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帕赫贝尔卡农.ly
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帕赫贝尔卡农.ly
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\version "2.18.2"
\markup { 和声深度接触 }
\markup { \vspace #1 }
\markup { • 弹奏下列 C 大调音阶里的和弦 }
\markup { " 注意，I、IV 与 V 和弦是大和弦，ii、iii 与 vi 是小和弦。" }
\markup { \vspace #1 }
\markup {
\score {
\new Staff \with {
\omit TimeSignature
} \relative c' {
\clef treble
\hide Staff.BarLine
<c e g>1_\markup{ I }^\markup { C }
<d f a>1_\markup{ ii }^\markup { Dm }
<e g b>1_\markup{ iii }^\markup { Em }
<f a c>1_\markup{ IV }^\markup { F }
<g b d>1_\markup{ V }^\markup { G }
<a c e>1_\markup{ vi }^\markup { Am }
}
\layout { ragged-right = ##f indent = 0.2\cm }
}
}
\markup { \vspace #1 }
\markup { • 《帕赫贝尔卡农》建立在下面这个重复的四小节和弦进行之上： }
\markup { \vspace #1 }
\markup {
\score {
\new Staff\with {
\omit TimeSignature
} \relative c {
\clef bass
<c e g>2_\markup{ \lower #4 I }^\markup { \raise #2 C }
<g b d>2_\markup{ \lower #4 V }^\markup { \raise #2 G }
<a c e>2_\markup{ \lower #4 vi }^\markup { \raise #2 Am }
<e g b>2_\markup{ \lower #4 iii }^\markup { \raise #2 Em }
<f a c>2_\markup{ \lower #4 IV }^\markup { \raise #2 F }
<c e g>2_\markup{ \lower #4 I }^\markup { \raise #2 C }
<f a c>2_\markup{ \lower #4 IV }^\markup { \raise #2 F }
<g b d>2_\markup{ \lower #4 V }^\markup { \raise #2 G }
}
\layout { ragged-right = ##f indent = 0.2\cm }
}
}
keyTime = {
\key c \major
\time 4/4
\numericTimeSignature
}
ChordC = \markup { \raise #3 C }
ChordDm = \markup { \raise #3 Dm }
ChordEm = \markup { \raise #3 Em }
ChordF = \markup { \raise #3 F }
ChordG = \markup { \raise #3 G }
ChordAm = \markup { \raise #3 Am }
upper = \relative c'' {
\clef treble
\keyTime
\tempo "Andante" 4=100
\override Hairpin.to-barline = ##f
r8\p^\markup { \right-align \raise #3 "和弦名称：C" } e,-1[( g-2 c-5)] r^\ChordG d,-1[( g-3 b-5)] |
r8^\ChordAm c,-1[( e-2 a-5)] r^\ChordEm b,-1[( e-3 g)] |\break
r8^\ChordF a,-1( c-2 f) r^\ChordC g,-1( c-3 e) |
r8^\ChordF a,-1( c-2 f) r^\ChordG b,-1( d-2 g) |
e'8-5--^\ChordC g,-1 c-3 g-1 \stemDown d'-4--^\ChordG g,-1 b-2 g-1 |\break
\stemUp c8-5--^\ChordAm e,-1 a-3 e-1 b'-4--^\ChordEm e,-1 g-2 e |
a8-5--^\ChordF c,-1 f-3 c g'-4--^\ChordC c, e c |
a'8-5--^\ChordF c, f c b'-5--^\ChordG d, g d |\break \pageBreak
\stemNeutral c'8-3\mp(^\ChordC b c4 \grace { b16-2 c16-3 } b2-2)^\ChordG |
c4-1(\<^\ChordAm e-2 g4.-4\!)^\ChordEm a8( |\break
f8-3^\ChordF e-2 d-1 f-4 e^\ChordC d c-1 b-4 |
a8^\ChordF g f-1 e-3 <b d>-1-2^\ChordG f'-4\> e d\!) |\break
c8-1^\ChordC( d e f <b, g'>4)^\ChordG g'8-4( f-3 |
<c e>8-1-2^\ChordAm a'-5 g f g-4^\ChordEm f e d-1 |\break
c4-2)^\markup { 跨越 }^\ChordF a'8-3(\< b-4 <e, c'>-1-5\!^\ChordC b' a g |
<f a>4-1-3^\ChordF b8 c-5 b16-3^\ChordG\< g-1 a b c-1 d e f\! |\break
g8-5)\mf^\ChordC e16( f g8) e16( f g^\ChordG g, a b c-1 d e f-4 |
e8-3^\ChordAm) c16( d e8) e,16-1( f g^\ChordEm a g f g8 c |\break \pageBreak
a8-3)^\ChordF c16( b a8 g16-2 f-1 g-2^\ChordC f-1 e-2 f-1 g-2 a-3 b-4 c-5 |
a8-3)^\ChordF c16( b c8-5 c-4 b16-3^\ChordG g a b c-1 d e f-4 |\break
g8-5)\f^\ChordC e16( f g8 g <e g>4-3-5^\ChordG <d f>-2-4) |
e8^\ChordAm^\finger \markup \column {"(3" "5"} c16(^\finger \markup \column {"1)" " "} d e8 e <c e>4-3-5^\ChordEm <b d>-2-4) |\break
c8-3^\ChordF c16( b a8-1 g16-3 f-2 g-3^\ChordC f-2 e-1 f-2 g-3 a-1 b-2 c-3 |
a8-1)^\ChordF c16( b c8-3 c-4 b4-3^\ChordG g) |\bar"||"\break
g'4.-5\f^\ChordC g8-3( g^\ChordG a-4 g-3 f-2 |
e4.-1)^\ChordAm e8-3( e^\ChordEm f e d |
c8-1^\ChordF b-3 a-2 b-3 c2-4)^\ChordC |\break
c8(^\ChordF b c4 b2^\ChordG |
c4.-4\mf)^\ChordC g8-1( g-3^\ChordG a g f |
e4.)^\ChordAm e8-3( e^\ChordEm f e d |\break \pageBreak
c8-1^\ChordF b-3 a-2 b-3 c2-4)^\ChordC |
c8(^\ChordF b c4 b2^\ChordG |
c4-1)\mp^\ChordC <c' e>-3-5-- r^\ChordG <b d>-2-4-- |\break
r4^\ChordAm <a c>-1-3-- r^\ChordEm <g b>-1-3-- |
r4^\ChordF <f a>-1-3-- r^\ChordC <e g>-1-3-- |
r4^\ChordF <f a>-1-3-- r^\ChordG <g b>-2-4-- |\break
<e c'>2\p^\ChordC <d b'>^\ChordG |
<c a'>2^\ChordAm <b g'>^\ChordEm |
\set fingeringOrientations = #'(left)
<a f'>2^\ChordF <c-2 e-4>^\ChordC |
<a f'>2^\ChordF
<<
{\stemDown <c-2>4^\ChordG_\markup { \italic "rit."} <b-1> }
\new Voice { g'2-5 }
>> |
<g,-1 c-3 e-5>1^\ChordC |\bar "|."
}
sustainRestart = \sustainOff \sustainOn
EmptySustain = { s4\sustainRestart s4\sustainRestart s4\sustainRestart s4\sustainRestart }
lower = \relative c {
\clef bass
\keyTime
\override Hairpin.to-barline = ##f
\set Staff.pedalSustainStyle = #'bracket
c2_1\sustainOn g_2\sustainRestart |
a2_1\sustainRestart e_3\sustainRestart |\break
f2_2\sustainRestart c_5\sustainRestart |
f2_3\sustainRestart g_2\sustainRestart |
c2_1\sustainRestart g_2\sustainRestart |\break
a2_1\sustainRestart e_3\sustainRestart |
f2_2\sustainRestart c_5\sustainRestart |
f2_3\sustainRestart g_2\sustainRestart |\break
c'4_2\sustainRestart e_1\sustainRestart g,8_5\sustainRestart( b d b) |
a8_4\sustainRestart( c_2 e_1 c_2 e,_5\sustainRestart g b) r |\break
f8_4\sustainRestart[ a_2] c_1 r c,_5\sustainRestart[ e] g r |
<<
{ s4\sustainRestart s4\sustainRestart s4\sustainRestart s4\sustainRestart_\markup { 抬手 } }
\new Voice { f2 g_1 }
>> |\break
<< \EmptySustain \new Voice { c,2_1 g_2 } >> |
<< \EmptySustain \new Voice { a2_1 e_3 } >> |\break
<< \EmptySustain \new Voice { f2_2 c } >> |
<< \EmptySustain \new Voice { f2_3 g } >> |\break
<< \EmptySustain \new Voice { c2_1 g_2 } >> |
<< \EmptySustain \new Voice { a2 e_3 } >> |\break
<< \EmptySustain \new Voice { f2 c } >> |
<< \EmptySustain \new Voice { f2_3 g } >> |\break
<< \EmptySustain \new Voice { c2_1 g_2 } >> |
<< \EmptySustain \new Voice { a2 e_3 } >> |\break
<< \EmptySustain \new Voice { f2 c } >> |
<< \EmptySustain \new Voice { f2_3 g } >> |\bar"||"\break
c8_5(\sustainRestart e g4) <b d>_1_2\sustainRestart q\sustainRestart |
<a c>4_1_3\sustainRestart q\sustainRestart <g b>_1_3\sustainRestart q\sustainRestart |
<f a>4_1_3\sustainRestart q\sustainRestart <e g>_1_3\sustainRestart q\sustainRestart |\break
<f a>4_1_2\sustainRestart q\sustainRestart g_1\sustainRestart g,\sustainRestart |
c8_5(\sustainRestart e g4) <b d>_1_2\sustainRestart q\sustainRestart |
<a c>4_1_3\sustainRestart q\sustainRestart <g b>_1_3\sustainRestart q\sustainRestart |\break
<f a>4_1_3\sustainRestart f\sustainRestart <e g>_1_3\sustainRestart q\sustainRestart |
<f a>4_1_2\sustainRestart q\sustainRestart g\sustainRestart g,\sustainRestart |
\override Slur.control-points = #'((0 . 4) (2 . 8) (8 . 4) (10 . 8)) % Note: 使用一个取巧的方法绘制跨五线谱(stave) 的连线(slur)。 正式的写法参见 easiest-piano-course-3 中的 p21-wan-za-shua-de-ren.ly（《玩杂耍的人》。
c8_5\sustainRestart( g' r4) g,8_5\sustainRestart( d' r4) |\break
a8_5\sustainRestart( e' r4) e,8_5\sustainRestart( b' r4) |
f8_5\sustainRestart( c' r4) c,8_5\sustainRestart( g' r4) |
f8_5\sustainRestart( c' r4) g8_5\sustainRestart( d' r4) |\break
c2_1\sustainRestart g_2\sustainRestart |
a2\sustainRestart e\sustainRestart |
f2\sustainRestart c\sustainRestart |
f2\sustainRestart g\sustainRestart |
c,1\sustainRestart |\bar "|."
}
\paper {
print-all-headers = ##t
}
\markup { \vspace #1 }
\score {
\header {
title = "帕赫贝尔卡农"
composer = \markup{ \column \right-align { "[德] 约翰•帕赫贝尔 曲" "(1653-1706)"}}
arranger = "改编曲"
}
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
\layout {
indent = 0\cm
}
\midi { }
}