community meetup hosted by the Digital History Network Switzerland at the upcoming Digital History Switzerland 2024 conference in Basel. This event is an excellent opportunity to network and welcome new members to a vibrant community of scholars, researchers, and professionals passionate about digital history.\nDigital History Network Switzerland is inviting to a network meeting event during Digital History Switzerland 2024. It will take place on September 13, 12:30 P.M. at Rosshofgasse 2, room S02 (Map and Infrastructure Details).\nFounded in 2023, the Digital History Network Switzerland aims to raise the visibility of digital history and foster connections between academics, cultural institutions, and other stakeholders. This informal network holds regular meetings to plan activities and facilitates the exchange of ideas and best practices through its mailing list and online platform.\nFor more information and to join the Digital History Network Switzerland, please visit https://www.infoclio.ch/en/digitalhistorynetwork.\n\n\n\n\n\n Back to topReuseCC BY-SA 4.0",
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- "text": "Book of Abstracts Digital History Switzerland 2024\nWe compiled a book of abstracts containing all the papers presented at the conference to provide a comprehensive overview of current research at the intersection of history and digital technology. These papers cover a range of topics, from innovative methodologies and software applications to the challenges of digital data management and algorithmic analysis in historical research.\nWe are pleased to present this collection, which reflects the state of the art in digital history, and anticipate that the discussions it stimulates will make a significant contribution to the field.\nBook of Abstracts\nEach day, we have one additional, externally organized network/information meeting:\nSeptember 12, 12:30–14:00: SSH Open Research Data Taskforce (Lunch Break Event)\nSeptember 13, 12:30–14:00: Digital History Network Switzerland (Lunch Break Event)",
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+ "text": "Jérôme Baudry (Ecole polytechnique fédérale de Lausanne)\n\nLucas Burkart (Universität Basel)\n\nBéatrice Joyeux-Prunel (Université de Genève)\n\nEliane Kurmann (infoclio.ch)\n\nMoritz Mähr (Universität Basel, Stadt.Geschichte.Basel)\n\nEnrico Natale (infoclio.ch, Verein Geschichte und Informatik)\n\nChristiane Sibille (Verein Geschichte und Informatik, ETH Library)\n\nMoritz Twente (Universität Basel, Stadt.Geschichte.Basel)",
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- "text": "The movement of Open Science has grown in importance in the Humanities, advocating for better accessibility of scientific research, especially in the form of the publication of research data (UNESCO 2023). This has led funding agencies like SNSF, ANR, and Horizon Europe to ask research projects to publish their research data and metadata along the FAIR principles in public repositories (see for instance (ANR 2023; EC 2023; SNSF 2024). Such requirements are putting pressure on researchers, who need to learn and understand the principles and standards of FAIR data and its impact on research data, but also require them to acquire new methodologies and know-how, such as in data management and data science.\nAt the same time, this accessibility of an increasing volume of interoperable quality data and the new semantic methodologies might bring a change of paradigm in the Humanities by the way knowledge is produced (Beretta 2023; Feugère 2015). The utilization of Linked Open Data (LOD) grants scholars access to large volumes of interoperable and high-quality datasets, at a scale analogue methods cannot reach, fundamentally altering their approach to information. This enables scholars to pose novel research questions, marking a departure from traditional modes of inquiry and facilitating a broader range of analytical perspectives within academic discourse. Moreover, drawing upon semantic methodologies rooted in ontology engineering, scholars can effectively document the intricate complexities inherent of social and historical phenomena, enabling a nuanced representation essential to the Social Sciences and Humanities domains within their databases. This meticulous documentation not only reflects a sophisticated understanding of multifaceted realities but also empowers researchers to deepen the digital analysis of rich corpora.\nThe transition from analogical to digital research methodologies does not come without challenges for researchers, thus necessitating the development of new tools and research infrastructures to support them in this evolution. The demand arises for user-friendly tools that abstract the technical complexity, as well as project accompaniment organisations that can provide support in digital methodologies and strategies to help scholars to better manage their data for computational analysis and information sharing.\nThis is the goal of Geovistory. It is conceived as a virtual research and data publication environment designed to strengthen Open Research Data practices. Geovistory is developed for research projects in the Humanities and Social Sciences, whether in history, geography, literature or other related fields, according to the participatory method of “user experience design”. It supports researchers with simple and easy-to-use interfaces and allows them to make their research accessible in an attractive way to people interested in history.",
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- "text": "The movement of Open Science has grown in importance in the Humanities, advocating for better accessibility of scientific research, especially in the form of the publication of research data (UNESCO 2023). This has led funding agencies like SNSF, ANR, and Horizon Europe to ask research projects to publish their research data and metadata along the FAIR principles in public repositories (see for instance (ANR 2023; EC 2023; SNSF 2024). Such requirements are putting pressure on researchers, who need to learn and understand the principles and standards of FAIR data and its impact on research data, but also require them to acquire new methodologies and know-how, such as in data management and data science.\nAt the same time, this accessibility of an increasing volume of interoperable quality data and the new semantic methodologies might bring a change of paradigm in the Humanities by the way knowledge is produced (Beretta 2023; Feugère 2015). The utilization of Linked Open Data (LOD) grants scholars access to large volumes of interoperable and high-quality datasets, at a scale analogue methods cannot reach, fundamentally altering their approach to information. This enables scholars to pose novel research questions, marking a departure from traditional modes of inquiry and facilitating a broader range of analytical perspectives within academic discourse. Moreover, drawing upon semantic methodologies rooted in ontology engineering, scholars can effectively document the intricate complexities inherent of social and historical phenomena, enabling a nuanced representation essential to the Social Sciences and Humanities domains within their databases. This meticulous documentation not only reflects a sophisticated understanding of multifaceted realities but also empowers researchers to deepen the digital analysis of rich corpora.\nThe transition from analogical to digital research methodologies does not come without challenges for researchers, thus necessitating the development of new tools and research infrastructures to support them in this evolution. The demand arises for user-friendly tools that abstract the technical complexity, as well as project accompaniment organisations that can provide support in digital methodologies and strategies to help scholars to better manage their data for computational analysis and information sharing.\nThis is the goal of Geovistory. It is conceived as a virtual research and data publication environment designed to strengthen Open Research Data practices. Geovistory is developed for research projects in the Humanities and Social Sciences, whether in history, geography, literature or other related fields, according to the participatory method of “user experience design”. It supports researchers with simple and easy-to-use interfaces and allows them to make their research accessible in an attractive way to people interested in history.",
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+ "text": "Sponsoring\nWe are grateful for the generous support by our sponsors:\n\nSwiss National Science Foundation\n\nFAG Basel\n\nMax-Geldner-Stiftung\n\nDepartment of History, University of Basel\n\nAssociation History and Computing\n\n\n\n\nSponsoring: Swiss National Foundation, FAG Basel, Max-Geldner-Stiftung, Universität Basel (Departement Geschichte), Verein Informatik und Geschichte",
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- "text": "Geovistory as a Research Environment\nGeovistory aims to be a comprehensive research environment that accompanies scholars throughout the whole research cycle. Geovistory includes:\n\nThe Geovistory Toolbox, which allows to manage and curate projects’ research data. The Toolbox is freely accessible for all individual projects. Each research project works on its own data perspective but at the same time directly contributes to a joint knowledge graph.\nA joint Data repository that allows to connect and link the different research projects under a unique and modular ontology, thus creating a large Knowledge Graph.\nThe Geovistory Publication platform (http://geovistory.org), where data is published using the RDF framework and can be accessed via the community page or project-specific webpages and its graphical search tools or a SPARQL-endpoint.\nAn active Community to foster information and know-how exchange among the researchers, users and technological experts.\n\n\n\n\n\n\n\nFigure 1\n\n\n\nAs per current terms of service, all data produced in the information layer of Geovistory are licensed under creative commons BY-SA 4.0. Initiated by KleioLab GmbH, the different infrastructure components are currently being developed jointly by LARHRA and the University of Bern, while other actors are welcome to join the Geovistory vision.. All the web components and the publication platform have been made available as open source, as well as the toolbox. The LOD4HSS project (https://www.geovistory.org/lod4hss), co-funded by swissuniversities, structures these efforts and aims at creating a larger community of users and supporters of this vision.",
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+ "text": "Patronage\n\ninfoclio.ch\n\nVerein Geschichte und Informatik | Association Histoire et Informatique | Association History and Computing\n\nSchweizerische Gesellschaft für Geschichte\n\n\n\n\nLogos of DigiHistCH24 patronage organizations: infoclio.ch, Association History and Computing, and Swiss Society of History\n\n\n\nHost\nUniversity of Basel, Department of History\n\n\nCode of Conduct\nThe organising committee of DigiHistCH24 is committed to providing a safe and inclusive environment, in which the personal integrity of all participants is respected. In particular, we do not tolerate discrimination and any form of harassment. We strive to create a safe, respectful, and collegial conference experience for all attendees – ensuring that DigiHistCH24 is an event characterised by professionalism, honesty and fairness in accordance with the host University of Basel’s Code of Conduct.\nPlease refer to the Personal Integrity Coordination Office of the University of Basel as an easily accessible, confidential and personal point of contact, offering advice and support for participants whose personal integrity has been violated or for bystanders who have observed violations.",
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- "text": "The aim of breaking information silos\nThe goal of producing and publishing FAIR research data is to break the information silos that hinder the sharing and reusing of scientific data. However, achieving interoperability hinges on two critical components (Beretta 2024a):\n\nFirstly, the unambiguous identification of real-world entities (e.g., persons, places, concepts) with unique identifiers (e.g., URIs in Linked Open Data) and the establishment of links between identical entities across different projects (e.g., ensuring that the entity “Paris” is identified by the same URI in all projects);\nSecondly, the utilization of explicit ontologies that can be aligned across projects. Nevertheless, mapping between ontologies may prove challenging, or even unfeasible, particularly when divergent structural frameworks are employed (e.g., an event-centric ontology may have limited compatibility with an object-centric one).\n\nIn Geovistory, those challenges are addressed by producing a unique Knowledge Graph that integrates the various projects. This necessitates from each project the adherence to the Semantic Data for History and Social Sciences (SDHSS) ontology ecosystem. It includes a methodology of ontological foundational analysis, based on the principles of OntoClean, from the domain of semantic engineering (Guarino and Welty 2004), and the high-level conceptual categories of the DOLCE ontology (Borgo et al. 2022). This has been applied to the CIDOC CRM ontology, the ICOM standard for the Heritage domain, while extending it to include the social and mental realities crucial for documenting essential aspects of human history, like ownership, membership, collective beliefs, etc. (Beretta 2024b). On this basis, a standardised semantic methodology for the development of domain-oriented ontologies in different fields of the Humanities, such as archaeology, prosopography, and geography has been created.. The SDHSS ontology ecosystem provides adaptability to the specificities of the various research projects while ensuring full interoperability among them. It is collaboratively managed in the ontome.net (http://ontome.net) application, so that scholars and domain experts can participate in its development if interested.\nThis shared Knowledge Graph streamlines the entity creation process by enabling users to navigate the graph, identify existing objects, and reuse them in their project using the same URIs for entity identification. By leveraging a common ontology ecosystem, users can not only easily identify and reuse information pertaining to specific entities but also ensure seamless integration and interoperability across projects within the Geovistory platform.",
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+ "text": "Inquiries\nFor inquiries, get in touch by contacting Moritz Twente via digital-history-2024@unibas.ch.\nIf your request does not concern an event, please refer to the general information of the University of Basel https://www.unibas.ch/en/Legal-notice.html (see below):",
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- "text": "A modular system for managing complex HSS information\nScholars within the Humanities domain grapple with intricate information, significantly more complex when compared to other scientific disciplines. Historical sources, whether textual, oral, visual, or material, provide fragmented and biased glimpses into the past, necessitating contextualization and interpretation. Consequently, this dynamic can engender a considerable degree of information uncertainty and discordance that need to be meticulously documented. Any digital infrastructure or model employed must adeptly navigate this multifaceted information landscape and accommodate its inherent complexity.\nAn inherent strength of Geovistory lies in its handling of the challenges associated with scientific information in the Humanities and Social Sciences domain. Noteworthy among these challenges is the nuanced, context-sensitive nature of information and its relation with different research agendas, as well as the wide variations in meaning for the same terms and vocabulary complexities, competing views or gaps and fragmentation of available information. These complexities are deftly managed through the application of the SDHSS methodology, which tends to limit the number of classes and properties in the ontology ecosystem, while inviting projects to develop and share rich collections of controlled vocabularies of concepts that enrich the data model according to the different research agendas and perspectives.\nMoreover, the project-partition of the Knowledge Graph within Geovistory enables users to repurpose existing information while also accommodating contradictory data, particularly when discrepancies are identified by researchers. Each project graph is stored within a designated dataset, maintaining its individual identity within the overarching Knowledge Graph. This approach allows for the coexistence and contextualization of disparate interpretations of facts, enhancing the platform’s flexibility and adaptability to varying scholarly perspectives. It is the unique amalgamation of the Geovistory graph data model and its robust semantic enrichment capabilities that render it particularly compelling for research within the Humanities and Social Sciences.",
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- "text": "Integrating the DH ecosystem\nOperating within the framework of Linked Open Data principles entails establishing connections with disparate datasets housed in various open and online repositories or Knowledge Graphs, culminating in the creation of an inclusive and interconnected Web of Data—an accomplishment characterized as the fifth star of Tim Berners Lee’s Open Data (https://5stardata.info/en/). As datasets interlink, they collectively form the Linked Open Data Cloud (https://lod-cloud.net/), wherein predominant repositories such as Wikidata or DBpedia, alongside authority files such as VIAF or GND, assume pivotal roles as data hubs, enhancing the discoverability, contextualization, and citability of information.\nThe Geovistory ecosystem applies those principles, actively engaging with the Digital Humanities landscape. It is connected dynamically to the information systems of producers of authority records (such as IdRef, GND) and data repositories (such as Wikidata) in view of interconnecting bibliographic information systems and scale up to a large Knowledge Graph. Collaborative efforts include the establishment of a data exchange pipeline with the French Agence Bibliographique de l’Enseignement Supérieur (ABES), with ongoing initiatives to forge additional partnerships.\nMoreover, ensuring long-term preservation of research data remains imperative, with initiatives to archive completed projects in the Zenodo repository and explore potential collaborations with entities like DaSCH, OLOS, and Huma-Num for dynamic updates and data management, with preliminary engagements initiated with DaSCH.",
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+ "text": "Disclaimer of warranty and liability\nThe University of Basel makes every effort to ensure that the information on its website is correct and up-to-date. However, it does not guarantee the topicality, correctness, completeness or quality of the information provided. It reserves the right to adjust or remove information at any time and without notice. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect, will therefore be rejected.\nThe University of Basel is not liable for any material or immaterial damage resulting from access to or use or non-use of the published information, from misuse of the connection or from technical faults.\nThe University of Basel has not reviewed external websites, i.e. websites not located on its servers or within its sphere of influence, which may be connected to this website via hyperlinks, and does not accept any responsibility for their content.",
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- "text": "Conclusions and future perspectives\nGeovistory has been designed as a comprehensive research environment tailored by and for historians and humanists to address their needs in generating and utilizing FAIR data, thereby streamlining the research digitization process. As the utilization of Geovistory proliferates across more projects, the Knowledge Graph grows with increasingly enriched information, rendering the overall environment more advantageous for scholars either by providing reusable datasets or by enriching imported data. In this regard, Geovistory can be compared as a Wikidata dedicated to research endeavors, with the difference that projects retain full control over their data without a loss of semantic coherence throughout the graph.\nThe forthcoming years mark a critical juncture for Geovistory, as the tools and infrastructures of the environment recently transitioned into the public domain. This needed change will ease collaboration with future public institutions within Europe, but a greater part of public fundings will be needed to ensure the sustainability of the ecosystem.\nNonetheless, the Digital Humanities ecosystem remains unstable, attributed to the lack of sustained funding for infrastructural initiatives by national funding agencies and the absence of cohesive coordination among institutions. To ameliorate this landscape, prioritizing the establishment of robust collaborations and partnerships among diverse tools and infrastructures in Switzerland and Europe is imperative. Leveraging the specialized expertise of each institution holds the promise of engendering a harmonized and synergistic, distributed environment conducive to scholarly pursuits.",
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- "text": "References\n\n\nANR. 2023. “La Science Ouverte.” https://anr.fr/fr/lanr/engagements/la-science-ouverte/.\n\n\nBeretta, Francesco. 2023. “Données Ouvertes Liées Et Recherche Historique : Un Changement de Paradigme.” Humanités Numériques 7. https://doi.org/10.4000/revuehn.3349.\n\n\n———. 2024a. “Données Liées Ouvertes Et Référentiels Publics : Un Changement de Paradigme Pour La Recherche En Sciences Humaines Et Sociales.” Arabesques 112: 26–27.\n\n\n———. 2024b. “Semantic Data for Humanities and Social Sciences (SDHSS): An Ecosystem of CIDOC CRM Extensions for Research Data Production and Reuse.” In Professorale Karrieremuster. Entwicklung Einer Wissenschaftlichen Methode Zur Forschung Auf Online Verfügbaren Und Verteilten Forschungsdatenbanken Der Universitätsgeschichte, edited by Thomas Riechert, Hartmurt Beyer, Jennifer Blanke, and Edgard Marx, 73–101. Leipzig: International Handbooks on Information Systems.\n\n\nBorgo, Stefano, Roberta Ferrario, Aldo Gangemi, Nicola Guarino, Claudio Masolo, Daniele Porello, Emilio M. Sanfilippo, and Laure Vieu. 2022. “DOLCE: A Descriptive Ontology for Linguistic and Cognitive Engineering.” Applied Ontology 17: 45–69.\n\n\nEC. 2023. “Open Data, Software and Code Guidelines.” https://open-research-europe.ec.europa.eu/for-authors/data-guidelines#standardsandfair.\n\n\nFeugère, Michel. 2015. “Les Bases de Données En Archéologie. De La Révolution Informatique Au Changement de Paradigme.” Cahiers Philosophiques 141: 139–47.\n\n\nGuarino, Nicola, and Chistopher A. Welty. 2004. “An Overview of OntoClean.” In Handbook on Ontologies, edited by Steffen Staab and Rudi Studer, 151–71. Berlin AND Heidelberg: International Handbooks on Information Systems.\n\n\nSNSF. 2024. “Open Research Data.” https://www.snf.ch/en/dMILj9t4LNk8NwyR/topic/open-research-data.\n\n\nUNESCO. 2023. “UNESCO Recommendation on Open Science.” https://www.unesco.org/en/open-science/about?hub=686.",
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+ "text": "Cultural digital archives are a goldmine of information for historians, offering access to digitized sources online. However, research highlights that these archives often struggle with usability issues (Vora, Komura, and Stanton Usability Team 2010; Dani et al. 2015) including difficulties in accessing certain items and information. Moreover, several emerging challenges are affecting the work of historians. Among these are the limited ways to explore archives, because cultural digital archives typically rely heavily on keyword-based search methods, the lack of transparency about how search results are generated, and the absence of advanced search and filtering options to reduce the volume of search results. In recent years, several researches from both the computer science and information visualization domains have been conducted to investigate more advanced and easy-to-use methods to access digitized publications. In the computer science domain, studies on the recognition and classification of named entities are relevant for historians and scholars in general because they allow the search, retrieval and comparison of information (Meroño-Peñuela et al. 2014). However, it is necessary to overcome the current technical issues, including the reduction of the noisy OCR outputs, the lack of resources for the training of the algorithms and the dynamics of language (spelling variations and name irregularities) (Ehrmann et al. 2023).\nIn the information visualization domain, the concept of “generous interfaces” was introduced (Whitelaw 2015) to identify a design approach for cultural digital collections that focuses on providing broader, more engaging and multi-faceted views on the content through the use of the visualization of the metadata of the collection. More recently, studies defined the requirements for more “transparent” digital archives, meant as tools facilitating content exploration even under imperfect conditions posed by digitized historical publications (Düring, Bunout, and Guido 2024), and started to investigate the use of graph-based narratives to analyze the interplay between the linearity of historical discourses and the non-linearity of the cultural heritage data (Günther et al. 2023). Through the development of the Mini-Muse research project, we merged current research coming from both the computer science and information design domains to identify novel and effective ways to access and analyse digitized publications for historical purposes. In particular, we implemented a user-centred design methodology to acquire preliminary knowledge on the integration of Natural Language Processing (NLP) algorithms and data visualization methods to enable researchers and students of history to investigate historical figures and their actions within their historical context.",
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- "text": "Our presentation reflects on the experience gained in the ongoing SNSF-funded research project The Internationalization of Patent Systems: From Patent Cultures to Global Intellectual Property. As recent debates on price of, and access to, patented COVID-19 vaccines have recalled, intellectual property rights are of great importance on a global scale. Our research investigates how patents have become, albeit incompletely, such globally relevant rights. While this internationalization is often seen as the consequence of agreements between macro-actors such as states, this project argues that this internationalization stems equally, if not more, from the networks of actors, economic strategies, texts and images involved in patent practices. To explore these, our project relies on the digital analysis of a large corpus of digitized patent documents, using text mining and computer vision techniques.",
+ "text": "Cultural digital archives are a goldmine of information for historians, offering access to digitized sources online. However, research highlights that these archives often struggle with usability issues (Vora, Komura, and Stanton Usability Team 2010; Dani et al. 2015) including difficulties in accessing certain items and information. Moreover, several emerging challenges are affecting the work of historians. Among these are the limited ways to explore archives, because cultural digital archives typically rely heavily on keyword-based search methods, the lack of transparency about how search results are generated, and the absence of advanced search and filtering options to reduce the volume of search results. In recent years, several researches from both the computer science and information visualization domains have been conducted to investigate more advanced and easy-to-use methods to access digitized publications. In the computer science domain, studies on the recognition and classification of named entities are relevant for historians and scholars in general because they allow the search, retrieval and comparison of information (Meroño-Peñuela et al. 2014). However, it is necessary to overcome the current technical issues, including the reduction of the noisy OCR outputs, the lack of resources for the training of the algorithms and the dynamics of language (spelling variations and name irregularities) (Ehrmann et al. 2023).\nIn the information visualization domain, the concept of “generous interfaces” was introduced (Whitelaw 2015) to identify a design approach for cultural digital collections that focuses on providing broader, more engaging and multi-faceted views on the content through the use of the visualization of the metadata of the collection. More recently, studies defined the requirements for more “transparent” digital archives, meant as tools facilitating content exploration even under imperfect conditions posed by digitized historical publications (Düring, Bunout, and Guido 2024), and started to investigate the use of graph-based narratives to analyze the interplay between the linearity of historical discourses and the non-linearity of the cultural heritage data (Günther et al. 2023). Through the development of the Mini-Muse research project, we merged current research coming from both the computer science and information design domains to identify novel and effective ways to access and analyse digitized publications for historical purposes. In particular, we implemented a user-centred design methodology to acquire preliminary knowledge on the integration of Natural Language Processing (NLP) algorithms and data visualization methods to enable researchers and students of history to investigate historical figures and their actions within their historical context.",
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- "text": "Our presentation reflects on the experience gained in the ongoing SNSF-funded research project The Internationalization of Patent Systems: From Patent Cultures to Global Intellectual Property. As recent debates on price of, and access to, patented COVID-19 vaccines have recalled, intellectual property rights are of great importance on a global scale. Our research investigates how patents have become, albeit incompletely, such globally relevant rights. While this internationalization is often seen as the consequence of agreements between macro-actors such as states, this project argues that this internationalization stems equally, if not more, from the networks of actors, economic strategies, texts and images involved in patent practices. To explore these, our project relies on the digital analysis of a large corpus of digitized patent documents, using text mining and computer vision techniques.",
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+ "text": "Research methodology\nOur research adopts a user-centred design approach, involving a pool of historians, to ensure that user interface features meet their needs. It consists of three main phases: user research, design and implementation of a basic working prototype and user test. The user research aims to gather the needs of users of cultural digital archives regarding the information and its visual representation. During this phase, we conducted semi-structured interviews with a group of 14 heavy users of cultural digital archives. The design and implementation of a basic working prototype aim to test the feasibility of users’ desiderata. During this phase, we implemented a set of NLP algorithms to automatically extract information from a corpus of issues of a digitized publication about history. More specifically, we focused on a set of articles from the Swiss Historical Journal. The journal has been published quarterly by the Swiss History Society since 1951 and made available online by E-Periodica, a service by ETH Library. Finally, the evaluation of the working prototype aims to gather feedback regarding ease of use, clarity and usability of the interface features we implemented. During this phase, we presented the prototype to the pool of historians involved in the user research and we gathered their feedback about the user interface through a set of online interviews and an anonymous survey.",
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- "text": "Opportunities of Digital Analysis for a History of Patent Internationalization\nOur research project combines traditional historical methods with digital analysis. These various methods are more or less relevant depending on how the “internationalization” of patents is understood. The adoption of a legal agreement (the Paris Convention of 1883) by various states made patents internationally more relevant: because of the emergence of diplomatic discussions in matters of intellectual property, and because it made it easier for corporations to obtain rights for the same technology in different countries simultaneously. Similarly and relatedly, from the late 19th century on, patent specialists gathered in international private networks and advocacy groups. Both of these aspects can be studied through close-reading of archival materials and printed sources.\nDigital methods enable us to go further and examine a third meaning or aspect of internationalization: border-crossing patent practice and related business strategies. Indeed, patenting abroad was not exclusively the activity of multinational companies, nor of their founders and chief engineers, but also of craftsmen and low-level employees. Unlike, say, Thomas Edison or Alexander Graham Bell (see e.g. Beauchamp 2015), these patentees have left few traces outside of the patent record and even fewer, if any, that could shed light on their motivations and strategies. The large-scale digitization of patent documents thus creates the opportunity to study the activity of a wider variety of patentees.\nFurthermore, digital methods allow us to quantitatively study broad changes in patenting practices. For instance, over the period under consideration, a growing proportion of patents were granted or assigned to corporations, rather than individual inventors (Lamoreaux, Sokoloff, and Sutthiphisal 2009; Veyrassat 2001; Fisk 2009, chap. 6). How did this reflect on international patenting? More generally, what proportion of patents was granted, in different countries and at different times, to (foreign) companies and individuals holding similar patents in other countries? How did the situation vary from industry to industry?",
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+ "text": "User research: interviews with a pool of experts\nThe user research started with the selection of a group of 14 heavy users of cultural digital archives, including 8 historians and 6 other experts (librarians, archivists and developers of cultural digital archives). They are affiliated with universities and cultural institutions based in the three main language regions of Switzerland (German, Italian and French). The experts’ interests include politics, economics, technology, diplomacy, and science history. The experts were interviewed in one-to-one sessions to gather information on their research routines, their pain points in accessing and analysing historical content through cultural digital archives and their needs in terms of user interface features.",
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- "text": "Available Digitized Sources\nBecause patents constitute a legal claim of exclusivity, a detailed description of the invention is required by the law, inter alia to allow courts to assess whether competing technical devices or processes constitute illegal imitations. From the second half of the nineteenth century onward, most countries systematically published these descriptions, so-called patent specifications. We rely on a large corpus of these documents that have been digitized by patent offices for their own current activity (especially for assessing the novelty of patent applications).\nOur dataset currently includes around 4 million patent specifications from four large industrial countries: France, Germany, the United Kingdom and the United States. These countries represent major players in the discussions around the Paris Convention. Their residents also account for a large proportion of patents taken abroad. Furthermore, it has been proposed that they constitute distinct “patent cultures” that have constituted models for other countries (Gooday and Wilf 2020). This corpus however reproduces the historiographical tendency to neglect smaller and less-studied countries. To account for this, we plan to include patent specifications from additional states at a later point.\nThe main source of our data is the European Patent Office (EPO). Digitized specifications were downloaded by using Open Patent Services, an API offered by the EPO. We have also downloaded metadata through the same channel, including information such as a title for the patent; the date the patent was applied for; the date it was published; the name and country of the inventor and/or applicant; so-called “family data”, linking this specification to other ones. However, coverage is very uneven. For instance, we have no metadata for most German specifications before 1914.",
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+ "text": "Design and implementation of a basic working prototype\nThe basic working prototype is an online user interface displaying content from the Swiss Historical Journal in a novel way. Its information system consists of a backend that stores data extracted from the publication and a frontend that displays it through a set of two views. The backend and frontend share data through the use of custom APIs we built (see Figure 1).\n\n\n\n\n\n\nFigure 1: Mini-Muse Information System\n\n\n\nThe working prototype is based on a selection of 25 recent articles. We selected the articles with the following attributes: focusing on politics (because several experts we interviewed were interested in this topic), in German and with historical figures shared among two or more articles. ETH Library provided us with the whole set of issues of the Swiss Historical Journal that are available via the E-Periodica digital archive both as text files, which were the output of OCR software applied to the digitized magazines and as an XML file containing the metadata of the whole issues of the journal. Then, we converted the content of the selected articles into a format suitable for the NLP algorithms, namely BioC JSON.\nAccording to the experts’ desiderata, we gather both intrinsic and extrinsic content. As extrinsic content, namely the information that contextualizes the article, we gathered the title, author, publication date, the issue and the page number. As intrinsic content, namely the information that is contained within the article text, we gathered the historical figures (persons, institutions, and locations), and the actions they performed, with related dates and locations. The extrinsic content was extracted from the XML file provided by ETH-Library. The intrinsic content was extracted automatically through the implementation of an assembly of NLP algorithms consisting of two main parts: rule-based algorithms and LLM-based algorithms. The rule-based algorithms, including text Parsing, NER, Dependency Parsing, and Rule-Based Systems, extracted the set of intrinsic elements for each sentence of each article: historical figure, action, object, details, time, and location. The LLM-based algorithms, leveraging models like GPT-4 (gpt-4-0125-preview), use structured prompting and large text inputs to understand and interpret complex contexts, identify actions, actors, and relationships, and infer details like time and location for accurate action flow detection.\nThe frontend of the tool consists of two different views on the same set of articles: the action flow view and the article inquiry view. The action flow view allows the user to see the action flows, namely all the actions a historical figure undertook, with related locations and years, through the use of an interactive timeline. In this view, the user can filter the action flows according to the type of historical figure and sort them according to a list of parameters, including the number of actions per figure and the completeness of the actions’ metadata. The article inquiry view allows the user to ask questions about an article through the use of a chatbot connected to a custom LLM-based algorithm. This view lists the whole set of analyzed articles with their related action flows, lists of historical figures and locations, and an automatically generated short summary.",
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- "text": "Operationalizing and Exploring Internationalization\nTo quantitatively trace the internationalization of patent practice, we must define this concept more precisely, or rather stipulate how we are going to measure it: we must “operationalize” the concept, i.e. turn it into “a series of operations”, “building a bridge from concepts to measurement, and then to the world” (Moretti 2013, 104). Deciding on a series of operations happens in interaction with a process of close examination and exploration of the dataset.\nSpeaking of a network of text and images implies that we can link patents from one country to those granted in another. The available “family” metadata already does so, but using it as an entry point for exploration shows that we would severely underestimate the extent of international patenting by relying only on that indication. However, this exploration reveals how very similar patents can be, confirming our expectations. We can match specifications by comparing patentee names and titles. Because available metadata is incomplete, these elements also need to be extracted from the patent document itself through text mining.\nExploration leads to a further possible operation: matching the drawings printed in these documents. Unlike the text, which changes between countries because it is translated and sometimes adapted to local patent practices and regulations, the drawings have often been reused (almost) identically from one country to another (Figure 1).\n\n\n\n\n\n\nFigure 1: Example of two pages from different patents featuring the same drawing (left: French patent 325,985; right: German patent 142,688).",
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+ "text": "Test of the prototype\nThe test of the working prototype consists of a set of online meetings with the experts that we involved in the user research, to show them the set of prototype features, and an anonymous survey. During the online meetings, we gather the very first impressions about the working prototype in terms of usability and usefulness in regards to the historians’ main research tasks. Through the anonymous survey, which remains available online for two weeks, we gather more in-depth feedback on the usefulness of the features we introduced and suggestions for further studies on how NLP algorithm and data visualization can improve historical research.",
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- "text": "Implementing Image Matching\nIn recent years, computational exploration and analysis of images have attracted a growing interest in digital history (Arnold and Tilton 2019, 2023; Wevers and Smits 2020). Among other approaches, historians have used convolutional neural networks (CNNs) to generate numerical representations of images, so-called image embeddings, and then find similar pictures. Pre-trained CNNs have been shown to be useful on historical documents even though they were built for another purpose, typically classifying colored photographs in categories such as iPod and hair_spray, as in the ImageNet training data.\nHowever, in itself, this method proved insufficient for our needs. First, the available images are digitizations of whole pages in the specifications. These pages might not be found to be similar, because of changes in the arrangement of the drawings on the page or because of differences in overall layout (see again Figure 1). To address this first limitation, we segment the pages by identifying regions of contiguous black pixels. A second limitation of using image embeddings for our purpose is that we are not looking for general similarity, e.g. in the overall shape of the figures, but for (near) identity. This distinction could not be made based on similarity measures given by the embeddings, possibly because of how the models were trained.\nAnother family of computer vision algorithms, feature detection and matching, is more appropriate for our goal. Predating the breakthrough of CNNs by a decade, Scale-Invariant Feature Transform (SIFT) remains one of the best available methods (Lowe 2004). SIFT can for instance find a photographed object in another photograph, even if it is scaled or rotated. However, SIFT is computationally intensive, which presents us with a challenge because of the amount of data we process. While faster algorithms exist, they have so far given inferior results on our data, leading especially to many false positives.\nBest results were obtained by combining a CNN and SIFT. Image embeddings and an efficient indexing algorithm (“Hnswlib - Fast Approximate Nearest Neighbor Search” 2024; Malkov and Yashunin 2018) allow us to reduce the search space: instead of using SIFT to compare a segment from a French patent to all the segments of British, German and US patents, we only compare it to the segments with the most similar embeddings. Preliminary results of using this method on French and German patents issued around 1902 indicate a very high precision, with very few false positives (recall still needs to be evaluated).",
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+ "text": "Results and future works\nThe Mini-Muse project allowed us to gather an overall understanding of which are the possible research directions regarding the implementation of AI-assisted search tools for digitized publication archives. Through this research, we have found evidence of the fact that the AI extraction of action flows, and related graphical visualization, can have a great impact on historical research activities in terms of both speeding up and enhancing the quality of the work. The action flow allows historians to easily find correlations among historical figures and relevant documents mentioning them, and so fostering the comparison of different authors’ perspectives on the same event/figure. We have also gathered evidence that the action flow, combined with a chatbot that allows users to ask questions about a selected article, can lead to a shift in the search results paradigm within cultural digital archives. Instead of displaying document-centered results, where each item returned by the system is a whole document, the search results become content-centered. In this new approach, each item returned is the specific information requested, presented in both textual and visual form, along with its contextual background. This shift focuses more on historical figures or content, rather than on entire documents. Throughout this preliminary project, we encountered some constraints, including the current size of the prompt of LLMs algorithms, which is not enough for passing very long documents, and the low quality of the summaries generated by the algorithms, which are requested to be as accurate as possible by historians. In future works, we plan to investigate how to scale our NLP algorithms and data visualization models for larger collections of digitized publications and how to integrate other historical entities, such as the thematic area (i.e.: resistance, counter-reform, colonialism) for more advanced historical research.",
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- "text": "Back to Exploration and Future Work\nOur early results prompt further exploration, leading to new insights. For instance, some of the matches point to metadata errors, e.g. wrong country indications in French patents. It also leads us to question some of our assumptions. Assuming that a patent in one country would have one corresponding patent in another, we used embeddings to get, for each segment in country A, the two segments most similar to it in country B. However, in our early results, one French patents matched six different German patents. This suggests that we might need to apply SIFT to compare each segment A to a greater number of similar B segments. Further future work includes combining matching the drawings and matching other data points. All in all, our use of computer vision methods, while not yet robust enough to answer our research questions, yields promising results demonstrating that the concept of internationalization can be operationalized in this way.",
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+ "text": "In the context of the research project Digitizing and Augmenting the Panorama of the Battle of Murten (EPFL, 2022-2026), we have produced the largest digital image of a single work of art (1.62 terapixel, the original painting dimensions are 10x100m, oil on canvas, 1894). To enhance the interpretation of the panorama’s intricate visual content, we propose a deep semantic annotation approach for data curation, operating at the Point of Interest (POI) level.\nLeveraging Linked Open Data (LOD) technologies and adopting the CIDOC CRM standards, we develop an annotation ontology to facilitate the description and interpretation of the panorama using interoperable structured data. This annotation will be supported by a web-based platform we designed, featuring deep zoom capabilities, with the potential to evolve into a versatile tool for the curation of panoramic content. During this workshop, we will present the beta-version of the web-based platform and let the audience test the annotation platform.\nThis workshop is being offered by Daniel Jaquet and Tsz Kin Chau (EPFL).\nParticipants can use their own laptops.",
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- "text": "References\n\n\nArnold, Taylor, and Lauren Tilton. 2019. “Distant Viewing: Analyzing Large Visual Corpora.” Digital Scholarship in the Humanities 34 (Supplement_1): i3–16. https://doi.org/10.1093/llc/fqz013.\n\n\n———. 2023. Distant Viewing: Computational Exploration of Digital Images. Cambridge (Massachusetts): The MIT Press. https://doi.org/10.7551/mitpress/14046.001.0001.\n\n\nBeauchamp, Christopher. 2015. Invented by Law: Alexander Graham Bell and the Patent That Changed America. Cambridge (Massachusetts): Harvard University Press.\n\n\nFisk, Catherine L. 2009. Working Knowledge. Employee Innovation and the Rise of Corporate Intellectual Property, 1800-1930. Studies in Legal History. Chapel Hill: University of North Carolina Press.\n\n\nGooday, Graeme, and Steven Wilf, eds. 2020. Patent Cultures: Diversity and Harmonization in Historical Perspective. Cambridge Intellectual Property and Information Law. Cambridge: Cambridge University Press. https://doi.org/10.1017/9781108654333.\n\n\n“Hnswlib - Fast Approximate Nearest Neighbor Search.” 2024. https://github.com/nmslib/hnswlib.\n\n\nLamoreaux, Naomi R., Kenneth L. Sokoloff, and Dhanoos Sutthiphisal. 2009. “The Reorganization of Inventive Activity in the United States During the Early Twentieth Century.” Working Paper 15440. National Bureau of Economic Research. https://doi.org/10.3386/w15440.\n\n\nLowe, David G. 2004. “Distinctive Image Features from Scale-Invariant Keypoints.” International Journal of Computer Vision 60 (2): 91–110. https://doi.org/10.1023/B:VISI.0000029664.99615.94.\n\n\nMalkov, Yu A, and Dmitry A Yashunin. 2018. “Efficient and Robust Approximate Nearest Neighbor Search Using Hierarchical Navigable Small World Graphs.” IEEE Transactions on Pattern Analysis and Machine Intelligence 42 (4): 824–36.\n\n\nMoretti, Franco. 2013. “‘Operationalizing’.” New Left Review, no. 84: 103–19. https://newleftreview.org/issues/ii84/articles/franco-moretti-operationalizing.\n\n\nVeyrassat, Béatrice. 2001. “De la protection de l’inventeur à l’industrialisation de l’invention.” In Innovations : incitations et résistances : des sources de l’innovation à ses effets, edited by Hans-Jörg Gilomen, Rudolf Jaun, Margrit Müller, and Béatrice Veyrassat, 367–83. Zürich: Chronos. https://doi.org/10.5169/seals-16825.\n\n\nWevers, Melvin, and Thomas Smits. 2020. “The Visual Digital Turn: Using Neural Networks to Study Historical Images.” Digital Scholarship in the Humanities 35 (1): 194–207. https://doi.org/10.1093/llc/fqy085.",
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+ "text": "In the context of the research project Digitizing and Augmenting the Panorama of the Battle of Murten (EPFL, 2022-2026), we have produced the largest digital image of a single work of art (1.62 terapixel, the original painting dimensions are 10x100m, oil on canvas, 1894). To enhance the interpretation of the panorama’s intricate visual content, we propose a deep semantic annotation approach for data curation, operating at the Point of Interest (POI) level.\nLeveraging Linked Open Data (LOD) technologies and adopting the CIDOC CRM standards, we develop an annotation ontology to facilitate the description and interpretation of the panorama using interoperable structured data. This annotation will be supported by a web-based platform we designed, featuring deep zoom capabilities, with the potential to evolve into a versatile tool for the curation of panoramic content. During this workshop, we will present the beta-version of the web-based platform and let the audience test the annotation platform.\nThis workshop is being offered by Daniel Jaquet and Tsz Kin Chau (EPFL).\nParticipants can use their own laptops.",
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- 2024-11-08T09:29:06.070Z
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+ 2024-11-18T07:41:39.000Z
- https://digihistch24.github.io/book-of-abstracts/submissions/482/index.html
- 2024-11-08T09:29:06.239Z
+ https://digihistch24.github.io/book-of-abstracts/submissions/873/index.html
+ 2024-11-18T07:41:39.004Z
https://digihistch24.github.io/book-of-abstracts/submissions/464/index.html
- 2024-11-08T09:29:06.225Z
+ 2024-11-18T07:41:38.992Z
https://digihistch24.github.io/book-of-abstracts/submissions/455/index.html
- 2024-11-08T09:29:06.209Z
+ 2024-11-18T07:41:38.979Z
https://digihistch24.github.io/book-of-abstracts/submissions/438/index.html
- 2024-11-08T09:29:06.037Z
+ 2024-11-18T07:41:38.809Z
https://digihistch24.github.io/book-of-abstracts/submissions/454/index.html
- 2024-11-08T09:29:06.207Z
+ 2024-11-18T07:41:38.979Z
https://digihistch24.github.io/book-of-abstracts/submissions/465/index.html
- 2024-11-08T09:29:06.225Z
+ 2024-11-18T07:41:38.992Z
https://digihistch24.github.io/book-of-abstracts/submissions/keynote/index.html
- 2024-11-08T09:29:06.243Z
+ 2024-11-18T07:41:39.004Z
https://digihistch24.github.io/book-of-abstracts/submissions/444/index.html
- 2024-11-08T09:29:06.065Z
+ 2024-11-18T07:41:38.835Z
https://digihistch24.github.io/book-of-abstracts/submissions/486/index.html
- 2024-11-08T09:29:06.242Z
+ 2024-11-18T07:41:39.004Z
https://digihistch24.github.io/book-of-abstracts/submissions/427/index.html
- 2024-11-08T09:29:06.014Z
+ 2024-11-18T07:41:38.793Z
https://digihistch24.github.io/book-of-abstracts/submissions/474/index.html
- 2024-11-08T09:29:06.238Z
+ 2024-11-18T07:41:39.001Z
https://digihistch24.github.io/book-of-abstracts/submissions/445/index.html
- 2024-11-08T09:29:06.066Z
+ 2024-11-18T07:41:38.836Z
https://digihistch24.github.io/book-of-abstracts/submissions/460/index.html
- 2024-11-08T09:29:06.219Z
+ 2024-11-18T07:41:38.988Z
https://digihistch24.github.io/book-of-abstracts/submissions/456/index.html
- 2024-11-08T09:29:06.214Z
+ 2024-11-18T07:41:38.984Z
https://digihistch24.github.io/book-of-abstracts/submissions/450/index.html
- 2024-11-08T09:29:06.130Z
+ 2024-11-18T07:41:38.898Z
https://digihistch24.github.io/book-of-abstracts/submissions/457/index.html
- 2024-11-08T09:29:06.215Z
+ 2024-11-18T07:41:38.984Z
https://digihistch24.github.io/book-of-abstracts/submissions/poster/440/index.html
- 2024-11-08T09:29:06.248Z
+ 2024-11-18T07:41:39.010Z
https://digihistch24.github.io/book-of-abstracts/submissions/poster/484/index.html
- 2024-11-08T09:29:06.249Z
+ 2024-11-18T07:41:39.011Z
https://digihistch24.github.io/book-of-abstracts/submissions/poster/472/index.html
- 2024-11-08T09:29:06.249Z
+ 2024-11-18T07:41:39.011Z
https://digihistch24.github.io/book-of-abstracts/fonts/LICENSE-OFL.html
- 2024-11-08T09:29:05.998Z
+ 2024-11-18T07:41:38.778Z
https://digihistch24.github.io/book-of-abstracts/SECURITY.html
- 2024-11-08T09:29:05.992Z
+ 2024-11-18T07:41:38.774Z
diff --git a/submissions/405/index.html b/submissions/405/index.html
index 4886c8f..dcc7f63 100644
--- a/submissions/405/index.html
+++ b/submissions/405/index.html
@@ -347,6 +347,12 @@
+On this page
Modified
-
November 8, 2024
+November 18, 2024
Data-Driven Approaches to Studying the Hi Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/427/index.html b/submissions/427/index.html
index 0309cd7..67374b6 100644
--- a/submissions/427/index.html
+++ b/submissions/427/index.html
@@ -348,6 +348,12 @@
+On a solid ground. Building software for Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/428/index.html b/submissions/428/index.html
index 65d59f3..fba2694 100644
--- a/submissions/428/index.html
+++ b/submissions/428/index.html
@@ -347,6 +347,12 @@
+Tables are tricky. Testing Text Encoding Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/429/index.html b/submissions/429/index.html
index 368025d..d6089c9 100644
--- a/submissions/429/index.html
+++ b/submissions/429/index.html
@@ -348,6 +348,12 @@
+Training engineering students through a d Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/431/index.html b/submissions/431/index.html
index dbcfa69..1e0c315 100644
--- a/submissions/431/index.html
+++ b/submissions/431/index.html
@@ -347,6 +347,12 @@
+From manual work to artificial intelligen Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/438/index.html b/submissions/438/index.html
index 5e69075..978a45e 100644
--- a/submissions/438/index.html
+++ b/submissions/438/index.html
@@ -347,6 +347,12 @@
+A handful of pixels of blood
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
@@ -507,7 +513,7 @@
diff --git a/submissions/438/presentation/A handful of pixels of blood - Transcript.html b/submissions/438/presentation/A handful of pixels of blood - Transcript.html
index bd992b6..6a16b15 100644
--- a/submissions/438/presentation/A handful of pixels of blood - Transcript.html
+++ b/submissions/438/presentation/A handful of pixels of blood - Transcript.html
@@ -338,6 +338,12 @@
Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
+On this page
Modified
-
November 8, 2024
+November 18, 2024
diff --git a/submissions/443/index.html b/submissions/443/index.html
index 214ac23..4ff9160 100644
--- a/submissions/443/index.html
+++ b/submissions/443/index.html
@@ -350,6 +350,12 @@
+Impresso 2: Connecting Historical Digitis Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/444/index.html b/submissions/444/index.html
index fe67343..50b3f09 100644
--- a/submissions/444/index.html
+++ b/submissions/444/index.html
@@ -348,6 +348,12 @@
+Learning to Read Digital? Constellations Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/445/index.html b/submissions/445/index.html
index 29058d9..34f285f 100644
--- a/submissions/445/index.html
+++ b/submissions/445/index.html
@@ -346,6 +346,12 @@
+Teaching the use of Automated Text Recogn Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/447/index.html b/submissions/447/index.html
index b9271c8..b304542 100644
--- a/submissions/447/index.html
+++ b/submissions/447/index.html
@@ -357,6 +357,12 @@
+Geovistory, a LOD Research Infrastructure Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/450/index.html b/submissions/450/index.html
index 54f0802..d851903 100644
--- a/submissions/450/index.html
+++ b/submissions/450/index.html
@@ -347,6 +347,12 @@
+Using GIS to Analyze the Development of P Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/452/index.html b/submissions/452/index.html
index a8f2ad1..3c3c773 100644
--- a/submissions/452/index.html
+++ b/submissions/452/index.html
@@ -349,6 +349,12 @@
+Belpop, a history-computer project to stu Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/453/index.html b/submissions/453/index.html
index 2816744..2af6673 100644
--- a/submissions/453/index.html
+++ b/submissions/453/index.html
@@ -347,6 +347,12 @@
+Contributing to a Paradigm Shift in Histo Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/454/index.html b/submissions/454/index.html
index 2fc7cb8..97e40ed 100644
--- a/submissions/454/index.html
+++ b/submissions/454/index.html
@@ -349,6 +349,12 @@
+Revealing the Structure of Land Ownership Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/455/index.html b/submissions/455/index.html
index ac411b8..f1c20e3 100644
--- a/submissions/455/index.html
+++ b/submissions/455/index.html
@@ -347,6 +347,12 @@
+Rockefeller fellows as heralds of globali Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/456/index.html b/submissions/456/index.html
index a7105a5..88e7b1e 100644
--- a/submissions/456/index.html
+++ b/submissions/456/index.html
@@ -352,6 +352,12 @@
+Theory and Practice of Historical Data Ve Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/457/index.html b/submissions/457/index.html
index 0c2d879..3478d1d 100644
--- a/submissions/457/index.html
+++ b/submissions/457/index.html
@@ -347,6 +347,12 @@
+Towards Computational Historiographical M Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/458/index.html b/submissions/458/index.html
index 39890fb..2874a2e 100644
--- a/submissions/458/index.html
+++ b/submissions/458/index.html
@@ -350,6 +350,12 @@
+Efficacy of Chat GPT Correlations vs.&nbs Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/459/index.html b/submissions/459/index.html
index 21b6419..b1507a8 100644
--- a/submissions/459/index.html
+++ b/submissions/459/index.html
@@ -348,6 +348,12 @@
+Data Literacy and the Role of Libraries Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/460/index.html b/submissions/460/index.html
index 669ef94..8746d28 100644
--- a/submissions/460/index.html
+++ b/submissions/460/index.html
@@ -347,6 +347,12 @@
+20 godparents and 3 wives – studying mi Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/462/index.html b/submissions/462/index.html
index 3a60e00..bcc1b31 100644
--- a/submissions/462/index.html
+++ b/submissions/462/index.html
@@ -349,6 +349,12 @@
+From record cards to the dynamics of real Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/464/index.html b/submissions/464/index.html
index c658a2a..51e440c 100644
--- a/submissions/464/index.html
+++ b/submissions/464/index.html
@@ -347,6 +347,12 @@
+When the Data Becomes Meta: Quality Contr Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/465/index.html b/submissions/465/index.html
index bcb3dd6..e62bb19 100644
--- a/submissions/465/index.html
+++ b/submissions/465/index.html
@@ -347,6 +347,12 @@
+On the Historiographic Authority of Machi Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/468/index.html b/submissions/468/index.html
index 4181995..efb699c 100644
--- a/submissions/468/index.html
+++ b/submissions/468/index.html
@@ -348,6 +348,12 @@
+Films as sources and as means of communic Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/469/index.html b/submissions/469/index.html
index cd22b57..8a00d7a 100644
--- a/submissions/469/index.html
+++ b/submissions/469/index.html
@@ -346,6 +346,12 @@
+Develop Yourself! Development according t Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/471/index.html b/submissions/471/index.html
index 69b956e..38b3dd8 100644
--- a/submissions/471/index.html
+++ b/submissions/471/index.html
@@ -350,6 +350,12 @@
+AI-assisted Search for Digitized Publicat Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/473/index.html b/submissions/473/index.html
index 4175cfe..7dace59 100644
--- a/submissions/473/index.html
+++ b/submissions/473/index.html
@@ -348,6 +348,12 @@
+Digital Film Collection Literacy – Crit Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/474/index.html b/submissions/474/index.html
index bf419ab..a5db1ea 100644
--- a/submissions/474/index.html
+++ b/submissions/474/index.html
@@ -347,6 +347,12 @@
+From Source-Criticism to System-Criticism Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/480/index.html b/submissions/480/index.html
index 090f4a9..3bbb915 100644
--- a/submissions/480/index.html
+++ b/submissions/480/index.html
@@ -348,6 +348,12 @@
+Connecting floras and herbaria before 185 Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/482/index.html b/submissions/482/index.html
index 6d266e1..9560f17 100644
--- a/submissions/482/index.html
+++ b/submissions/482/index.html
@@ -348,6 +348,12 @@
+A Digital History of Internationalization Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/486/index.html b/submissions/486/index.html
index 781bbfa..5bee5bd 100644
--- a/submissions/486/index.html
+++ b/submissions/486/index.html
@@ -350,6 +350,12 @@
+From words to numbers. Methodological per Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
diff --git a/submissions/687/index.html b/submissions/687/index.html
index dd83b68..ede222e 100644
--- a/submissions/687/index.html
+++ b/submissions/687/index.html
@@ -20,7 +20,7 @@
-
+
@@ -347,6 +347,12 @@
+Go Digital, They Said. It Will Be Fun, Th Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
@@ -633,8 +639,8 @@
References
-
- When Literacy Goes Digital: Rethinking the Ethics and Politics of Digitisation
+
+ Unveiling Historical Depth: Semantic annotation of the Panorama of the Battle of Murten
Source Code
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+Unveiling Historical Depth: Semantic annotation of the Panorama of the Battle of Murten – DigiHistCH24
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diff --git a/submissions/keynote/index.html b/submissions/keynote/index.html
index 230d038..989cfda 100644
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+Unveiling Historical Depth: Semantic annotation of the Panorama of the Battle of Murten
+
+ Session 5B
+ 
+
+
+
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+
+ Published
+
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+ September 13, 2024
+
+
+ Doi
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+ Workshop
+In the context of the research project Digitizing and Augmenting the Panorama of the Battle of Murten (EPFL, 2022-2026), we have produced the largest digital image of a single work of art (1.62 terapixel, the original painting dimensions are 10x100m, oil on canvas, 1894). To enhance the interpretation of the panorama’s intricate visual content, we propose a deep semantic annotation approach for data curation, operating at the Point of Interest (POI) level.
+Leveraging Linked Open Data (LOD) technologies and adopting the CIDOC CRM standards, we develop an annotation ontology to facilitate the description and interpretation of the panorama using interoperable structured data. This annotation will be supported by a web-based platform we designed, featuring deep zoom capabilities, with the potential to evolve into a versatile tool for the curation of panoramic content. During this workshop, we will present the beta-version of the web-based platform and let the audience test the annotation platform.
+This workshop is being offered by Daniel Jaquet and Tsz Kin Chau (EPFL).
+Participants can use their own laptops.
+ + + + +Reuse
Citation
BibTeX citation:
@misc{jaquet2024,
+ author = {Jaquet, Daniel and Kin Chau, Tsz},
+ editor = {Baudry, Jérôme and Burkart, Lucas and Joyeux-Prunel,
+ Béatrice and Kurmann, Eliane and Mähr, Moritz and Natale, Enrico and
+ Sibille, Christiane and Twente, Moritz},
+ title = {Unveiling {Historical} {Depth:} {Semantic} Annotation of the
+ {Panorama} of the {Battle} of {Murten}},
+ date = {2024-09-13},
+ url = {https://digihistch24.github.io/book-of-abstracts/submissions/873/},
+ doi = {10.5281/zenodo.14175343},
+ langid = {en}
+}
+For attribution, please cite this work as:
+Jaquet, Daniel, and Tsz Kin Chau. 2024. “Unveiling Historical
+Depth: Semantic Annotation of the Panorama of the Battle of
+Murten.” Edited by Jérôme Baudry, Lucas Burkart, Béatrice
+Joyeux-Prunel, Eliane Kurmann, Moritz Mähr, Enrico Natale, Christiane
+Sibille, and Moritz Twente. Digital History Switzerland 2024: Book
+of Abstracts. https://doi.org/10.5281/zenodo.14175343.
+
Source Code
+
+
---
+submission_id: 873
+categories: 'Session 5B'
+title: 'Unveiling Historical Depth: Semantic annotation of the Panorama of the Battle of Murten'
+author:
+ - name: Daniel Jaquet
+ orcid: 0000-0003-1515-3619
+ email: daniel.jaquet@epfl.ch
+ affiliation: EPFL
+ - name: Tsz Kin Chau
+ orcid: 0009-0006-7939-3151
+ email: tszkin.chau@epfl.ch
+ affiliation: EPFL
+date: 09-13-2024
+doi: 10.5281/zenodo.14175343
+---
+
+## Workshop
+
+In the context of the research project Digitizing and Augmenting the Panorama of the Battle of Murten (EPFL, 2022-2026), we have produced the largest digital image of a single work of art (1.62 terapixel, the original painting dimensions are 10x100m, oil on canvas, 1894). To enhance the interpretation of the panorama's intricate visual content, we propose a deep semantic annotation approach for data curation, operating at the Point of Interest (POI) level.
+
+Leveraging Linked Open Data (LOD) technologies and adopting the CIDOC CRM standards, we develop an annotation ontology to facilitate the description and interpretation of the panorama using interoperable structured data. This annotation will be supported by a web-based platform we designed, featuring deep zoom capabilities, with the potential to evolve into a versatile tool for the curation of panoramic content. During this workshop, we will present the beta-version of the web-based platform and let the audience test the annotation platform.
+
+This workshop is being offered by Daniel Jaquet and Tsz Kin Chau (EPFL).
+
+Participants can use their own laptops.When Literacy Goes Digital: Rethinking th Go Digital, They Said. It Will Be Fun, They Said. Teaching DH Methods for Historical Research
@@ -575,8 +581,8 @@