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removes some bothering comments
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WilliamDiakite committed Oct 2, 2024
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16 changes: 5 additions & 11 deletions about-en.md
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Expand Up @@ -11,7 +11,7 @@ The creation of this infrastructure and the partnership project it serves contri

The Laboratory of Digital Art History and Museology at the University of Montreal offers state-of-the-art infrastructure to support the development of digital research methods and the dissemination of its results through innovative and participatory content. This workspace is designed as a fluid multifunctional space to promote collaboration. The laboratory aims to develop the numerous points of contact between museology and digital methods in art history, which have strong potential for research and engaging both knowledge and audiences. Its mission is to support and drive the development of digital art history and the emergence of digital and citizen-oriented museology, positioning the University of Montreal as a leading institution in these emerging fields on the international stage.

The laboratory is based on two concepts: a collaborative environment that fosters multidisciplinary research and a structure similar to a professional design studio that promotes productive and sustainable working methods. Modeled after digital innovation laboratories as a *third place* focused on designing digital products (3D modeling, multimedia content, databases), the laboratory integrates professional studio practices into the research world. It directly aligns with the strategic plan of the Department of Art History and Film Studies and synergizes with the video game and film studies sections.
The laboratory is based on two concepts: a collaborative environment that fosters multidisciplinary research and a structure similar to a professional design studio that promotes productive and sustainable working methods. Modeled after digital innovation laboratories as a _third place_ focused on designing digital products (3D modeling, multimedia content, databases), the laboratory integrates professional studio practices into the research world. It directly aligns with the strategic plan of the Department of Art History and Film Studies and synergizes with the video game and film studies sections.

The laboratory provides team members with a dedicated space for collaborative work, specialized computer equipment for 3D visualization and multimedia production, and computer servers. It ensures the development of digital tools necessary for carrying out various research projects led by the involved researchers. This involves, first, creating digital developments to provide infrastructure for defining strategies for sharing annotated 3D models for art history. Secondly, it allows for the development of a JavaScript library to facilitate the production and deployment of editorial and digital exhibition devices. Lastly, it supports the development of a national and international conceptual and geolocated map of initiatives in citizen museology.

Expand All @@ -22,22 +22,26 @@ L’Ouvroir supports the emergence of digital art history and museology that exp
### Missions

Transforming the way art history and museology are conducted:

- Organizing regular training for students
- Publishing methodological resources on digital art history and museology
- Developing new forms of writing art history and museology

Experimenting and designing digital tools for art history and museology:

- Assisting museums in their digital transformation
- Developing and experimenting with tools for art historians and museum professionals
- Integrating practice and theory: knowledge devices

Becoming a reference center in the field of digital art history and museology:

- Establishing regular relationships with similar institutions
- Developing active collaborations with comparable institutions
- Positioning at the interface between art history and museums
- Developing expertise in three complementary areas: automated content analysis, metadata usage, and web publishing.

### Values

- Ingenuity, acumen, intelligence. Innovation, experimentation, practice
- Simplicity, sobriety
- Autonomy: manageable, open, and free technologies
Expand All @@ -59,13 +63,3 @@ Becoming a reference center in the field of digital art history and museology:
- Digital transformation of museums
- Digital museology position
- Department of Art History and Film Studies

<!-- ## Project-->

<!--Creation of a university digital factory exploring narrative devices-->

<!--Establishing a research team to reflect on and work on the production of multimedia digital content for the popularization of scientific knowledge in art history.-->

<!--Positioning itself against too generalized or pedagogical mediation discourses.-->

<!--Emphasizing interactive aspects and exploring new forms.-->
46 changes: 22 additions & 24 deletions historique.md
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### Événements au laboratoire

-
-

### Participation à des événements



## 2022 - 2023

### Activités régulières
Expand All @@ -34,10 +32,10 @@
- Axe 4: collaboratoires
- co-organisation de séances [Débugue tes humanités](https://debugue.ecrituresnumeriques.ca/) (CRCEN x BLSH x Ouvroir) <!--je liste spécifiquement celles où j’ai contribué? -->
- conférences Diffractions (Prisme, MBAM)
- 20 janvier 2023: [«La modélisation 3D et son impact sur l’expérience du visiteur»](https://www.mbam.qc.ca/fr/activites/modelisation-3d/) avec
- 20 janvier 2023: [«La modélisation 3D et son impact sur l’expérience du visiteur»](https://www.mbam.qc.ca/fr/activites/modelisation-3d/) avec
- Kristine Tanton, professeure à Université de Montréal
- Richard Lapointe, président de l’entreprise iSCAN et archéomaticien
- Laura Vigo, conservatrice des arts d’Asie au MBAM
- Laura Vigo, conservatrice des arts d’Asie au MBAM
- 30 mars 2023: [«La cybersécurité et les données personnelles»](https://www.mbam.qc.ca/fr/activites/diffractions-cybersecurite/)
- Sébastien Gambs, professeur à l’Université du Québec à Montréal
- Yves Lapierre, cofondateur de Floe et avocat
Expand All @@ -58,30 +56,28 @@ Participation à des événements
- [colloque annuel CIÉCO](http://cieco.umontreal.ca/colloque-2023/) (UdeM & École du Louvre)
- présentation conjointe avec Marie Fraser à la [journée d’étude «L’archive visuelle de l’exposition de collection : statut et usages»](http://cieco.umontreal.ca/larchive-visuelle-de-lexposition-de-collection-statut-et-usages/) (MNBAQ)



## 2021 - 2022

- Obtention de la subvention FCI, octobre 2021

- Recrutement de la responsable du laboratoire, Lena Krause, novembre 2021

- Midi-causeries (*brown bag lunches*), les mardis de 11h30 à 12h45, session d’hiver-été 2022
- Midi-causeries (_brown bag lunches_), les mardis de 11h30 à 12h45, session d’hiver-été 2022

- 15 mars : Robert Marcoux
- 22 mars : V.E. Mandrij
- 26 avril : Kristine Tanton, Marion Fauqueur et Ingrid Cinq-Mars
- 31 mai :
- Emmanuel Château-Dutier, Professeur au département d’histoire de l’art et directeur scientifique de l‘Ouvroir
- Émir Chouchane, conseiller en médiation technologique à la bibliothèque des sciences de l’UdeM,
- Martin Sévigny, directeur des technologies à la direction des bibliothèques
- 15 mars : Robert Marcoux
- 22 mars : V.E. Mandrij
- 26 avril : Kristine Tanton, Marion Fauqueur et Ingrid Cinq-Mars
- 31 mai :
- Emmanuel Château-Dutier, Professeur au département d’histoire de l’art et directeur scientifique de l‘Ouvroir
- Émir Chouchane, conseiller en médiation technologique à la bibliothèque des sciences de l’UdeM,
- Martin Sévigny, directeur des technologies à la direction des bibliothèques

- Ateliers outils et méthodes numériques

- 18 février, 13h : *Markdown et versionnement Github* (Lena)
- 10 et 17 mars 2021 : *Expositions numériques* (Kristine et Emmanuel)
- 18 mars : *Zotero* (Lena)
- 4 avril 2021 : *IIIF*
- 18 février, 13h : _Markdown et versionnement Github_ (Lena)
- 10 et 17 mars 2021 : _Expositions numériques_ (Kristine et Emmanuel)
- 18 mars : _Zotero_ (Lena)
- 4 avril 2021 : _IIIF_

- Présentations et événements

Expand All @@ -94,26 +90,28 @@ Participation à des événements
- `cat:local` négociations sur le local
- `cat:organisation`Recrutement du technicien en charge du développement de l’infrastructure numérique (novembre)
- `cat:communication` Mise en place des outils de communication
- `expots` documentation des accrochages (expots) : 1ère rencontre sur la documentation des accrochages
- `expots` documentation des accrochages (expots) : 1ère rencontre sur la documentation des accrochages

### Hiver 2022

- `cat:web` **livrable** publication d’un premier [site web](https://ouvroir.umontreal.ca/)
- `expots` Outil pour la gestion des notices de redéploiement de collections
- `expots` Outil pour la gestion des notices de redéploiement de collections
- `common` Recueil des besoins
- `common` Recueil des besoins

### Été 2022
### Été 2022

-`labouvroir` rapport financier FCI (15 juin 2022)

- `common` base de données documentaire (common) [Rédaction d’un cahier des charges fonctionnelles et techniques](https://github.com/ouvroir/common/milestone/3) (juin)
- `common`ateliers Zotero + exploration IIIF
- `common` [Recherche d’un prestataire](https://github.com/ouvroir/common/milestone/4)
- `cat:local` [Installation temporaire du local](https://github.com/ouvroir/labouvroir/milestone/2) (travaux, mobilier)
- `cat:organisation` [Guide de fonctionnement du laboratoire](https://github.com/ouvroir/labouvroir/milestone/5)

membres:
- 13 mai - 4 juillet : Daniel (auxiliaire de recherche)
membres:

- 13 mai - 4 juillet : Daniel (auxiliaire de recherche)
- 16 mai - 15 juillet : stage Camille (retourne en France le 4 juillet)
- 31 mai - 22 août : Mauricio Puerta, stagiaire MITACS
- 9 juin - 24 août : Chatanya Tekane, stagiaire MITACS
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4 changes: 2 additions & 2 deletions projets/ICI-en.md
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Expand Up @@ -19,8 +19,8 @@ status: done # planned | ongoing | done

# Inscribed Capitals Index

<!-- ajouter bonnes dates-->

The Inscribed Capitals Index (ICI) presents instances of capitals with lapidary inscriptions (ca.1080-1160) available for scholarly research in a searchable electronic format.

The individual record for each capital includes a description of the capital, its location indicated on a floor plan (when possible), and transcription and translation of the inscription. Data is presented in a tabular layout, allowing users to sort and filter according to categories. The ICI is not a static catalog. Instead the site’s functionality allows for updates and expansion. At present, the ICI concentrates on inscribed capitals located in France with plans to eventually include Spain, England, and Italy.

<!-- ajouter bonnes dates-->
2 changes: 0 additions & 2 deletions projets/digitalmodelsreconstructionProject-fr.md
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Expand Up @@ -17,6 +17,4 @@ pageImage: ""
status: ongoing
---

<!-- ajouter bonnes dates, author/project lead? -->

Le _Digital Models Reconstruction project_, ou projet de reconstitution de modèles numériques, est une base de données relationnelle externe, qui relie des modèles de reconstitution en 3D. Il s’agit essentiellement d’un moyen pour annoter (ou noter en bas de page) un modèle en 3D afin que le projet de modèle puisse être réutilisé par d’autres chercheurs après sa création initiale.
4 changes: 2 additions & 2 deletions projets/righettino-en.md
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Expand Up @@ -18,8 +18,6 @@ status: done # planned | ongoing | done

# Righettino

<!-- Project Description -->

[Righettino](https://ouvroir.github.io/righettino/) is a prototype application developed within the Digital Art History and Museology Workshop. It builds upon the research work of Professor [Denis Ribouillaut](https://histart.umontreal.ca/repertoire-departement/professeur/in/in19365/sg/Denis%20Ribouillault/) (University of Montreal) on the theologian and amateur draftsman Girolamo Righettino.

The latter is known for his drawings of Italian cities featuring richly adorned allegorical frames created in the late 16th century. His only surviving work is a view of Turin, dated 1583, currently preserved in the National Archives of Turin. This intricately detailed and extraordinarily complex piece, in terms of allegorical program, is practically impossible to publish within the traditional book format without losing much of its allure. This project, involving the digital publication of the drawing and the <!--manuscript written by Righettino--> explanation of its meaning, provides an opportunity to consider how digital publication in art history can facilitate better readings of Renaissance images, especially those with diagrammatic structures and that play on the combination of various modes of representation.
Expand All @@ -28,6 +26,8 @@ Within the broader framework of the research partnership [CIÉCO](http://cieco.u

This case study involved testing several virtual exhibition tools ([exhibit](https://www.exhibit.so/), [storiiies](http://storiiies.cogapp.com/), [juncture](https://juncture-digital.org/)), currently available web development tools (especially [OpenSeaDragon](https://openseadragon.github.io/) and [Canvas Panel](https://iiif-canvas-panel.netlify.app/)), as well as a IIIF image management and dissemination tool ([Cantaloupe](https://cantaloupe-project.github.io/)). The experiments conducted with these tools are described in the [Ouvroir IIIF repository](https://github.com/ouvroir/IIIF/tree/main/documentation).

<!-- Project Description -->

## Collaborators

### Current
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