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googlefonts · Oct 30, 2024 · 6c7a571 · 6c7a571
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diff --git a/docs/index.html b/docs/index.html
diff --git a/docs/servers.json b/docs/servers.json
@@ -1,5 +1,5 @@
 {
-    "last_checked": "2024-10-29",
+    "last_checked": "2024-10-30",
     "dev": {
         "name": "dev",
         "url": "https://fonts-dev.sandbox.google.com/metadata/fonts",
@@ -96727,7 +96727,7 @@
             },
             "Katibeh": {
                 "name": "Katibeh",
-                "version": "Version 1.0000g"
+                "version": "Version 1.0010g"
             },
             "Kaushan Script": {
                 "name": "Kaushan Script",
@@ -97411,7 +97411,7 @@
             },
             "Miriam Libre": {
                 "name": "Miriam Libre",
-                "version": "Version 1.001"
+                "version": "Version 2.000"
             },
             "Mirza": {
                 "name": "Mirza",
@@ -101016,6 +101016,14 @@
             "Sixtyfour Convergence": {
                 "name": "Sixtyfour Convergence",
                 "version": "Version 2.001"
+            },
+            "Karla Tamil Inclined": {
+                "name": "Karla Tamil Inclined",
+                "version": "Version 1.001"
+            },
+            "Karla Tamil Upright": {
+                "name": "Karla Tamil Upright",
+                "version": "Version 1.001"
             }
         },
         "designers": {
@@ -103306,6 +103314,10 @@
             "Ren\u00e9 Bieder": {
                 "name": "Ren\u00e9 Bieder",
                 "bio": "Ren\u00e9 Bieder is a trained Graphic designer, Art Director, and self-taught type designer. Before setting up his own studio as a type designer in 2012, he was employed in various small and large advertising agencies. Today, you can find his retail typefaces all around the world. From the Nemo Science Museum in Amsterdam to the University of Florida. Next to his retail releases, Bieder has worked with various national and international clients, such as industry giants such as Volkswagen, to create impactful custom brand fonts. renebieder.com/ | Instagram"
+            },
+            "Jonathan Pinhorn": {
+                "name": "Jonathan Pinhorn",
+                "bio": null
             }
         },
         "metadata": {
@@ -116418,7 +116430,7 @@
                     "display"
                 ],
                 "description": "Katibeh is a headline font based on the Naskh script, infused with some qualities of the Thuluth script. The small serif-like outstrokes make Katibeh remind us of archaic designs, but other aspects of the design are very contemporary touches. The result is something between tradition and today. Katibeh has ligatures that Arabic and Persian readers are familiar with, to make it comfortable for reading longer texts. Unlike many other Arabic fonts, Katibeh includes a Latin typeface designed for harmony with the Arabic to make it useful for multilingual texts. The Latin is scaled to work best with the Arabic component. The Katibeh project is led by KB Studio, a design studio in Los Angeles. To contribute, see github.com/Tarobish/Katibeh",
-                "primary_script": null,
+                "primary_script": "Arab",
                 "article": null,
                 "minisite_url": null
             },
@@ -119895,7 +119907,7 @@
                 ],
                 "stroke": "SANS_SERIF",
                 "classifications": [],
-                "description": "Miriam Libre is a mono-linear Hebrew and Latin sans serif font family with two weights, Regular and Bold. The Hebrew design is a revival of the original Miriam typeface published in 1908 by Raphael Frank. Miriam Libre brings this design into the 21st century: proportions are redesigned; unnnecessary elements were removed for a more clean appearance, while keeping the original unique personality; more soft curves replace some of the \u201csquare\u201d mechanical ones. The Latin design is original and made to fit the Hebrew and meet the contemporary needs of a bi-lingual font family. The Miriam Libre project is led by Michal Sahar, a type designer based in Tel Aviv, Israel. To contribute, see github.com/MichalSahar/Miriam-Libre",
+                "description": "Miriam Libre is a mono-linear Hebrew and Latin sans serif font family with two weights, Regular and Bold. The Hebrew design is a revival of the original Miriam typeface published in 1908 by Raphael Frank. Miriam Libre brings this design into the 21st century: proportions are redesigned; unnnecessary elements were removed for a more clean appearance, while keeping the original unique personality; more soft curves replace some of the \u201csquare\u201d mechanical ones. The Latin design is original and made to fit the Hebrew and meet the contemporary needs of a bi-lingual font family. This updated version expands Miriam Libre to be a variable font. The Miriam Libre project is led by Michal Sahar, a type designer based in Tel Aviv, Israel. To contribute, see github.com/simoncozens/Miriam-Libre",
                 "primary_script": null,
                 "article": null,
                 "minisite_url": null
@@ -138174,6 +138186,40 @@
                 "primary_script": null,
                 "article": "Sixtyfour Convergence is the COLRv1 companion of Sixtyfour a font inspired by the article Raster CRT Typography by Norbert Landsteiner, and is a rework of some old pixel versions of the Commodore 64. Due to this project's specificity and the fonts' historical origin, they only support a limited set of glyphs. To contribute, see github.com/jenskutilek/homecomputer-fonts. Homecomputer Fonts These fonts are inspired by the interface fonts of two classic 1980s computers, the Commodore C64 (Sixtyfour) and Amiga (Workbench). When Jens Kutilek adapted them to the variable font technology, he did not just convert the pixel fonts, but tried to emulate the artifacts of rendering letters on a CRT screen. The above fonts include two custom axes: Scanlines, which allows control of the height of the lines and, as a result of this, the amount of vertical space between the lines. And Bleed to change the amount of horizontal bleed of the pixels due to the phosphor latency found in CRT displays. Sixtyfour Convergence Sixtyfour Convergence is Simon Cozens's COLRv1 take on Sixtyfour, which introduces two additional new custom axes: Horizontal Element Alignment and Vertical Element Alignment. These axes allow the control of the position of three painted layers, reproducing the control of the offset positions of the red, green, and blue colors common on CRT monitors.",
                 "minisite_url": null
+            },
+            "Karla Tamil Inclined": {
+                "name": "Karla Tamil Inclined",
+                "designer": [
+                    "Jonathan Pinhorn"
+                ],
+                "license": "ofl",
+                "category": "SANS_SERIF",
+                "subsets": [
+                    "tamil"
+                ],
+                "stroke": "SANS_SERIF",
+                "classifications": [],
+                "description": "Karla is a grotesque sans serif typeface family that supports languages that use the Latin script and the Tamil script. This is the Tamil script part of the family, with Inclined styles in two weights, Regular and Bold. The Latin part is available from the Karla specimen page. Karla Tamil does not currently work on iPhones and iPads, because iOS doesn't render OpenType Layout shaping, only AAT shaping. Mac OS X, Windows and GNU+Linux all render OpenType Layout shaping. These Tamil fonts do not have AAT shaping, so they won't render correctly, but the iOS system font does. To contribute to the project contact Jonathan Pinhorn.",
+                "primary_script": "Taml",
+                "article": null,
+                "minisite_url": null
+            },
+            "Karla Tamil Upright": {
+                "name": "Karla Tamil Upright",
+                "designer": [
+                    "Jonathan Pinhorn"
+                ],
+                "license": "ofl",
+                "category": "SANS_SERIF",
+                "subsets": [
+                    "tamil"
+                ],
+                "stroke": "SANS_SERIF",
+                "classifications": [],
+                "description": "Karla is a grotesque sans serif typeface family that supports languages that use the Latin script and the Tamil script. This is the Tamil script part of the family, with Upright styles in two weights, Regular and Bold. The Latin part is available from the Karla specimen page. Karla Tamil does not currently work on iPhones and iPads, because iOS doesn't render OpenType Layout shaping, only AAT shaping. Mac OS X, Windows and GNU+Linux all render OpenType Layout shaping. These Tamil fonts do not have AAT shaping, so they won't render correctly, but the iOS system font does. To contribute to the project contact Jonathan Pinhorn.",
+                "primary_script": "Taml",
+                "article": null,
+                "minisite_url": null
             }
         },
         "axisregistry": {

diff --git a/docs/versionhistory.json b/docs/versionhistory.json
@@ -6176,6 +6176,10 @@
       {
         "version": "Version 1.0000g",
         "date": "1970-01-01T00:00:00"
+      },
+      {
+        "version": "Version 1.0010g",
+        "date": "2024-10-30T03:16:10.805547"
       }
     ]
   },
@@ -7143,6 +7147,12 @@
         "version": "Version 1.001",
         "date": "2024-10-01T02:17:25.264481"
       }
+    ],
+    "production": [
+      {
+        "version": "Version 1.001",
+        "date": "2024-10-30T02:56:02.221891"
+      }
     ]
   },
   "Inspiration": {
@@ -22769,6 +22779,12 @@
         "version": "Version 1.001",
         "date": "2024-10-01T02:16:39.295302"
       }
+    ],
+    "production": [
+      {
+        "version": "Version 1.001",
+        "date": "2024-10-30T02:12:30.598962"
+      }
     ]
   },
   "Fredoka": {
@@ -26040,6 +26056,10 @@
       {
         "version": "Version 1.001",
         "date": "1970-01-01T00:00:00"
+      },
+      {
+        "version": "Version 2.000",
+        "date": "2024-10-30T02:33:40.481266"
       }
     ]
   },