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simoncozens authored and github-actions[bot] committed Sep 20, 2024
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2 changes: 1 addition & 1 deletion docs/index.html
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68 changes: 58 additions & 10 deletions docs/servers.json
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{
"last_checked": "2024-09-19",
"last_checked": "2024-09-20",
"dev": {
"name": "dev",
"url": "https://fonts-dev.sandbox.google.com/metadata/fonts",
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},
"Dhurjati": {
"name": "Dhurjati",
"version": "Version 1.0.5; ttfautohint (v1.2.25-373a) -l 7 -r 28 -G 50 -x 13"
"version": "Version 1.0.5; ttfautohint (v1.2.25-373a) -l 7 -r 28 -G 50 -x 13 -D telu -f latn -w G -X \"\""
},
"Didact Gothic": {
"name": "Didact Gothic",
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},
"Gidugu": {
"name": "Gidugu",
"version": "Version 1.0.5; ttfautohint (v1.2.25-373a) -l 7 -r 28 -G 50 -x 13"
"version": "Version 1.0.5; ttfautohint (v1.2.25-373a) -l 7 -r 28 -G 50 -x 13 -D telu -f latn -w G -X \"\""
},
"Gilda Display": {
"name": "Gilda Display",
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},
"Jomhuria": {
"name": "Jomhuria",
"version": "Version 1.0000 "
"version": "Version 1.0010 "
},
"Jomolhari": {
"name": "Jomolhari",
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},
"Libre Franklin": {
"name": "Libre Franklin",
"version": "Version 2.000"
"version": "Version 3.000"
},
"Licorice": {
"name": "Licorice",
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"Sixtyfour Convergence": {
"name": "Sixtyfour Convergence",
"version": "Version 2.001"
},
"Afacad Flux": {
"name": "Afacad Flux",
"version": "Version 1.100"
},
"Hind Mysuru": {
"name": "Hind Mysuru",
"version": "Version 0.703;PS 1.0;hotconv 1.0.86;makeotf.lib2.5.63406"
}
},
"designers": {
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"display"
],
"description": "Dhurjati is a Telugu font with a square design and round corners. It has ornamental vowel marks that evoke a traditional Indian feeling and is suitable for headlines, invitations, posters and other uses at large sizes. Dhurjati is named after the Telugu poet from the court of the king Krishnadevaraya, and was one of the Astadiggajalu (literally eight legends) there. The Telugu and Latin is designed and developed by Purushoth Kumar Guttula in 2013 and made available by Silicon Andhra under the SIL Open Font License v1.1. The Dhurjati project is led by Appaji Ambarisha Darbha, a type designer based in Hyderabad, India. To contribute, see github.com/appajid/dhurjati",
"primary_script": null,
"primary_script": "Telu",
"article": null,
"minisite_url": null
},
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"display"
],
"description": "Gidugu is a Telugu font suitable for headlines, invitations and posters and is best used at large sizes. Gidugu is named after Gidugu Venkata Ramamurthy, who championed using Telugu as a language for everyone, not only a scholastic language. The Telugu is designed and developed by Purushoth Kumar Guttula, and made available under the SIL Open Font License v1.1 by Silicon Andhra. The Latin is newly designed for this project by Eduardo Tunni, a type designer in Buenos Aires, Argentina. The Gidugu project is led by Appaji Ambarisha Darbha, a type designer based in Hyderabad, India. To contribute, see github.com/appajid/gidugu",
"primary_script": null,
"primary_script": "Telu",
"article": null,
"minisite_url": null
},
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"license": "ofl",
"category": "DISPLAY",
"subsets": [
"arabic",
"latin",
"latin-ext"
],
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"display"
],
"description": "Jomhuria is a dark Persian/Arabic and Latin display typeface, suitable for headline and other display usage. The name means 'republic,' and the spark of inspiration for the design was a stencil of \u201cShablon\u201d showing just a limited character set just for the Persian language without any marks, vowels or Latin glyphs. Shablon was designed 30 years ago in Iran, and is reinterpreted by Kourosh to incorporate contemporary techniques, aesthetics and of course some personal taste. While inspired by the spirit of Shablon, Jomhuria is a new typeface that stands on its own. The typeface designer Kourosh created an additional original Latin design that is tailored to harmonize with the aesthetics of the Persian/Arabic design. Being made for big sizes means details matter. The positions of the dots remains faithful to their locations in Persian/Arabic calligraphy; this is an important factor of beauty in the writing system and is key to readability. The Arabic script was designed by Kourosh Beigpour, and the Latin was designed by Eben Sorkin. The font is engineered by Lasse Fister, and the technicalities build upon those developed by Khaled Hosny for his \u201cAmiri.\u201d The Latin is scaled to work best with the Arabic component. The Jomhuria project is led by KB Studio, a type design foundry based in Los Angelese, USA. To contribute, see github.com/Tarobish/Jomhuria",
"primary_script": null,
"primary_script": "Arab",
"article": null,
"minisite_url": null
},
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"license": "ofl",
"category": "SANS_SERIF",
"subsets": [
"cyrillic",
"cyrillic-ext",
"latin",
"latin-ext",
"vietnamese"
],
"stroke": "SANS_SERIF",
"classifications": [],
"description": "Libre Franklin is an interpretation and expansion of the 1912 Morris Fuller Benton classic. The Libre Franklin project is led by Impallari Type, a type design foundry based in Rosario, Argentina. To contribute, see github.com/impallari/Libre-Franklin",
"description": "Libre Franklin is an interpretation and expansion of the 1912 Morris Fuller Benton classic. The Libre Franklin project is led by Impallari Type, a type design foundry based in Rosario, Argentina. To contribute, see github.com/googlefonts/Libre-Franklin",
"primary_script": null,
"article": null,
"minisite_url": null
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"primary_script": null,
"article": "Sixtyfour Convergence is the COLRv1 companion of Sixtyfour a font inspired by the article Raster CRT Typography by Norbert Landsteiner, and is a rework of some old pixel versions of the Commodore 64. Due to this project's specificity and the fonts' historical origin, they only support a limited set of glyphs. To contribute, see github.com/jenskutilek/homecomputer-fonts. Homecomputer Fonts These fonts are inspired by the interface fonts of two classic 1980s computers, the Commodore C64 (Sixtyfour) and Amiga (Workbench). When Jens Kutilek adapted them to the variable font technology, he did not just convert the pixel fonts, but tried to emulate the artifacts of rendering letters on a CRT screen. The above fonts include two custom axes: Scanlines, which allows control of the height of the lines and, as a result of this, the amount of vertical space between the lines. And Bleed to change the amount of horizontal bleed of the pixels due to the phosphor latency found in CRT displays. Sixtyfour Convergence Sixtyfour Convergence is Simon Cozens's COLRv1 take on Sixtyfour, which introduces two additional new custom axes: Horizontal Element Alignment and Vertical Element Alignment. These axes allow the control of the position of three painted layers, reproducing the control of the offset positions of the red, green, and blue colors common on CRT monitors.",
"minisite_url": null
},
"Afacad Flux": {
"name": "Afacad Flux",
"designer": [
"Kristian M\u00f6ller",
"Dicotype"
],
"license": "ofl",
"category": "SANS_SERIF",
"subsets": [
"latin",
"latin-ext",
"vietnamese"
],
"stroke": "SANS_SERIF",
"classifications": [],
"description": null,
"primary_script": null,
"article": "The \u2019Afacad Flux typeface project\u2019 commenced in 2017 as a personalised lettering endeavour for Slagskeppet, a Swedish housing tenant, who sought fresh house address numbering for their entrances. The letters and numerals were meticulously crafted to harmonise with the architectural proportions and materials employed by Architect Sture Elm\u00e9n during the 1940s. \u2018Afacad Flux\u2019 adds an extra dimension in the form of a back-slanted version to commemorate, amongst other things, the typesetting of river names in historical cartography. Furthermore, the inclusion of supplementary weights and expanded language support contributes to a versatile typeface collection well-suited for industrial and commercial applications. To contribute, please see github.com/Dicotype/Afacad.",
"minisite_url": null
},
"Hind Mysuru": {
"name": "Hind Mysuru",
"designer": [
"Indian Type Foundry"
],
"license": "ofl",
"category": "SANS_SERIF",
"subsets": [
"kannada",
"latin",
"latin-ext"
],
"stroke": "SANS_SERIF",
"classifications": [],
"description": "Hind Mysuru is a family of five Kannada fonts, which are part of the Indian Type Foundry\u2019s larger Open Source Hind Multi-Script project. Hind Multi-Script is a type system providing nine stylistically-matching font families \u2013 one for each of the following writing systems used in Bangladesh, India, Nepal, and Sri Lanka: Bengali, Devanagari, Gujarati, Gurmukhi, Kannada, Malayalam, Tamil, Telugu, and Sinhala. In addition to Kannada, the Hind Mysuru fonts also include Latin-script characters. Developed explicitly for use in User Interface design, Hind\u2019s letterforms have a humanist-style construction, paired with seemingly monolinear strokes. Most of these strokes have flat endings: they either terminate with a horizontal or a vertical shear, rather than on a diagonal. This helps create clear-cut counter forms between the characters. Additionally, Hind\u2019s letterforms feature open apertures and counterforms. The entire family feels very legible when used to set text. Hind Mysuru\u2019s Kannada and Latin script components are scaled in relation to each other so that multi-script texts will sits nicely alongside each other. Since Hind Mysuru\u2019s Kannada characters are monolinear, they have a nice, fresh feeling, and appear very modern. Aside from the Latin glyphs, each of the five Hind Mysuru fonts has 444 Kannada glyphs, including many unique conjuncts. These ensure full support for the writing of the Kannada language. The Latin script\u2019s character set is Adobe Latin 3, enabling the typesetting of English and other Western European languages. Hind Mysuru is a solid alternate when choosing typefaces for UI design, and a wise selection for electronic display embedding. Manushi Parikh designed Hind Mysuru for ITF, who first published the fonts in 2015. Hind Mysuru is named after Mysuru, a city in Karnataka, India. The Hind Mysuru project is led by Indian Type Foundry, a type design foundry based in Ahmedabad, India. To contribute, see github.com/itfoundry/hind-mysuru",
"primary_script": "Knda",
"article": null,
"minisite_url": null
}
},
"axisregistry": {
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20 changes: 20 additions & 0 deletions docs/versionhistory.json
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"version": "Version 0.703;PS 1.0;hotconv 1.0.86;makeotf.lib2.5.63406",
"date": "2024-01-17T03:50:08.066400"
}
],
"sandbox": [
{
"version": "Version 0.703;PS 1.0;hotconv 1.0.86;makeotf.lib2.5.63406",
"date": "2024-09-20T02:50:48.976380"
}
]
},
"Hind": {
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{
"version": "Version 1.0000 ",
"date": "1970-01-01T00:00:00"
},
{
"version": "Version 1.0010 ",
"date": "2024-09-20T02:53:57.266018"
}
],
"production": [
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{
"version": "Version 2.000",
"date": "1970-01-01T00:00:00"
},
{
"version": "Version 3.000",
"date": "2024-09-20T01:59:34.935454"
}
],
"production": [
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"version": "Version 1.100",
"date": "2024-07-08T03:14:38.783924"
}
],
"sandbox": [
{
"version": "Version 1.100",
"date": "2024-09-20T02:58:41.482053"
}
]
},
"Sixtyfour Convergence": {
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